Sentences with phrase «narrative film project»

This work is a study for a longer, more narrative film project that has been commissioned by the London - based organization, Animate Projects and producer Jacqui Davies.

The album will be her third solo effort, and is set to be accompanied by a «narrative film project».

Today Lance Burton is happily retired and is currently working on a number of documentary and narrative film projects.

Not exact matches

It can be overindulgent at times and Myers» over-the-top lens through which he projected his early comedy films can seep into the narrative and produce some overbearing results at times, though «Supermensch» feels like a work of minimalist restraint compared to films like «Wayne's World» and «Austin Powers».

For the past 7 years, she led media engagement and social impact initiatives supporting documentary film and is now bringing her expertise to narrative projects as Advisor on Impact & Social Innovation for Killer Content and their new creative studio venture Level Forward in partnership with filmmaker and philanthropist Abigail Disney.

The first writer to come on the project of adapting a six - hour British miniseries into a 127 - minute film was Carnahan, whose 2007 film The Kingdom has the kind of narrative drive and political awareness that was useful for this film.

In order to qualify as an international narrative feature film, the submitted project must be either scripted or improvisational fiction, and more than half of the project's financing must originate from outside of the United States.

BEST NARRATIVE FILM The Florida Project ** Get Out ** The Post The Shape of Water Three Billboards Outside Ebbing, Missouri

Through AFI's Narrative Labs project, with support from the Sundance Institute and New York's Cinereach organization (which has also helped produce small, memorable films from Citizenfour to Beasts Of The Southern Wild), Howe was able to complete Gabriel, which stars Rory Culkin as a young man navigating a mental illness that distances him from his caring and frustrated family, and leads him on an increasingly desperate quest throughout the film.

The San Francisco Film Society (SFFS) and Kenneth Rainin Foundation (KRF) have selected 15 finalists for the latest round of SFFS / KRF Filmmaking Grants; more than $ 300,000 will be awarded to one or more narrative feature film projects at any stage of production.

According to io9, «certain screenings of Marvel's Black Panther will feature a brief Dirty Computer teaser along with what Pitchfork described as «film narrative» about the project.»

It was especially poignant to see Robinson, a lesbian filmmaker who's been working in the industry for years on various projects including The L Word, present such a radical film to both older audiences who were familiar to the character and young audiences who are growing up with the chance to see a complex women - centric narrative propelled by her.

No release date for the album has been announced, but certain screenings of Marvel's Black Panther will feature a brief Dirty Computer teaser along with what Pitchfork described as «film narrative» about the project.

While the narrative flow of Woodrow's character in Bellflower is presented as a relentless succession of inter-related episodes, I'd argue that everything in the film is either reconstructed or projected by Woodrow from a single point in the film.

Moonee's fun and games are the primary narrative engine of The Florida Project, anchoring the viewer in a child's non-judgemental experience of the film's world.

It's quite an ambitious project for Ford in only his second film but he's able to keep command of all the narratives and manages to combine a reflective drama with a mysterious, psychological thriller while bringing it all together to make a complete and coherent whole.

Pitchfork reports that the project and its accompanying «film narrative» will air in select theaters ahead of screenings of Marvel's Black Panther movie this weekend.

With more of a sense of nostalgia rather than relevance, the film lacks a compelling narrative, and thus lacks the depth of many of Linklater's recent projects.

LOS ANGELES (September 10, 2017)-- Participant Media has elevated Jonathan King and Diane Weyermann to the newly established roles of Presidents, with King overseeing narrative film and television projects, and Weyermann handling film and television documentaries.

«Detroit» director Kathryn Bigelow and «The Florida Project» director Sean Baker explain how they were drawn to the space that blends fictional narratives with stories rooted in facts for their films.

Then, in part three, we discuss Spurlock past and future including the disappointing box office of the fantastic Pom Wonderful Presents The Greatest Movie Ever Sold, his upcoming film Mansome, some TV projects and even his first narrative feature.

During the 2017 #HometownHeroes crowdfunding rally for narrative feature films, the Duplass Brothers put up a $ 25,000 no interest loan and joined two projects as executive producers.

Beginning life as Maddin's interactive Seances project, in which the director channelled the spirits of lost silent movies through improvised live happenings, the film eschews traditional narrative form to instead seduce its audience through its poetic visuals, compelling ideas and inspiring performances from the likes of Charlotte Rampling, Geraldine Chaplin, Mathieu Almaric and Udo Keir.

Red Hook Summer, Lee's latest and the first narrative film he's written (or co-written, in this case with novelist James McBride, who also wrote Lee's little - loved Miracle At St. Anna and the novel it was based upon) since the unholy mess that was 2004's She Hate Me, illustrates why even Lee's fans (including myself) are right to view his intensely personal projects with profound skepticism.

