Sentences with phrase «narrative construction makes»
His attention to the details of narrative construction makes this movie a trove of intrigue, suspense, curiosity and fascination.
https://www.austinchronicle.com/ Not exact matches
2nd - time feature director and co-writer Colin Trevorrow did his part to make the effects dazzling and seamless, the narrative construction a study in thrill - making.
Reichardt deserves props for making films that are so singular in their narrative methodologies as well their cinematic construction.
IFMCA member James Southall said that War for the Planet of the Apes was «not just the best film music [Giacchino has] ever written» but that «the manner of the score, the construction of the dramatic narrative, [and] the very deliberate emotional prods... make it stand out as a special achievement».
Conversely, any effective autobiographical account makes use of the elements of fiction: character focus, action, dialogue, scene construction, narrative structure, conflict and resolution.
Drawing upon his recent explorations in narrative structure which combine documentary footage, personal account and fictional story construction, Jugdeo will use the Artist Lab Residency as a starting point towards the development of a scripted web series, made in collaboration with local performers.
Gander is an inventive polymath, a creator of worlds and teller of tales, whose making takes forms as varied as a lecture series entirely based on «loose associations,» a nonlinear narrative of wildly disparate ideas and images found and collected by the artist; re-creations of children's tent - forts sculpted in marble; the construction of complex mechanisms to generate a gentle breeze that wafts through a gallery; a conveyer belt carrying sculptures that can only be seen through one window; or detailed designs for an art school that may never be realized.
Together they make short films and photographs about the construction of narrative time and space, without the context of a traditional story line; their open - ended, enigmatic narratives elicit multiple readings.
Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.