Sentences with phrase «narrative details of»

The most popular first - person shooter, Counter-Strike: Global Offensive, also relies heavily on money and equipment gathering while decontextualizing the narrative details of gameplay, which are merely ornamental.

But the film was wonderful, lacking some of the specific narrative details of the book but so rich with what was really important: the feeling, the atmosphere, the intangibility.

This is the narrative detail of the gospel story — the who, what, where, and when.

Inverting the normal order of image - making and framing, Brown treats the frames as readymades, creating drawings in response to the particular color, size, design, and narrative detail of each.

Not exact matches

This wide - ranging work not only evaluates the overarching political and economic framework of the medical system but also provides rich narrative detail, examining the political dramas, corporate maneuverings, and forceful personalities that created American health care as we know it.

All of these stories depend on the narrative Musk feeds — that he's not into details, doesn't care if Tesla keeps its short - term promises, and that long - term screw - ups on which short sellers are counting are just a series of short - term messes the boss is already too proud to clean up.

I have no further narrative or details of what else they did to him before he died.

This is especially visible in details of the passion narrative, such as the detail of Jesus's mocking and the wording of the titulus, but is also evident elsewhere.

Although those versions differ in some details (scribal, translational and / or interpretational,) they are all concrete on the General Narrative of God.

Colina — What David said is true — you keep trying to control the narrative by pulling the conversation back to it being about a «divorce», when nobody really talked about that at all until you initially brought it up, then David addressed it (everyone else ignored it because obviously they weren't interested in the «sordid details»), and you again directed the conversation (attempted to direct it) right BACK to an over simplification of it being about the divorce between two people!

Only at the end of the fourth century do we see anything like a face of Christ presented alone, without background details or other figures in a narrative composition.

Mark's narrative is again more full and detailed than those of Matthew and Luke, with many vivid touches.

Did he remember something that a survivor of guadalcanal personally experiences and never told anyone and the boy happened to detail this from his first person narrative?

The dramatic raising of Lazarus provided rich details for the narrative artist - «Lazarus, come out!»

To try to interpret the meaning of this narrative in detail would require a long chapter to itself.

Yet when that is said and done the narratives need to be studied not only in the closest detail but also in relation to the whole problem of Christ's person and work.

They are no more historical than the set and scenery of a play are part of the narrative of the drama, or than the order in which an artist fills in the pigment and detail of a painting is part of the significance of the painting.

In later chansons de geste, however» such as Les Quatre Filz Aymon, Enfances Roland, and Entrée en Espagne» the details of Roland's earlier life were filled in, with a variety of fanciful elements becoming ever more prominent features of the narrative, and it was not long before the real Roland (such as he was) had all but disappeared behind the more resplendent figure of the hero of legend.

In relation to narratives, one could say that each character and event is a detail that can reveal some important aspect of reality and touch deep feelings in the hearer or reader.

Commercials, MTV (whose music and fast - paced visual rhythms almost hypnotically envelop us), soap operas and situation comedies give us detailed, visual narratives of the ups and downs of the American Dream.

The Adnan Syed Legal Trust has raised $ 93,000 from supporters and is sponsoring the new podcast Undisclosed: the State v. Adnan Syed, which promises to «examine and explore the case in greater detail, from an investigatory perspective instead of a narrative one.»

These bald summaries, in which we recognize already the outlines of the narratives in the Gospels, could no doubt be filled in with detail according to the speaker's ability and the demands of the occasion; but it was essential to the Proclamation that the plain facts of the case should be communicated, because it was these that constituted the fulfillment of God's purpose in history.

It is therefore remarkable that, while they vary in detail as honest witnesses will vary in reporting matters which have touched them deeply, they follow the same thread of narrative.

And so I in my turn, your Excellency, as one who has gone over the whole course of these events in detail, have decided to write a connected narrative for you, so as to give you authentic knowledge about the matters of which you have been informed.1

A comparatively small number of these units of narrative can properly be described as «tales» about things that Jesus did, in which our authors spread themselves in picturesque or dramatic detail.

There are plenty of new names — like Gwendoline Christie's Captain Phasma and Lupita Nyong» o's Maz Kanata — who don't get fleshed out as much, but half the fun of Star Wars has always been the deeply detailed narratives such side characters acquire over time.

This attention to detail, meant to convey the everyday realities of the schools, sometimes gives a soap - operaish feel to the narrative.

The most detailed Easter narrative in Luke is that of the two disciples on the road to Emmaus, and all the more interesting because it is referred to nowhere else.

As always it is the genius of this narrative that it leaves the reader quite on his own in the assessment of motives and the interpretation of details.

