Sentences with phrase «narrative elements into»

Treyarch mentioned that hey have incorporated narrative elements into all three of the game's modes this year, which is being done to pick up the slack for no single player campaign.

Luna, who is the author of The Art of Scientific Storytelling, noted that this is becoming a popular idea, as «a growing list of publications, scientific conferences, and academic institutions [are] encouraging scientists to integrate narrative elements into research and public communications.»

Not exact matches

If you take into accaount all the elements of US history, it is impossible to present one clear, obvious narrative of who we are.

Thus, by describing the antecedent field we can provide a reasonable basis for logical analysis, but we also demonstrate the need for a narrative explanation of the creative process through which the Indeterminate conditions of the antecedent world are transformed into constituent elements of some novel occasion.

The Petrine element was introduced into this combination, chiefly at the beginning of the narrative — adding much of the «vividness» for which Mark is famous.

Finally, narrative knits together all these elements — setting, character, and plot — into a storied whole.

Kuhn reaches the point of recognizing the gospels as kerygma, i.e. as proclamations of Jesus the Messiah in his significance for faith; but whereas the later Protestant view was that the kerygmatic element was in the service of a post-Easter view of Jesus as risen Lord, read back into the narratives by the later community, Kuhn's view is that this element was present in the tradition from the very beginning, part of the gospel before the gospels, part of the message of the apostles from the very first days, part of the very fabric of the ministry of Jesus itself.

In telling us the story of Trinity Church, the persons who had left the course were primarily recounting their social character, knitting into narrative form its significant elements.

But somehow Sorrentino is able to fashion the film's diverse elements into an emotional narrative that makes it all feel fresh and new.

I don't want to reveal much about the so - called plot, but Solondz is a master at throwing dark, satirical elements into a narrative, humorously revealing the dark underside of things.

At times, this congeals into intoxicatingly energetic and disturbingly violent moments of survival play, but whenever the narrative returns to moments of static calm the film has a nagging sense of perfunctory ornamentation, it's more important elements given short shrift in an effort to balance a variety of odds and ends.

When Jacques Demy made Donkey Skin, its fantastical elements were paired with an incest narrative to simultaneously reject the Disneyfication of fairy tales and integrate burgeoning feminist claims of the time, like the object status of women, into its own thematic concerns.

Now, add a romantic comedy narrative combining elements of amnesia, lack of consent, and sexism into the mixture and you have Garry Marshall's 1987 screwball flick Overboard.

Still, much of the credit for pulling the divergent story elements together into a cohesive narrative has to go to the genius of Fernando Meirelles and the performance by Ralph Fiennes.

Dion's brash, impish energy balances the narrative, but he's also the vessel for the show's mob elements, which take Beast too far into USA's quirky crime wheelhouse.

The narrative, and its thematic elements, are tied into what's happening with interactive, because of this idea that «Possibilia» is kind of this weird, fruitless cycle.

This ambitious film weaves three plot elements into an overall narrative about colonialism and greed...

It did bring a few new elements into the mix, bu those were individual american narrative flourishes that were not in the original story.

, The Hunger Games often sets a fine example of how to trim narrative fat, and better yet, it parlays tricky elements into user - friendly social commentary.

Haneke also builds other antinarrative elements into the narrative without noticeably interrupting its flow.

They may not make much sense and they may not always be easy to track, but they flow into the narrative stream in inevitable fashion, an essential element that doesn't ever slow things down.

Sharp's screenplays are marked by a narrative complexity and situations gravid with implication and doom.1 Take the moment in the Arthur Penn - helmed Night Moves where broken - down P.I. Harry Moseby (Gene Hackman, reuniting with Penn for the first time since Bonnie and Clyde), after discovering a body in a sunken wreck off the coast of Florida, watches as his two sleazeball hosts (John Crawford and Jennifer Warren)-- who've previously exchanged an odd nod and a knowing glance in which something is silently decided about how to handle this new, inquisitive element dropped in their midst — break into a broken tango to a tune on the radio.

The narrative and stylistic elements of Refn's film are familiar — indeed it is awash in echoes and allusions — yet they are assembled into something fresh and vital and astonishingly intense.

New «Jurassic World» Details: There's still an abundance of rumors circulating regarding what «Jurassic World» might be about, but now we've got a new confirmed narrative element to throw into the mix.

Lawrence Roeck's film has been explicitly conceived as an opportunity for the younger Eastwood to emulate the persona that cemented his elder's legend, fusing elements of The Outlaw Josey Wales, High Plains Drifter, Unforgiven, and the Dollars trilogy into a revenge narrative spanning portions of the American West during the period of unrest following the Civil War.

