Not exact matches
Sundance will premiere 16 American
narrative feature
films, and 26
films in the world cinema dramatic and documentary
competitions.
New for 2011,
films in
competition were also eligible for Jury Awards for Best Editing, Best Cinematography, Best Score / Music, Best Screenplay (
narratives) and Breakthrough Performance (
narratives).
Only
films that are world premieres are eligible for our U.S. Dramatic
Competition program, but U.S. narrative feature films that have previously screened at up to two other festivals anywhere in the world are still eligible for our out - of - competitio
Competition program, but U.S.
narrative feature
films that have previously screened at up to two other festivals anywhere in the world are still eligible for our out - of -
competitioncompetition programs.
When the
film premiered at the 2017 SXSW
Film Festival in March where it took home the Audience Award for
Narrative Feature
Competition, nobody could have predicted just how timely it would be upon the release in early November.
Today we close things out ahead of tomorrow's festival kick - off with a few
films from the
Narrative Competition, Narrative Spotlight, and narrative films in other
Narrative Competition,
Narrative Spotlight, and narrative films in other
Narrative Spotlight, and
narrative films in other
narrative films in other sections.
Every season we will highlight two
films per decade — each of which premiered in either U.S. Documentary or
Narrative Competition.
The 23rd annual Austin
Film Festival is now accepting applications for this year's
film competition in eight categories including feature - length
narrative, short
film, and
narrative student short.
Oddly enough, along with the two
films about Christine Chubbuck in the
narrative and documentary
competition, respectively, there are two titles by directors named Matthew Ross.
Among the first
films and filmmakers to use these services will be two selections from the 2011 Sundance Film Festival: Connected: An Autoblogography about Love, Death & Technology by director Tiffany Shlain, which premiered in the U.S. Documentary
Competition section and On the Ice, by director Andrew Okpeaha MacLean, which premiered in the U.S.
Narrative Competition section.
Kwedar's preternatural ability to blend high drama with explosive pressure cooking won him and his
film the Audience Award for
Narrative Competition at this year's SXSW
Film Festival and, arguably more importantly, near universal praise.
Presenting the world premieres of sixteen
narrative feature
films, the Dramatic
Competition offers Festivalgoers a first look at groundbreaking new voices in American independent
film.
Directors of
films in
competition for Best U.S.
Narrative Feature participate in NVFF's unique Artists - in - Residence Program presented in partnership with the incomparable Meadowood Napa Valley.
For the fifth consecutive year, the directors of the twenty
films in our
Narrative Features and Documentary Features
Competitions will stay at Meadowood Napa Valley while participating in our innovative Artists - In - Residence program.
Two such
films celebrated their world premieres at the festival as part of this year's U.S.
Narrative Competition, All About Nina and State Like Sleep.
Shults takes what on the surface is just another indie drama about family dysfunction, but he seems to have filmmaking instincts in his bones, even for his first feature, that it is no surprise the
film received the Grand Jury Award and Audience Award in the
narrative feature
competition at the 2015 SXSW
Film Festival.
U.S. DRAMATIC
COMPETITION Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a fi
COMPETITION Presenting the world premieres of 16
narrative feature
films, the Dramatic
Competition offers Festivalgoers a fi
Competition offers Festivalgoers a first look...
The eligible
films were those in the
narrative feature and documentary feature
competition categories; the Audience Awards, to be announced March 16, are culled from all feature categories save headliners and special events.
Nearly the entire line - up for the 2014 Sundance Film Festival has already been revealed including the Premieres for
narrative and documentary
films, the Spotlight and Park City at Midnight programming, and the official in -
competition selections.
In addition to 34
narrative and documentary feature - length
films in
competition, and eight shorts programs, the festival will feature panel discussions and workshops including «The Finest Hours» author Casey Sherman (and my former WBZ - TV colleague) who'll tell you how he got from «From Page to Screen» and turned his book into a major studio
film shot in Massachusetts.
After 15 years with a script she wrote at the tender age of 25, Liz W. Garcia finally saw her
film One Percent More Humid hit the screens as part of the US
Narrative Competition at this year's Tribeca
Film Festival.
The event kicked off last night with the world premiere of The Five - Year Engagement and now we've got 11 days of
films ahead of us, one of which is the World
Narrative Competition entry First Winter, and Shockya.com is lucky enough to exclusively host First Winter's poster debut!
Two of Netflix's upcoming
narrative, feature
films — The Meyerowitz Stories (New and Selected) and Okja — have been programmed in Official Selection, and will mark both their world premieres In
Competition at the 70th Edition of the Film Festival.
The
narrative almost changed with the very last
competition film when Lynne Ramsay rushed to get her final cut onto the Croisette with You Were Never Really Here (3.6) and was close but no cigar for the second highest rated
film just squeaking in in front of Zvyagintsev's Loveless (3.5).
The
film, which won Tribeca's top
narrative competition prize, lacks Offside's sense of reckless comedy, but it's similarly specific and intriguing about the role of young women within a single culture — not just Israel's, or even the military, but within this particular Army base, with its complicated relationships and low expectations — while commenting on gender as a larger construct outside these individual walls.
«Burning Sands» is one of 16
narrative feature
films that has been chosen to play during the festival's Dramatic
Competition, which offers audiences a first look at groundbreaking new voices in American independent
film.
While we don't see the
film making it to the official
competition lineup, its whimsical «Be Kind Rewind» inspired
narrative could make it a possibility for Un Certain Regard.
Matthew Konkel (screenwriter / co-producer) and Erin Maddox (producer) attended the Slamdance
Film Festival in Park City, Utah where their feature - length
narrative film, Neptune, was accepted for
competition.