Sentences with phrase «narrative experience by»

The coupling of known and unknown quantities pays direct service to the Film Noir trope of doubling, though Samore is careful to disrupt the narrative experience by ultimately withholding even the suggestion of conclusivity.

Night in the Woods, an extraordinary narrative experience by Scott Benson, Bethany Hockenberry, and Alec Holowka, tells a different type...

Not exact matches

By being a part of an exciting live experience, they're able to reshape the narrative around their own brand.

Even when voters seek redress for high unemployment or inflation, it's based on buying into a short term narrative that is successfully sold by the winning party, not previous experience.

I think it's a very dangerous mistake to dispense with our present concerns by ignoring the narrative of our stress - testing response to the credit crisis, and concluding that our experience over this half - cycle has been a mechanical reflection of our pre-2009 methods, our present methods, or some perma - bearish disposition on my part.

the negation of ideology, the political secularization of the doctrine of original sin, the cautious sentiment tempered by prudence, the product of organic, local human organization observing and reforming its customs, the distaste for a priori principle disassociated from historical experience, the partaking of the mysteries of free will, divine guidance, and human agency by existing in but not of the confusions of modern society, no framework of action, no tenet, no theory, and no article of faith, a distrust of the systems and processes of the idol of self and of the lust for power and status, scorn to all approaches of ideology and meta - narrative.

Jaded by experience and suspicious of narrative, we can not credit the secular prophecies of the past two centuries, which divined the end of history in a worker's state or the global triumph of democratic capitalism.

The elaborate narratives of Matthew and Luke may be the result of legendary or literary development; but that Jesus could speak of his own inner experiences in figurative or perhaps visionary language is shown later by his exclamation when the disciples reported their success in casting out demons (Lk 10:18): «I saw Satan fall like lightning from heaven.»

A Christian theology that respects the meaning of the biblical narratives must begin simply by retelling those stories, without any systematic effort at apologetics, without any determined effort to begin with questions arising from our experience.

Though we virtually have to use narrative language, the language of sequential time, to analyze what we mean by an occasion, we must recognize that the basic unit of experience is not a story which can be analyzed into separate sub-events, but a solid unit in its own right, a droplet of time which does not admit further dissection into a story line.

Pentecostals who begin with Acts 1:8 often conclude their testimony by inviting their audiences to experience for themselves the Spirit's presence and activity as recorded throughout the Acts narrative, and to continue to expand the early Christian story into — as it were — an additional chapter of the book of Acts.

To me, the narratives in that gospel indicate a writer who focused on facts, either experienced by himself or obtained by searching for and interviewing eye witnesses.

Whether it be Wieman's general appropriation of James's «knowledge by acquaintance» in Religious Experience and Scientific Method, Meland's «appreciative awareness,» or Loomer's more narrative forms of gathering evidence, each purports merely to describe, but then evinces that the description is driven by rather specific personal and / or contextual definitions of what counts as religious eExperience and Scientific Method, Meland's «appreciative awareness,» or Loomer's more narrative forms of gathering evidence, each purports merely to describe, but then evinces that the description is driven by rather specific personal and / or contextual definitions of what counts as religious experienceexperience.

This type of experience, suggested not only in Paul but in some of the Gospel narratives, (E.g., Matthew 28:16 - 17; Mark 16:9 - 12) may have been the beginning of the conviction that Jesus was not dead but alive, and the more physical representations of the disentombment may have been an aftermath, caused by the insistent belief of the Jewish - Christian mind that resurrection was of necessity involved in life after death.

In the narrative of Israel's experiences at Sinai we find, by and large, a remarkably coherent, instructive account of the faith of Israel as Israel looks at her own past and the meaning of her continuing life.

Now this kind of narrative is possible only because of the equation earthly Jesus = risen Lord and the consequent and subsequent equation: Situation in earthly ministry of Jesus = situation in early Church's experience, which equation is necessarily implied by the methodology of the synoptic evangelists.

The minimalists are those who do not think that these narratives point to any analogous historical event, who maintain that in fact there were no post-mortem appearances of Jesus at all, no experiences of Jesus after his death by the apostles.

The Penfolds Collection 2016 is a testament to the entire Penfolds winemaking team's expertise, passion and experience, a tribute to the enduring narrative of character, quality and provenance, one that is recognised by collectors worldwide.

That was my experience for a long time, and it is shared by Laura Barcella, who recently responded to National Adoption Month in a post in the New York Times «Motherlode blog entitled «Adoptees like Me «Flip the Script» on the Pro-Adoption Narrative.»

One of the most powerful ways we understand the experience of being human is by constructing a narrative of our lives.

Learn more about our unique approach to engaging students through their heads (intellectual involvement in a subject), hands (experiencing a subject by doing), and hearts (living into a subject in an emotional sense to connect it to a broader narrative), fostering the desire for lifelong learning.