Offering a refreshing take on an old narrative, this script cleverly incorporates elements of the fairytale into a modern day setting.

If one needed any proof that Trank has always be in the right here, rewatch his Fantastic Four and notice that the movie works extremely well until a pretty clear watermark where the editing and narrative path of the script — two elements of filmmaking that studios obsessively control — collapse into a mess.

Falling into same the pratfalls of Ayer's previous effort, Fury, Suicide Squad is another case where story elements are continuously piled on in the hopes that a coherent narrative arc will emerge.

What inspired you to introduce the element of superpowers into the narrative?

Click To TweetIn my own practice, substantive editing is like a line edit that dips into the elements of narrative technique I typically include in a developmental edit, such as point of view and narrative distance, dialogue tags and beats, the balance of showing vs. telling, and filtering.

Multiple characters jump between multiple worlds, stretching over many centuries, but Mitchell connects all these disparate elements into a remarkably propulsive narrative that hums along behind its intricate, many - cylindered engine.

E2BU, aka the Enhanced Ebook University, educates authors and publishers on the creative and business potential of enhanced ebooks — electronic books that transcend traditional reading experiences by incorporating video, online links and other multimedia elements into the narrative.

Over the course of this series Nath Jones's writing style develops from the raw, associative, tyrannic rambles of cathartic non-fiction, flash fiction, and rant in The War is Language and our digital domains, to the delightful rough - hewn vignettes of 2000 Deciduous Trees, into the compact characterizations of the fictionalized tellings in Love & Darts, and finally toward How to Cherish the Grief - Stricken's fully - crafted short stories that use literary devices and narrative elements to reveal a world well - rendered.

That type of humor is woven into the narrative as they play on not only the fantasy elements but the even the gameplay mechanics themselves.

Though the game may feature some narrative elements that won't be a total surprise to longtime MegaTen fans, it'll still sink its hooks into you pretty quickly and refuse to let go.

It would defiantly set this game apart if all their effort was put into those subtleties that other games with a sandbox element are forced to overlook due to the «burden» of narrative.

The Little Acre, from developer Pewter Games, presents emotional narrative elements that serve to draw the player into the point - and - click adventure's beautiful settings.

Three thematic elements consistently drive the narratives of Silent Hill games: the theme of a main protagonist who is depicted as an «everyman» (with the exception of Homecoming, where the protagonist is thought to be a soldier and the game's mechanics operate as such), [41] and the everyman's quest, either a search for a missing loved one [42] or a situation where the protagonist wanders into the town apparently by accident but is in fact being «summoned» by a spiritual force in the town.

«PC allows us to bring an entirely unique version of the series with dynamic rogue - like elements into the narrative to reach a whole new audience of fans».

These in game moments provide context for what you're doing, and there is even an element of «moral choice» sprinkled into the plot, but none of the narrative hooks held my interest long.

It lies somewhere in between the elements of gameplay, narrative, graphics, and sound, and is ultimately a product of how all these elements are combined into a unified whole.

In my eyes, the narrative is split into two forms, the moment to moment battle against the machine lifeforms and the existential search for the truth behind the origins of androids and machines; every now and then these two threads overlap creating some excellent and disturbing highlights, but for the most part the latter element is stronger than the former.

The narrative of Marclay's work is synchronized to the location of the screening which bring the viewers into the experience - a classic element of Marclay's practice.

His powerful epic narrative is the result of elevation and transformation of the medium of drawing into the painting through the use of traditional methods of processing light and dark as the primary elements.

All these elements are superimposed over a background plane of paper that decays (viewing left to right) from a flat cream to beige and black cut strips, the old order seemingly broken and reassembled into novel arrangements: here, narrative is never formally established, but the title and the elements seem to speak to one another nevertheless.

The quintessential element within these works is the point at which a functional item is transformed into an aesthetic object or narrative microcosm.

Consequently, there is a narrative within each piece as the imagery reverberates and creates a cumulative effect that surpasses the individual elements and invites the viewer to enter into this world of disquiet.

Visitors are invited into a narrative loop that unfolds across multi-screen synched video, robots, a fountain and other sculptural elements.

Using the Internet as their source material, Simmons & Burke have effectively combed through millions of images and sounds, appropriating these once disparate elements into the grand narratives of their art.

«With simple media, Walker creates images of terror and power, with a masterful interplay of narrative and formal elements pressed into service of his message.»