Sentences with phrase «narrative element of»

Within the context of the punk movement, Raymond Pettibon and Mike Kelley were inspired by comics through wall - length drawings that made use of the narrative element of comics on the border between visual art and literature.

A narrative element of the exhibition is engrained in the works on view which are introduced in the press release.

Bounce combines the powerful narrative elements of feature animation films with the intricate gameplay mechanics of VR to create the ultimate puzzle adventure.

The map is actually going to evolve next year to incorporate the faction bases and other story and narrative elements of the RPG side of things.

GCG: Game Narrative Review: BioShock «Unraveling the most successful narrative elements of one of the most lauded and literate games of this generation: 2K Boston / Australia's BioShock.»

Stan Douglas combines the visual style of a Dario Argento horror film, the narrative elements of a Brothers Grimm fairytale, the properties of the obsolete Technicolor process and a progressive rock soundtrack in his recombinant film, Suspiria (2003).

Not exact matches

The course: This specialization created by Wesleyan University consists of four courses, each taught by a teacher below, and covers elements of three major creative writing genres: short story, narrative essay, and memoir.

It certainly has all the elements of a tasty narrative, made all the more remarkable by the geopolitical peculiarities of the proposed deal.

If you take into accaount all the elements of US history, it is impossible to present one clear, obvious narrative of who we are.

The hypothetical elements and contrasts evoked by the flow of narrative are, in process terms, real elements in the constitution of the actual event.

The general idea is that some elements in the hierarchical field are abstract enough to be included in a formal category of relationships that applies to other events in other durations and that such applications may be formally derived and analyzed without prejudice to the critique of narrative elements described previously.

Christianity is a collection of narratives that have a few common elements.

The obvious problem of dealing with such contrasts in the linear form of narrative can be alleviated by pointing out explicitly what sorts or contrasts are being integrated, so that even if readers lose sight of the particular information involved, they can still appreciate the aesthetic transformation of elements.

Thus, by describing the antecedent field we can provide a reasonable basis for logical analysis, but we also demonstrate the need for a narrative explanation of the creative process through which the Indeterminate conditions of the antecedent world are transformed into constituent elements of some novel occasion.

By the time the narrative reaches the events of October, 1830, the field of conditional elements we have sketched is supposed to be fairly well constituted, but in a symbolic, prelogical way.

These contrasts add to the subjective intensity of the passage of the Bill as an actual event and function as dynamic elements in a narrative.

The Petrine element was introduced into this combination, chiefly at the beginning of the narrative — adding much of the «vividness» for which Mark is famous.

Further, he insisted, a congregation's particular story, because it draws from a treasury of narrative elements available to all groups of people as they struggle for survival and meaning, is its channel to participation in the worldwide mission of establishing God's shalom.

In later chansons de geste, however» such as Les Quatre Filz Aymon, Enfances Roland, and Entrée en Espagne» the details of Roland's earlier life were filled in, with a variety of fanciful elements becoming ever more prominent features of the narrative, and it was not long before the real Roland (such as he was) had all but disappeared behind the more resplendent figure of the hero of legend.

His point was not that scriptural narrative contains no historical elements, but rather that the Bible's historical elements are always mixed with myth, saga and related forms of expression as vehicles of the Word.

In some of the greatest historical narratives of the Bible the specifically religious element is quite in the background and the secular human interest is to the fore; for example, in the moving story of David and Absalom.

In spite of the diversity in the resurrection narratives there is one important common theme which C. F. Evans draws to our attention when he says, «The one element which the traditions, in all their variety, have in common is that the appearance of the risen Lord issued in an explicit command to evangelize the world, yet the early decades of the history of the church, in so far as they are known to us, make it difficult to suppose that the apostles were aware of any such command.»

Recent studies of the miracle stories in the Gospels in comparison with those told of Jewish and pagan saints and sages or «divine men» have brought out the fact that the emphasis on faith as a condition of healing is a distinctive element in the Gospel narratives.

And the French playwright Dorimon penned a version in which Juan treats his own father so callously that the old man dies from emotional shock, which may be how the element of parricide entered the standard narrative.

Although we are not prepared to argue for the authenticity of any of the narratives concerned, we are arguing for the authenticity of such an element in the historical ministry of Jesus: he did help those who confronted him in their need in a way his contemporaries regarded as remarkable, and he did link this with the «faith» of the people concerned.

We need not develop liturgical amnesia to do so but certainly will have to emphasize narrative and dramatic elements of the rituals we have or invent new ones.

Certainly, if the idea of Jesus» risen life started with any factual element associated with an empty tomb, that element was never clearly visualized, even in the imagination of the first disciples, and is now confused for us in narratives that contradict each other on every important detail.

The biographies, basic and concise, provide lesser - known and engaging elements of each saint's life, though they serve primarily as narrative devices that possess greater value for Campbell than for her readers.

On one hand there is the attempt to unravel the various threads (of the narrative) so that in the end one holds in one's hands what is the «really historical,» which means the purely human element in events.

In the present section, several more specific ways are presented by which the effort to uncover the ethos of a congregation is pressed: (a) listening for narrative elements, (b) participant observation, (c) guided interviews for value patterns, and (d) corporate moral inquiry.

