Sentences with phrase «narrative comments from»

Not exact matches

As far as your comment as to the relevance of my contribution to this thread, I feel I have just used more colorful language to express my main narrative; Religion should be private, and kept completely separate from science, education, and state.

You clearly have not read the 900 comments with posts from other commentees who say they also were told the same narrative that was proliferated amongst the Emergent circles, conferences, and amongst cohorts.

And in a sense this comment is true: interpret the biblical verse or the brief narrative or in a couple of instances even the Old Testament book in isolation and it becomes in meaning something totally different from what was clearly its intent in context.

Before Chichester set out on his own around - the - world voyage in Gipsy Moth IV he read everything he could find in the way of first - person accounts of sailing the old clipper - ship route from Britain to Australia, and he has assembled the extracts in a stage - by - stage narrative with his own comments holding it together.

Her comments play into the racist narrative that «our women are at risk from foreign men».

FILM COMMENT sat down with Poitras after a public screening for a conversation that ranged from what revelations still surprise her, to the role of narrative in documentary and journalism, to how she knew she was being followed in Hong Kong.

The truth is that it's a lazy narrative choice, allowing Kenney to comment on his own story from afar, although it would have been just as effective to have Forte do these fourth - wall breaks.

Craft narrative feedback based on comments and notes from observations, providing ratings on the instructional framework - formally or informally - to identify areas of strength and growth.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

One of the objectives of his work is to break down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting them to construct a powerfully visual narrative.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Julien is an installation artist and filmmaker known for breaking down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting these to construct a powerfully visual narrative.

Isaac Julien effortlessly breaks down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting these to construct a powerful visual narrative.

New York Artforum International; December 1, 2006; Higgs, Matthew; 700 + words FAR FROM THE DEAFENING BUZZ that continues to emanate from the auction houses, and even further from the glossy pages of Vanity Fair, whose «art issue» hit newsstands in November, one of the most intriguing - and least commented on - narratives in the New York art world continued to unfold this yFROM THE DEAFENING BUZZ that continues to emanate from the auction houses, and even further from the glossy pages of Vanity Fair, whose «art issue» hit newsstands in November, one of the most intriguing - and least commented on - narratives in the New York art world continued to unfold this yfrom the auction houses, and even further from the glossy pages of Vanity Fair, whose «art issue» hit newsstands in November, one of the most intriguing - and least commented on - narratives in the New York art world continued to unfold this yfrom the glossy pages of Vanity Fair, whose «art issue» hit newsstands in November, one of the most intriguing - and least commented on - narratives in the New York art world continued to unfold this year.

From individual narratives to universal concerns, the artworks comment on contemporary culture and explore themes such as globalisation, perceptions of space and alienation in the digital age.

Richard Heller Gallery, hosting a solo show for the artist in 2015, once commented on the artist's «intensely detailed scenarios in colored pencil on paper and sculpture» as «taking inspiration from the infinite possibilities of science fiction, the storytelling of Henry Darger, the isometric perspective and narrative geography of Nintendo and Chinese scroll paintings, the eroticism of Japanese pillow books and the limitless transformations of graffiti.»

I am pointing out that your Gleickian effort to defame the Heartland Institute by weaving a dishonest narrative which accuses them of criminal activities despite you having no legal basis for doing so or proof of any wrongdoing is appalling slander per se which I think Mr. Watts was correct to remove from his comment section.

Excerpt from Coindesk article states: - «Certainly, a similar narrative could be spun: bitcoin breaks $ 1,000, the People's Bank of China issues some comments that scare people, bitcoin crashes.

«We get comments all the time from agents who appreciate the thoroughness of our reports,» says O'Rear of the company's narrative - style reports that include photos with arrows and captions fully describing exactly what's going on — delivered within 24 - hours of the inspection.