Sentences with phrase «narrative film installations»

Greek Pavilion (Giardini): George Drivas explores the complexities of the current refugee crisis in the narrative film installation Laboratory of Dilemmas, curated by Orestis Andreadakis and commissioned by the EMST National Museum of Contemporary Art, Athens.

Not exact matches

Known for complex narratives that often concern a network of characters engaging with the mediation of identity, truth and history, Egoyan's work over the last decade plus applies these concerns to a variety of film subjects, as well as installations, plays and operas.
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
Eija - Liisa Ahtila experiments with narrative storytelling in her cinematic installations and films.
Ericka Beckman creates films, videos, photographs, and installations that are inspired by game structures rather than linear narratives.
art fair, conceptual, Curator's Office, film, installation, Moving Image, narrative, New York, Nicholas & Sheila Pye, performance, premiere, video art
The Pyes» artistic output spans photography, film, performance, video, and installation while acknowledging the profound influences of surrealism in film, narrative conventions in painting, 19th and early 20th century portraiture, and conceptual approaches to subject matter.
Her films / video, installations, public performances, photographs and drawings combine minimalist and poetic approach with socially engaged and complex narratives.
It will spotlight the artist's unique contribution to the narrative of Brazilian Conceptualism and reveal her wide - ranging, interdisciplinary practice which merges painting, photography, film, sculpture, installation, collaborative actions, and participatory events.
Amie Siegel, analysis, archaeology, art, artefact, cinematic, collection, cultural ownership, culture, desire, excavation, exhibition, fetish, film, history, installation, labour, luxury, material, meaning, Moving Image, narrative, object, objecthood, ownership, performance, photography, projection, property, representation, ritual, simulation, South London Gallery, speculative, value, value system, video
Her films, drawings, photos and installations often seek to examine the concept of narrative, exploring the subjective nature of memory and «the means by which artefacts are borrowed, adapted and reconfigured to tell various stories».
A visual and narrative feast, it was published in conjunction with the Fall / Winter 2014 presentation of «Ten Thousand Waves» (2010), a 55 - minute immersive film installation projected onto nine double - sided screens at the Museum of Modern Art in New York.
What is laid apparent in this project in particular is Al - Maria's dexterity in carrying narrative across media, in this instance installation, text and film.
In 2010, for Location One Gallery in New York, Saro - Wiwa produced and co-curated the group exhibition Sharon Stone in Abuja, which explored the narrative and visual conventions of the Nigerian «Nollywood» video - film industry through Saro - Wiwa's video installations and works by Wangechi Mutu, Mickalene Thomas, Andrew Esiebo and Pieter Hugo.
Cheng Ran, cinema, cinematic, disappearance, estrangement, exhibition, film, history, iconic, installation, K11 Art Foundation, literature, myth, narrative, New Museum, poetry, video, video art, visual culture
Julien's critically - acclaimed nine - screen film installation Ten Thousand Waves, 2010, explores China's ancient past and rapidly transforming present through a series of interlocking narratives.
Elsewhere in the gallery, Prager's three channel film installation contrasts the unmoving crowds with intimate narrative.
Deeply interested in narrative, Micah Stansell's films and installations depict a romance with authenticity, the mystique of the past, and the bonds of family.
Applebroog propels her paintings and drawings into the realm of installation by arranging and stacking canvases in space, exploding the frame - by - frame logic of comic book and film narrative into three - dimensional environments.
He creates multi-channel site - specific installations as well as single channel works that often blur the line between narrative, experimental, and documentary film modes.
Laure Prouvost Laure Prouvost's idiosyncratic installations are cacophonous environments centred on domestic objects, film, sound and that often invoke loose narratives based on a single event.
Glass, neon and mirrors; paintings, sculptures, installations and film screenings: all these elements and media can be found in the narrative or demonstrative, formalist or poetic works of artists Gwenaël Bélanger, Philippe Favier, Claudie Gagnon, Wyn Geleynse, Claude Hamelin, Jacques Hurtubise, Mario Merz, Stephen Schofield and Catherine Widgery.
Melika Bass is a moving image artist who creates experiential installations and experimental narrative films.
Melika Bass's films and immersive installations weave atmospheric, abstracted narratives that slip between hyper - reality and historical fantasy.
Building upon this notion of the disembodied image in his video installation... a hazy and confused landscape, Barocca cuts, reassembles, slows, and loops various sections of Kreta, a WWII - era German propaganda film, into four sequences, to divest the moving images of any ideological or historical identification and disrupt the film's narrative structure.