He is also right in suggesting that the story of modernity is not just a narrative of failure but also contains elements of «the divine project of love.»

Religious literature in general tends either to be basically historical narrative, interwoven with elements of interpretation due to later insights, overlaid with legend, but consciously intended to be historical; or to be pure myth: a concept clothed in narrative form, and consciously only clothed in that form.

His discussion is such as thoroughly to discredit both the supernaturalistic approach to the gospel narratives, i.e. the understanding of them as historical as they stand, and the rationalistic approach, i.e. the understanding of them as historical after the miraculous element in them has been explained away.

Because the empty tomb is the most historically defensible element of the resurrection narratives, they point out all the reasons why this would not imply a resurrection.

Kuhn reaches the point of recognizing the gospels as kerygma, i.e. as proclamations of Jesus the Messiah in his significance for faith; but whereas the later Protestant view was that the kerygmatic element was in the service of a post-Easter view of Jesus as risen Lord, read back into the narratives by the later community, Kuhn's view is that this element was present in the tradition from the very beginning, part of the gospel before the gospels, part of the message of the apostles from the very first days, part of the very fabric of the ministry of Jesus itself.

In telling us the story of Trinity Church, the persons who had left the course were primarily recounting their social character, knitting into narrative form its significant elements.

I have long remembered the remark of a notable art critic — though I have forgotten which one — that many modernist paintings could be understood as fragments of classical painting blown up for their own sake, displaying the formal and technical elements by which painting is accomplished but eschewing the narrative depiction within which such patches of paint on canvas would earlier have had their place.

I can only hope that this attempt is taken more seriously than the largely muted and clearly unsuccessful protests of late last season... although the plane writing escapade brought some much - needed attention to the matter, it failed to resonate with fence - sitters and those who had just recently fell off the Wenger truck... without a big enough showing of support the whole endeavor appeared relatively weak and poorly organized, especially to the major media outlets, whose involvement could have significantly changed what was to follow... but I get it, few wanted to turn on their club, let alone make a public display of their discord... problem is, they are preying on that vulnerability, in fact, their counting on you to keep your thoughts to yourself... who are you to tell these fat cats how to steal your money... they have worked long and hard to pull the wool over your eyes... they even went so far as to pay enormous sums of cash to your once beloved professor to be their corporate spokesmodel so that the whole thing would be more palatable... eventually the club made it appear as if this was simply a relatively small fringe group of highly radicalized supporters, which allowed the pro-Wenger element inside the club hierarchy to claim victory following the FA Cup win... unfortunately what has happened to this club can't be solved by FA Cups or a few players coming in, the very culture of this club needs to be changed and that starts at the top... in order to change the unhealthy and dysfunctional narrative that has absorbed this club we need to remove everyone who presently occupies a position of power... only then can we get back to the business of playing championship caliber football, which should always be the number one priority of this organization... on an important side note, one of the most devastating mistakes made in the final days of this hectic and poorly planned transfer window didn't have to do with the big name players like Sanchez or Lemar, but the fact that they failed to secure Jadon Sancho, who might even start for Dortmund this season... I think they might seriously regret this oversight... instead of spending so much time, energy and manpower pretending that they were desperately trying to make big moves, they once again lost the plot due to their all too familiar tunnel vision

There are so elements to football that draw people in: the entertainment, the aesthetic beauty, the presence of team dynamics, the narratives, the tactics, the learning of right and wrong, the representation of culture.

I do my best to bring my worlds together, combining elements of oral narrative, folk art & music, printmaking, photography, and poetry.

A narrative history of the alternative - foods movement of the past half century explores the diverse fringe trends, charismatic personalities and counterculture elements that have rendered quotidian wholefoods, from whole grain bread and tofu to yogurt and brown rice, part of the mainstream American diet.

«He may also be able to entrench a narrative of European identity that would help root out or at least limit the impact of some frankly unappetising elements of contemporary European politics.

From diplomacy to photography, various elements of communication should be thought through and carefully planned to send the right messages and fit a narrative.

Even the supposedly «constructivist» factors of history, culture and religion have objective bases — these elements make Ukraine a pliable space for Russia to extend influence, and also contain historical narratives tying Ukraine to Russia's geopolitical safety (from the 18th through the 20th centuries, Russia has very often engaged threats from the West and South primarily in the broader Ukrainian / Black Sea region).

Apart from a brief description of the environment and goals, the game provided no narrative elements.

Luna, who is the author of The Art of Scientific Storytelling, noted that this is becoming a popular idea, as «a growing list of publications, scientific conferences, and academic institutions [are] encouraging scientists to integrate narrative elements into research and public communications.»

Online contributors were asked a series of questions about each abstract to measure whether papers had a narrative style, including elements like language that appeals to one's senses and emotions.

Anna Everywhere provides inspiration for adventure travels with elements of cultural, historical and political narrative.

In fact, sparing us the gratuitous party scenes is not just good sense but an intrinsic element of the narrative since, thanks to a self - administered mickey that turns out to be roofies rather than E, the central characters have no more idea of what went on the night before than we do.

The game boasts a strong narrative that shows the dangers and strains associated with gang membership, and promotes a strong sense of morality via game elements inspired by classic gang movies, such as «New Jack City,» «Boyz»n the Hood» and «Menace to Society.»