And the two will overlap in the upcoming 2018 Sundance Film Festival as Froehle's company, Chicago Media Project (where she serves as co-founder and CEO) has six documentary films and the Gamechanger Film Fund, of which Froehle is a member, has three narrative feature films premiering at this prestigious festival.

There is a great narrative associated to Thunder Road: it serves as a brilliant proof of concept project as it was based on the Sundance Grand Jury prize winning short, and serves as a reminder that in this era, regardless of a small budget or limited means — that if you've got a great idea and a team of creative collaborators, you can make a feature film in the month of November and win a major film festival five months later.

As perhaps the most famous Dutch auteur, he's gone from ribald little European films to the biggest of Hollywood bangs, incorporating his unique wit, visual sense and narrative acuity to all his projects.

In our review of the film, we praise Green for bringing his «A-game to a project more fraught with trainwreck potential than anything he's tackled before, demonstrating a refreshing shrewdness and restraint in a narrative that could have easily melted into gooey hagiography or pat inspirationalism.»

Whereas in film you're responding to the narrative and the process for each film is generally quite similar, with games there are so many different kinds of them, and within each game, different sets of circumstances, so from project to project there is almost always going to be a new issue within music that needs to be tackled and dealt with.

Also on view are a selection of Barney's storyboards for his films and videos — composed of sketches, photographs, clippings, and books — used to map out the narrative structure of his projects.

A visual and narrative feast, it was published in conjunction with the Fall / Winter 2014 presentation of «Ten Thousand Waves» (2010), a 55 - minute immersive film installation projected onto nine double - sided screens at the Museum of Modern Art in New York.

What is laid apparent in this project in particular is Al - Maria's dexterity in carrying narrative across media, in this instance installation, text and film.

Often using unconventional narrative structures to address dislocation, personal politics, social issues, and memory, his films and art projects have won him international acclaim, including the Knight of the Order of Arts and Literature from Thailand's Ministry of Culture, the Slipatorn Award, and the Fine Prize from the 55th Carnegie International.

Central to their project is a speculative fiction narrative they developed over the course of their residency, which has generated several short films and will culminate in a limited - edition comic book.

Devised in conjunction with Lost and Found, MK Gallery's Young Person's Project, this new assembly of films, meanderings and found material features playful interruptions and interventions into narratives and the meanings that they generate.

Three of his films from the series Mobile Homestead (2010 — 11) present a vignette of Detroit's civil history as the narrative to his public art project in his hometown.

The complex spatial and temporal relationships that his narrative films suggest are explored most boldly in the Primitive project (2009), which received its American debut at the New Museum.

The founder of the Anthology Film Archives in 1964, which remains the world's most important repository of avant - garde films, Mekas has directed and produced numerous projects of his own, ranging from narrative compositions (Guns of the Trees, 1961) to documentaries (The...

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The founder of the Anthology Film Archives in 1964, which remains the world's most important repository of avant - garde films, Mekas has directed and produced numerous projects of his own, ranging from narrative compositions (Guns of the Trees, 1961) to documentaries (The Brig, 1963) and «diaries» (Lost, Lost, Lost, 1965).

Over time, my production has evolved from black and white photographic portraits and narrative videos to creating hybrid «sites», images and installations employing photographs, videos and film, archives and found materials, projected sounds and reflective surfaces, works focusing on the individual's role in history and in time.

The narrative in some ways echoes that of the film Construction of One (2016), projected in the adjacent room at the CAC.

The film's sound design rises and falls, creating a narrative arc on which to project a beginning, middle and end.

Each canvas is prepared with an undercoat of screen paint, the kind used by home movie enthusiasts, so that the support itself is literally a screen onto which the painting is materially «projected»; this material collapse of image, time, sound and narrative onto a fixed canvas - as - screen becomes a kind of «terminal projection» of the film, a «petrified cinema».

Featuring a major new sound and video installation and a large - scale drawing project by Anri Sala, the exhibition Take Over addresses central themes in Anri Sala's oeuvre, exploring the relationships between music and narrative, architecture and film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one medium takes on the qualities of another.

The result is that the works project multiple perspectives — as an array of objects in physical space, a suggested narrative playing out in the viewer's mind, and a working set in a film» — Gene McHugh

His film A Space Program was released by Zeitgeist in 2016, offering viewers a glimpse into the artist's studio practice, philosophy, and the narrative surrounding his 2012 project with Creative Time at the Park Avenue Armory.

Our distinguished faculty bring diverse approaches to the classroom from their own work in experimental film, video, animation, nonfiction, narrative, installation, glitch, interactivity, art games, curating, archiving, and web - based art projects.

Featuring a major new sound and video installation and a large - scale drawing project, the exhibition addresses central themes in Anri Sala's oeuvre, exploring the relationships between music and narrative, architecture and film and interleaving qualities of different media in both complex and intuitive ways to produce works in which one medium takes on the qualities of another.

Further references — to 19th - century utopian social projects, Hollywood films and romantic landscape painting — are also intertwined in the narrative.