Sentences with phrase «narrative elements from»

In order to preserve as much of the story behind the game as possible, Compulsion decided to strip the majority of the narrative elements from We Happy Few's early access version.

The plot borrows many narrative elements from The Matrix, which itself, truth be told, borrowed many elements of its own from comic books and martial arts films, so it's hard to qualify this feature as a direct rip - off.

Not exact matches

Further, he insisted, a congregation's particular story, because it draws from a treasury of narrative elements available to all groups of people as they struggle for survival and meaning, is its channel to participation in the worldwide mission of establishing God's shalom.

And the French playwright Dorimon penned a version in which Juan treats his own father so callously that the old man dies from emotional shock, which may be how the element of parricide entered the standard narrative.

The element which most clearly distinguishes myth from an historical narrative is the reference at some point to God.

Kuhn reaches the point of recognizing the gospels as kerygma, i.e. as proclamations of Jesus the Messiah in his significance for faith; but whereas the later Protestant view was that the kerygmatic element was in the service of a post-Easter view of Jesus as risen Lord, read back into the narratives by the later community, Kuhn's view is that this element was present in the tradition from the very beginning, part of the gospel before the gospels, part of the message of the apostles from the very first days, part of the very fabric of the ministry of Jesus itself.

A narrative history of the alternative - foods movement of the past half century explores the diverse fringe trends, charismatic personalities and counterculture elements that have rendered quotidian wholefoods, from whole grain bread and tofu to yogurt and brown rice, part of the mainstream American diet.

From diplomacy to photography, various elements of communication should be thought through and carefully planned to send the right messages and fit a narrative.

Even the supposedly «constructivist» factors of history, culture and religion have objective bases — these elements make Ukraine a pliable space for Russia to extend influence, and also contain historical narratives tying Ukraine to Russia's geopolitical safety (from the 18th through the 20th centuries, Russia has very often engaged threats from the West and South primarily in the broader Ukrainian / Black Sea region).

Apart from a brief description of the environment and goals, the game provided no narrative elements.

It's a seemingly foolproof premise that's employed to distinctly (and consistently) underwhelming effect by director Johannes Roberts, as the filmmaker, working from a screenplay cowritten with Noel Clarke, Dave Fairbanks, and Marc Small, offers up a narrative that's been jam - packed with generic, hackneyed elements that slowly - but - surely drain one's interest - with, for example, the movie's absence of sympathetic characters growing more and more problematic as time progresses.

Filmmaker James Foley, working from a script by Niall Leonard, delivers a blandly - attractive production that delivers everything one might've expected, admittedly, with the smattering of thriller - oriented elements compensating for a narrative that's occasionally just a little too lackadaisical for its own good.

The details of the story, taken from real events chronicled in Krystyna Chiger's memoir The Girl in the Green Sweater and Robert Marshall's In the Sewers of Lvov, lend the familiar elements of In Darkness» narrative a fresh potency.

Unfortunately, the morsel of romanticism lacks the imminent intensity, and the narrative removes all thriller elements of the chase, bouncing around from a high security anti-trust scenario to a world of mental blockage and sparse movement.

For while it is technically a sequel, taking place in the same world as Scott's film and extending the narrative to thirty years later, Blade Runner 2049 at the same time wants to provide a sumptuously studied remake of Blade Runner, copying countless elements from it in order to evoke rich sense - memories of the original film.

Filmmaker M. Night Shyamalan has infused the majority of The Visit with many of the touchstones one has come to expect from found - footage chillers, and yet it's worth noting that the movie never quite becomes as predictable as many of its similarly - themed brethren - as the writer / director does an effective job of peppering the narrative with surprising elements and an undercurrent of unexpected drama.

On the one hand, having a weak story never stopped the original Blade Runner from being revered as a classic, but all of the elements are in place for Villeneuve to create a compelling narrative.

Reduced to its essential narrative elements, Hardware is an elaborate «stalk and slash» movie, with a relentless killer as its antagonist, onscreen sexual encounters shown from the killer's point of view, ineffectual authority figures, and an androgynous heroine who eventually succeeds in killing the killer (9).

Like the performances, the genuinely sweet and serene creative elements never drown out the narrative power, from David Wingo's slight musical score to Adam Stone's unfiltered camera.

Szifrón avoids a lot of elements one expects from anthology films these days; no framing device, no wraparound story, and no narrative links between segments.

Surely this is an element of the overall feeling of detachment from the movie, and the lack of narrative focus drags the front - loaded first act (A subplot involving the identical, bumbling Inspectors Thompson (Simon Pegg and Nick Frost) and a pickpocket (Toby Jones) only provides some stilted comedy; something is off about the physics of this animated world).

Unfortunately, the misleading confusing titling of The Raven is hardly the project's biggest problem — as, despite a mostly competent (albeit sometimes campy) effort from both John Cusack (Poe) and Luke Evans (Detective Fields), the mystery narrative elements, as well as the respective kills, are surprisingly underwhelming.

However, games can be very different from one another, much more than comics, plus there are even games that don't have a narrative element at all.

Del Toro's film is a curious mash - up of romantic prestige trappings and grisly genre jolts that affectionately borrows narrative and design elements from the 1954's The Creature from the Black Lagoon.