Tiny details that strike Wilson's fancy, like the «cooked fish» of John's feeding narrative, are used to reconstruct not Jesus» teaching, for there is nothing to be said about that, but his public ministry.

Technical details pursued through books could not be similarly pursued in an oral presentation, but the minister may be surprised at the mental ability of his people to chase an idea through paradoxes, dilemmas, myths, history, and dramatic narratives if the movement of the chase corresponds to the way they think through the issues of daily life.

Tolstoy, for instance, is an epic writer, whose books overflow with physical details and frequently threaten to overflow their own narrative structures and become as vast and as inconclusive as life itself, while Dostoevsky is a dramatic writer, whose books are full of fraught and urgent voices, at times almost disembodied, trapped in situations of immediate and pressing crisis, and surrounded by a physical world usually having no more substance than a collection of painted canvasses or pasteboard silhouettes at the back of the stage.

In the traditional manner of mythic - heroic narrative, this setting is a lively, well - detailed physical place that nonetheless reverberates repeatedly to the moral and psychological dimensions of the hero's development.

In The Art of Biblical Narrative, Robert Alter suggests a key to characters» inner thoughts and motivations which would be helpful even to the inexperienced reader of Scripture: first, external details (appearance, clothing, gestures); second, «one character's comments on another»; third, «direct speech by the character»; fourth, «inward speech... quoted as interior monologue»; and fifth, «statements by the narrator about the attitudes and intentions of the personages» (pp.116 - 117).

Yet, against this larger narrative, Short portrays in poignant detail the human cost of these Victorian religious struggles to individuals.

Certainly, if the idea of Jesus» risen life started with any factual element associated with an empty tomb, that element was never clearly visualized, even in the imagination of the first disciples, and is now confused for us in narratives that contradict each other on every important detail.

And I assure you that my knowledge of biblical controversies is miniscule, but the one were discussing I have spent some time looking into, it's very intriguing to me that these things exist alongside each other... as I said earlier, John's gospel is a good example of historical detail (with respect to the synoptics) seemingly playing second fiddle to a developing narrative (the Johanine tradition).

When we turn from this to the late addition to Mark's Gospel and to the narratives of the later Gospels, Matthew, Luke, and John, we find a florescent growth of story, full of irreconcilable details.

The Eclipse of Biblical Narrative offered a richly detailed survey of the ways 18th - and 19th - century theologians overlooked the narrative character of scripture, but fundamentally, Frei argued, there were two main strategies by which modernist (and modernist - influenced) theologians reconstrued scripturalNarrative offered a richly detailed survey of the ways 18th - and 19th - century theologians overlooked the narrative character of scripture, but fundamentally, Frei argued, there were two main strategies by which modernist (and modernist - influenced) theologians reconstrued scripturalnarrative character of scripture, but fundamentally, Frei argued, there were two main strategies by which modernist (and modernist - influenced) theologians reconstrued scriptural meaning.

the context of the whole narrative suggests to me that Jesus is saying in effect...» get a sword, becuz without one, what is about to happen will not be fulfilled»... these details seem to be important to the gospel writers... as well.compare Matthew's version of the story where the response suggests more non-violence...»» Put your sword back into its place; for all who take the sword will perish by the sword.

We find it difficult to accept at face value all the details of the narratives about Samuel.

A long narrative poem appears here describing in some detail the ascetic practices of the Master Mahavira himself.

To understand the focus of the narrative here we need to consider verse 11 with the preceding verse, which details Moses» name.

The complete narrative of Israel's experience offers a number of explanations for the long delay in the occupation of Canaan; but, for all the variation in detail, there is the emphatic understanding that Israel was, in leaving Egypt, totally unprepared for the difficult and highly hazardous task of entrance and occupation of a new homeland.

That the gospel has preserved details of great historical worth in its narrative is certain, and although its framework supplements rather than replaces that of Mark, it makes plain much of what is obscure in Mark and the other gospels.

The issue of inheritance in general also carries theological overtones which Steinberg does not discuss, but her focus allows for a clear reading of the narrative that puts many confusing details in their place.

In keeping with the movie theme, Miller quotes at length from Robert McKee, the Hollywood screenwriting guru whose book Story (1997) is at once a detailed guide to the principles of narrative and a primer on the principles...

«While the brute fact that of Jesus» death by crucifixion is historically certain, however, those detailed narratives in our present gospels are much more problematic.»

It consists in the fact that what we have here is not consecutive narrative, but simply individual stories — and these are told in the manner of the people — pious people, who marvel at God's doings rather than ponder over questions of purely human detail (§ 3).

It is arrived at by inventing far - fetched rationalistic explanations of the most obviously legendary details in the biblical narratives.