The solo exhibition featured a spatial narrative installation that delves, through movement, texture, sound, and gesture, into the psychology of several reoccurring figures in Bass» previous films; while also introducing two new characters, blending the past into the present.
Téllez's film will be followed in 2019 by Julien's installation, Rochester Pictures, which will weave together historical narratives about Susan B. Anthony and Frederick Douglass, both of whom lived in Rochester for periods of their lives.
This captivating, three - channel video installation encompasses fictional narrative, natural history documentary, and film essay, referencing Ralph Waldo Emerson, Herman Melville's Moby Dick (1851) and Heathcote Williams's poem Whale Nation (1988), among others.
Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.
The double sided film installation, Flora, by the artist team Hubbard / Birchler is the narrative of an American woman, Flora Mayo, an artist who goes to Paris to study sculpture.
SB14 will feature exhibitions by curators Zoe Butt, Omar Kholeif and Claire Tancons, bringing together a range of experiences and works — including major commissions, large - scale public installations, performances and films to explore how contemporary life, enabled by rapid technological change, has created a seemingly inescapable «echo chamber» of information, complex personal networks and shifting narratives that are physical, spiritual and virtual.
Informed by his film background, Julien's gallery installations produce complex narratives that reflect critical thinking about race, globalization, and the politics of representation.
Tai Shani's multidisciplinary practice, comprising performance, film, photography and installation, revolves around experimental narrative texts.
His video work moves between gallery installation and narrative films made in collaboration with Tony Grisoni.
London - based artist Isaac Julien is a pioneering film and video artist whose multi-screen installations display rich narrative imagery that address issues of migration, race, gender, and globalization.
Her film and video installations use overlapping layers of narrative to explore notions of truth and fiction, subjectivity and authorship.
The largest and widest selection of work by Davis and Joseph ever shown in a museum, Young Blood highlights the notion of a narrative continuum built through varied mediums of contemporary storytelling — including painting, sculpture, film, and installation — that creates an immersive sensory experience.
Lindsay Seers» work encompasses film, photography, performance and set — building often brought together in architectural installations which resonate with the layered narratives and unfolding histories forming emotional landscapes.
The exhibition highlights the notion of a narrative continuum built through varied mediums of contemporary storytelling, including painting, sculpture, film, and installation.
She creates ethereal works with multi-layered narratives, incorporating film, photography and installations.
Lina's Selander films and installations often focus on junctures in history where a system or physical place collapses and something new begins to emerge, the narrative of mechanical cinema giving way to that of digital video, or a political or economic system plummeting into a new one.
A selection of Thomas» video, film and performance work curated by Sky Sitney COURTHOUSE GALLERY, Anthology Film Archives, ON THE SHAPE OF THE SCAB — experimental narrative 15 minute Video + sculptural installation at for the duration of the New York Underground film Festival, March
30 minute experimental narrative film, sculptural installation and live performance, based on a response to the Jehovah's Witness pamphlet of the same name.
The godmother of feminist art, Kelly is known for her provocative films and large - scale narrative installations that explore notions of sexuality, work, power, and politics by tapping into the more visceral aspects of daily life... «Kelly is one of the most important female Conceptual artists of our time,» says L.A. gallerist Susanne Vielmetter, who represents the artist along with New York — based Mitchell - Innes & Nash, and Pippy Houldsworth Gallery of London.
His award - winning and internationally exhibited photography, film, performance and installation work forms a personal and idiosyncratic exploration of a local narrative.
Artist and filmmaker Martha Colburn depicts a frenetic, whirlwind narrative of an epic topic — the history of American war from Bunker Hill to Baghdad — collapsed into a 10 - minute animated film in the Museum's latest New Media Series installation, Triumph of the Wild (2008 — 9).
Featuring a major new sound and video installation and a large - scale drawing project by Anri Sala, the exhibition Take Over addresses central themes in Anri Sala's oeuvre, exploring the relationships between music and narrative, architecture and film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one medium takes on the qualities of another.
Recognized for his innovative approach to film and the inventive multi-screeen gallery installations he creates to present them, Julien's visual narratives reference a range of disciplines from dance, photography and music, to theatre, painting and sculpture.
Julien is an installation artist and filmmaker known for breaking down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting these to construct a powerfully visual narrative.
SCHOOL OF CHANGE comprises narrative film, sculptural installation and continuous live performance.
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