What is it: Hooked turns
narrative fiction into bite - size stories that look more like text message conversations.
Not exact matches
may I recommend... the trilogy that is written as
fiction... but allows you to eneter
into a
narrative taht discusses these huge, important topics?
This is
fiction that challenges, that takes risks, that dares to bring dollops of strangeness
into an ostensibly everyday
narrative, that forces the reader to re-evaluate his or her perception of «reality», to question values and beliefs whether scientific, religious, philosophical, psychological, sociological or whatever.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science -
fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines,
narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned
into a Muppet.
Sometimes, building a strong
narrative with believable characters can be enough to transport you
into the
fiction and help the viewer empathize with the characters» plight.
Where so many docs are content to fit
into simple categories, often attempting to mimic the
narrative formulas of
fiction films, Stories We Tell embraces the form and then reaches beyond its usual confines.
Berg, making her
fiction debut, and her director of photography, Rob Hardy, push Every Secret Thing
into the overcast dimness that has become a color - palette requirement for cinematic
narratives in which loved ones get murdered or go missing.
Erik is looking for the following: literary / upmarket
fiction with an emphasis on plot (as in, nothing too slow / quiet / static); popular and academic / trade science nonfiction, especially evolutionary biology;
narrative history and biography; contemporary culture criticism (think Klosterman); sports books, if it's got a scope that extends past just games and players and
into culture / larger issues.
If your book fits
into one of the following book genres (
fiction, memoir, or
narrative nonfiction) you should write two different versions of your book synopsis for literary agents.
When so many
fiction writers crowd their stories and novels with hundreds of characters and thousands of extraneous details, it's calming to settle
into Lynch's rich, tightly focused
narratives... The old and the new, the living and the dead: this collection of short stories is a trove of carefully observed lives.
Besides Kunzru, Haruki Murakami clearly falls
into this category (especially his 1Q84, 2011), as does Nick Harkaway (in Angelmaker, 2012), but David Mitchell also deserves a seat at the head of the translit table, and his new book, The Bone Clocks, just may become the quintessential example of translit
fiction, not only in its complexity and thematic richness, but also in the remarkable
narrative propulsion that drives its many - cylindered engine.
Best known for her work on the Sisterhood of the Traveling Pants series (read our interview with her on the books here), she's now making her second foray
into adult
fiction after The Last Summer (of You and Me), your basic first - novel
narrative of love and friendship.
To become effective flash
fictions, such pieces must be transmuted, must undergo the alchemy that turns basic
narratives into the golden weave of
fiction.
Adam: I've always been attracted to
narrative in my work, as well as hardcore research, which I've also tried to incorporate
into my
fiction.
Mosley deftly weaves historical and speculative
fiction into a powerful
narrative about the nature of freedom.
A few of their authors have turned
into celebrities and have their fan -
fiction and
narratives optioned for movies.
TOP PICK IN MYSTERY If we translated our day - to - day experiences
into fiction, the many converging plotlines would rarely fit
into a coherent A-to-B
narrative.
In his first book for young adults, Mosley deftly weaves historical and speculative
fiction into a powerful
narrative about the nature of freedom.
The king of the blockbuster courtroom thriller has succeeded at stepping
into a new genre — short
fiction — and created seven rich and enticing
narratives.
They borrow tropes and
narrative tricks from science
fiction, fantasy, horror, and more — turning great discoveries
into great adventures.
In his first book for young adults, he deftly weaves historical and speculative
fiction into a powerful
narrative about the nature of freedom.
Cosmic horror, supernatural events, ghost stories, weird
fiction, mystical fantasies, occult
narratives, this book plunges you
into dark domains and brings you face to face with surreal monstrosities.
Attendees were mesmerized by Mara Purl's program that wove
fiction and nonfiction
narratives; by Bill Van Orsdel deep dive
into...