These elements are all incorporated within the pulpy narrative, which unfolds with satisfying precision, anchored by a well - constructed script from veteran novelist Lehane, stylish direction from Belgian import Michaël Roskam, and strong performances all around.

Midler's scenery - chewing turn as the brassy central character remains virtually the only worthwhile element within Stella's overlong running time, as the movie suffers from a fairly stale narrative that's compounded by an absence of compelling supporting figures and an often unreasonably deliberate pace.

But the script crams in so many elements from the John Carter universe — including characters that show up in later books — that the narrative itself ends up being clumsy and clichéd.

From what I've seen on - screen, Mr. Right's writing is the film's strongest element, even if it does have narrative flaws and inconsistent character moments.

And although Mendoza has admittedly peppered the narrative with creepy images (eg a woman covered in boils makes a brief appearance), Sapi does, in the end, suffer from a paucity of compelling (or even competent) elements that ultimately cements its place as an aggressively worthless piece of work.

What was once pure Gothic horror adds elements of the Western to its palette, and the narrative moves fluidly from London to Africa to the New Mexico Territory and the frozen Arctic as it catches up with (most of) our regular characters and introduces a few new ones.

For lovers of ancient literature, it doesn't come close to supplanting the baser pleasures of the original text, but from a modern standpoint, it does make for an interesting contrast in narrative elements to show how times have changed in terms of what audiences find appealing.

However, this is an action movie after all, and the most infectious personality comes from director F. Gary Gray, who keeps the motor running with such sleek urgency that one barely registers how fairly mechanical the leads and the basic narrative elements are.

Apart from the strong performances — that do keep the movie afloat despite from the narrative breaks in your emotional suspension of disbelief — other cinematic elements help support the movie.

Students examine plot as a significant element of fiction, distinguishing plot from narrative to understand plot's function within a story

In Just One Catch, the definitive Heller biography, Tracy Daugherty reconstructs the author's life, and as our reviewer wrote, it «illuminate [s] the post-World War II culture of American fiction — from the emergence of Jewish sensibilities as a key narrative element to the influence of mass advertising and television to the corporatization of book publishing.»

But from what your agent has requested I'd recommend that before sending anything back to him, you consider hiring a professional developmental editor to help you put together a proper proposal and, most importantly, to work with you on revising the manuscript to develop the narrative arc, your character and other elements as necessary to bring it to the level an agent and publisher would expect.

Here are some tips on writing narrative essays: narrative essay is written about personal emotions and memories in the form of a story; narrative essay is a story from the author's point of view, therefore all elements of telling (such as setting, plot, character, climax and ending) should be Continue reading

Over the course of this series Nath Jones's writing style develops from the raw, associative, tyrannic rambles of cathartic non-fiction, flash fiction, and rant in The War is Language and our digital domains, to the delightful rough - hewn vignettes of 2000 Deciduous Trees, into the compact characterizations of the fictionalized tellings in Love & Darts, and finally toward How to Cherish the Grief - Stricken's fully - crafted short stories that use literary devices and narrative elements to reveal a world well - rendered.

While this in itself is a bit of an overstatement (there is plenty of insightful travel journalism out there to offset the generic pap), Thompson proceeds with an accurate roundup of the elements that conspire to create bad travel writing: throw - away words like «hip,» «happening,» «sun - drenched,» «undiscovered,» and «magical»; imperative language that urges the reader to «do» this, «eat» that, «go» here; stories that depict tourism workers (taxi drivers, hotel clerks, bartenders) as «local color»; the fake narrative «raisons d'etre writers invent to justify their travels»; the untraveled writers and editors who assemble authoritative - sounding travel «roundups» from Internet research; the conflicts of interest that arise when writers fund their travels with industry - subsidized «comps»; publications running what is essentially the same story over and over again, never questioning stereotype assumptions about certain parts of the world.

From iconic «wilderness» parks to monuments, memorials, battlefields, historical parks, and more, the making of the parks — and the elements preserved within them — are crucial pieces of this nation's still unfolding history, pieces tied to often unspoken and unexamined narratives about what and who we are.

Grace Sanchez often includes figurative elements in her collage, with narrative from the filters of experience.

Even though Outlast 2 seems to be significantly disconnected from the first game from a narrative standpoint, the gameplay elements of the camera and combat - free survival are carrying over.

This game is designed as a narrative investigation where you must piece together elements from the different applications, messages and pictures to progress.

For although it is not often recognized, no game that is made escapes from having narrative elements.

That's not to say that narrative elements have been removed from the game entirely, because they haven't.

You do get to see some new narrative elements via John Carver, Isaac's Earth Goverment soldier pal who's dealing with some ghosts from his past in addition to the monsters of his present, but the scare moments are more or less the same.

Despite the lack of plot, there are still a number of narrative elements (in the loosest form of the word) in the forms of things like player scoreboards, high scores, stars for completing a level in a certain way, and the progression from one level to the next.

The Little Acre, from developer Pewter Games, presents emotional narrative elements that serve to draw the player into the point - and - click adventure's beautiful settings.

The narrative is simple but refined, focused on the trials that an innocent character needs to get through to bring order back to his universe, which involves getting access to three fundamental elements that can restore the Tree of Life with help from a spirit named Sein.

The adorable visuals and narrative - driven rogue - lite element of the game make it stand out from almost all of the competition.