«Flip the Script,» a new YouTube video by an adoptee writing collective, The Lost Daughters, attempts to combat the damaging cultural narrative that centers exclusively on shiny, happy adoption experiences.

The complexities of pregnancy and infant loss are explored by survivors themselves rendering this must - read book a first hand personal narrative that invites people to feel less alone in the aftermath of such devastating experiences.

Recent studies show that parents who can think about their own experiences in a clear, narrative way are better able to respond to their children's needs without being «hijacked» by their own tumultuous emotions.

Our research finds an emerging dichotomy in maternal «sleep narratives» that are reinforced by the use of phone apps to monitor and manage infant sleep, online discussions where mothers share their experiences and techniques, and websites promoting infant sleep products.

A wide range of play and expressive arts interventions will be described and experienced by the participants during the day including use of puppets, drawing and artwork, storytelling, narrative story stems, clinical use of symbols, guided imagery and fantasy techniques, poetry, sand tray, and drama.

Different people experience different narratives or a mix of narratives, caused not only by the inescapable socially situated subjective interpretation of each person (as has always been the case), but by the very substrate of the messages.

We encourage our readers to observe and interact constructively with Costa Rica by offering active narratives, accurate reporting, modern design and photographs that show the visitor experiencing her surroundings.

The creative team on this action - adventure event is led by director / producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years — with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on.

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LA Noire Complete Edition is an adult experience, supported by the excellent motionscan technology and a great narrative for our media.

It's far from innovative as other games feature superior narratives and better multiplayer modes, but it's still an edge of your seat and bullet riddled extravaganza that begs to be experienced by anyone with a PS3.

And while the narrative eventually details the recruits» experiences during the war, director Stanley Kubrick offers up a first half devoted to the aforementioned characters» punishing treatment at the hands of R. Lee Ermey's hard - nosed drill sergeant - with the decidedly engrossing nature of this stretch heightened by Ermey's thoroughly captivating performance.

The narrative disjointedness is not at all relieved by confusing editing, an uncertain tone, and a dragging pace that makes the film a progressively dreary experience.

But it's still encumbered by the same narrative flaws of the first film, which the higher stakes unfortunately amplify, resulting in an ultimately underwhelming experience.

The narrative of Milk anchored by Sean Penn's transcendent Best Actor - winning performance and Dustin Lance Black's authentic award - winning Best Original Screenplay deepens the more somber experience of the documentary.

1 The Lost City of Z Cinema still offers a combination of visual scope and narrative compression you can't get from TV, which is what makes this epic historical adventure by James Gray such an arresting experience.

Set in the Barrio La Esperanza area of Puerto Rico, writer - director Angel Manuel Soto's film presents three narrative threads, loosely connected by the poverty, drug addiction and government crackdown experienced in this community.

At once a taut narrative of captivity and freedom, an imaginative trip into the wonders of childhood, and a profound portrait of a family's bonds and fortitude, ROOM is a beautifully transcendent experience based on the award - winning global bestseller by Emma Donoghue.

It's a wildly impressive fusion of a director, Robert Zemeckis, at the top of his game, a screenwriter, John Gatins, expertly blending personal experience with an array of creative narrative choices, and a tremendous lead performance by Denzel Washington.

A spinoff, Monster Hunter Stories, stepped off the beaten track by introducing a simple yet satisfying narrative, and now Monster Hunter World solidifies that step by using the building blocks of previous narrative concepts to deliver a well - paced experience that spends more time focusing on the bigger picture.

The creative team is led by director / producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years — with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on.

Born in a region of Austria / Hungary that is now part of Poland, Wilder's story feels like an archetype of the émigré - to - Hollywood experience that shaped so much of the early studio system, and by extension, narrative cinema as we know it.

For they manage to channel their negative experiences constructively by collaborating on a meaningful CD containing insightful personal narratives which touch on a variety of universal themes.

So, by engaging with our staff in the development of the framework we were really able to stamp our school's values, their prior learnings and experiences, into this improvement narrative.

By finding and perfecting your narrative voice for your eLearning course, you gain the ability to create an eLearning experience that is polished, organized, and complete.

In addition, by finding and perfecting your narrative voice for your eLearning course, you gain the ability to create an eLearning experience that is polished, organized, and complete.

Based on the Common European Framework of Reference for Languages (CEFR level A2) developed by the Council of Europe, the five creative activities develop language and literacy through narrative experiences.

By pairing up to write narratives developing experiences, events, or characters, English - language learners can produce better texts in terms of task fulfillment, grammatical accuracy, and complexity.

Jose Vilson's This is Not a Test avoids these traps with a narrative that is by turns passionate and funny, angry and vulnerable, and full of keen insight born of on - the - ground experience in schools.