Sarah Menzies» terrific nonfiction film is every bit as keenly observed, and its visual storytelling every bit as rich, as the most absorbing
narrative fiction feature.
Not exact matches
In order to qualify as an international
narrative feature film, the submitted project must be either scripted or improvisational
fiction, and more than half of the project's financing must originate from outside of the United States.
INTERNATIONAL
NARRATIVE FEATURE FILMS: Any narrative work of fiction of international origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary&raqu
NARRATIVE FEATURE FILMS: Any
narrative work of fiction of international origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary&raqu
narrative work of
fiction of international origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary» style.
U.S.
NARRATIVE FEATURE FILMS: Any narrative work of fiction of U.S. origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary&raqu
NARRATIVE FEATURE FILMS: Any
narrative work of fiction of U.S. origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary&raqu
narrative work of
fiction of U.S. origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary» style.
The slate includes a number of familiar names, most notably «Simon Killer» filmmaker Antonio Campos, who will return to the festival with «Christine» (a
narrative feature about TV reporter Christine Chubbuck, who killed herself live on - air in 1974; interestingly enough, the Sundance slate also includes a Chubbuck - centric documentary, «Kate Plays Christine,» a new
feature from director Robert Greene that looks to blend fact and
fiction in ways similar to his previous documentary, «Actress») and «This is Martin Bonner» director Chad Hartigan, who will debut his «Morris from America» at the festival.
CinemaBlend.com — Director Craig Gillespie's I, Tonya is very upfront about the weird and contradictory nature of the true story behind its
narrative — but it also
features no shortage of «stranger than
fiction» moments.
Bart Layton's audacious
feature debut uniquely tacks together documentary and
narrative styles to tell the stranger than
fiction tale of a notorious art heist gone horribly wrong.
Narrative fiction and its related
features are least favored.
It covers
fiction and non-
fiction, with literary
fiction, memoir,
narrative non-
fiction, history, lifestyle and gift books all
featured.
While the
narrative essays are usually non-
fiction,
features of the
fiction shouldn't be completely ignored.
News & Notes is a weekly Saturday post
featuring book - and publishing - related news, links to interesting articles and opinion pieces, and other cool stuff Book News Harlequin Launches Hanover Square Press, an imprint for «general
fiction,
narrative history, journalism, and memoir.»
Digital non-
fiction, children's books, and textbooks are being revolutionized with new forms of delivery and interactive multi-media
features, but Coliloquy is the first publisher to focus on the
narrative experience of adult
fiction.
Unusually for randomly generated roguelikes, Death Road To Canada
features a heavy emphasis on
narrative, its Interactive
Fiction events making or breaking friendships, all the while adding character - driven drama to the blood and guts chaos of combat.
This exhibit will
feature new works created to present energetic
narratives infused with fantastical
fiction based on actual life experiences.
The exhibition «Dust Jackets for the Niggerati — and Supporting Dissertations, Drawings, submitted ruefully by Kara E. Walker,»
featured an amazing series of
narrative drawings and text - driven, tongue - in - cheek prints that Walker describes as «potential book covers for unwritten essays, works of
fiction, and missing
narratives of the black migration.»
The Contemporary Art Gallery presents Medium - Based Time by Berlin - based Canadian artist Jeremy Shaw,
featuring a black and white 16 mm film of transgender voguer Leiomy Maldonado, an HD video installation that reworks archival ethnographic film into a dystopian science
fiction narrative,