There will be: Social media — of course; Book marketing — absolutely; Publicity moxie — wouldn't leave it out; Book design — lots;
Fiction structure — deep diving
into narrative; Book trailers — the so - so, better and best; Amazon savvy — yes indeed; Blunders — critical issues to avoid; Findability — using the Internet town hall to maximize yourself and your book; eBooks — all the latest and how to create easy peasy; Repurposing — a zillion ways; Branding — get your label ready; Influence — to the nth degree!
Over the course of this series Nath Jones's writing style develops from the raw, associative, tyrannic rambles of cathartic non-
fiction, flash
fiction, and rant in The War is Language and our digital domains, to the delightful rough - hewn vignettes of 2000 Deciduous Trees,
into the compact characterizations of the fictionalized tellings in Love & Darts, and finally toward How to Cherish the Grief - Stricken's fully - crafted short stories that use literary devices and
narrative elements to reveal a world well - rendered.
You can think about how different
fictions and
narratives can be built
into online worlds using procedural generation.
An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations
into distinctions between fact and
fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and
narrative within discourses of conflict».
Inserted
into the modern ruins of damaged homes, collapsed infrastructure, and piles of detritus is a free - form
narrative — part science
fiction, part video game, part real - life experiences like stop - and - frisk interrogations — enacted by members of the self - taught Brooklynbased dance troupe Ringmaster Crew.
He is known for his autobiographical explorations of identity and sexuality that blend fact and
fiction into rich, absorbing
narratives.
She employs a surfeit of images, incorporates text, and uses feverish editing to alter the normal flow of the
narrative, while the presence of her own voice and the direct participation of the viewer — who is pulled
into the thick of it and often invited to perform actions — eliminate the conventional distance between cinematic
fiction and its audience.
MPVAC investigates the emergence of digitally constructed identities, theoretical
fictions, Amerika composts various art personas and classic 20th century artworks
into a
narrative sequence of mobile phone video images that conjure up both the spirits of the past as well as hauntological actors of the present.
Gazing
into the future is premised on revisiting the past with a lucid eye, parsing through myths that accreted as foundation for the writing of history, of the
fictions that define nations, of the fabricated
narratives that fragment history
into centres and peripheries, occupied respectively by winners and losers.
One of the YBA generation whose work has recently been shown more in Europe than at home, Starr is a born storyteller who established an early reputation for creating works with complicated and emotional
narratives exploring female identity, history
fiction and biography which extend
into multilayered theatrical events.
Stimulated by existential queries and investigations
into what - ifs, each one of his artworks acts as a vessel to tell a new story, all collectively fitting
into an overarching
narrative where
fictions and realities collide.
They also appropriate characters and imagery of comic book illustrators and animators, which Juliano - Villani, composing with two projectors that allow her to build layered
narratives from the stuff she has been geeking out over all her life, configures
into chaotic tableaux that are part fan
fiction, part self - exegesis.
For what
narratives are worth, and we all know how much
fiction and wishful thinking goes
into them, let me venture the following hypothesis, very sketchily: Bram van Velde's work represents a direct result of the philosophical questioning of the consequences of World War II, which would continue and develop from the fifties to the seventies through the works of Simon Hantaï and Supports / Surfaces, among others.
Be it in the video - taped performances where I go
into the public to perform comical good - deeds, as seen in Courtesy Moments: After You (part of the ongoing series Art that says Hello), in the literally submerged -
narrative of the sculpture, Dig, where fact and
fiction fold in on each other and draw the viewer in as well, or in the friendly but lifeless, implicit yet ambiguous purpose of the structure, Head - level Happening.
The Contemporary Art Gallery presents Medium - Based Time by Berlin - based Canadian artist Jeremy Shaw, featuring a black and white 16 mm film of transgender voguer Leiomy Maldonado, an HD video installation that reworks archival ethnographic film
into a dystopian science
fiction narrative,
Group exhbition «Ficções» [«
Fictions»] dives
into the
narrative universe of some of the most remarkable contemporary artists in Brazil, using as starting point the book of the same name Argentinian writer Jorge Luis Borges.
Themes include
narratives exploring identity, as individuals and as communities; as well as truth,
fiction, and the unreliability of memory with the resulting exhibition offering a unique nationwide insight
into UK art schools today.