Telling the tale of a young lady returning home to her family's rural Oregon homestead, Gone Home was an interesting, and successful, twist on
narrative focus in games.
The schoolyard drama and the tumultuous romance between Chloe and Rachel Amber, which were the primary
narrative focus in
This is a much different project, of course, both in terms of setting and story, and the screenplay could use more
narrative focus in its first half.
Not exact matches
The strength of Hasbro's results contradict a
narrative that has formed
in the retail sector
in which many executives have lamented that spending during the holiday season has
focused on two periods of time: the Thanksgiving / Black Friday holiday weekend and the final week before Christmas.
At Fiji, Robbins offered some insight into what Jones» daily email updates look like, saying, «he sends me a checklist of what we measure, everything from his NAV [net asset value] to his [portfolio] weights, what's happening
in his body, to his
focus, to ratios of risk - reward that we're measuring, and then he does a
narrative for me.»
In recent years, the EU's approach has
focused on trying to provide an alternative
narrative to BRI.
We adapted our approach
in mid-2014 to address that issue, which is why we're keenly
focused on market internals here (see the «Box»
in The Next Big Short for the full
narrative).
In this case, the scammers seemed more
focused on Ryan's backstory and
narrative, which we admit makes for an entertaining watch.
However, my
focus in this series is to intelligently discuss the real problems of bitcoin's unknown origins and the many problems with the mass media
narratives that have been built and disseminated to not only cover up these unknowns but also to falsely turn these unknowns into knowns.
The charts contain the following
narrative, and it is worth noting that Federal Reserve's dual mandate was officially codified
in the Humphrey — Hawkins Full Employment Act
in 1978 — prior to the act, the Federal Reserve was
focused on full employment:
Templates of buyer personas are very limiting
in keeping the
focus where it should be — on key insights and
narratives that matter to how buyers go about accomplishing goals.
The
focus here, however, will be on one particular form of organic teaching that is unusually full
in itself —
narrative teaching.
While teaching
in Asia I became aware how often Western readers tended to see the truth of Scripture
in abstract terms, while Asian readers tended to
focus on
narrative and concrete images.
In opposition to narrative criticism, with its focus on the supposedly objective and stable text, and in opposition to structuralism's focus on impersonal and universal codes, reader - response criticism arose to argue for the essential role of the reader in the process of making meanin
In opposition to
narrative criticism, with its
focus on the supposedly objective and stable text, and
in opposition to structuralism's focus on impersonal and universal codes, reader - response criticism arose to argue for the essential role of the reader in the process of making meanin
in opposition to structuralism's
focus on impersonal and universal codes, reader - response criticism arose to argue for the essential role of the reader
in the process of making meanin
in the process of making meaning.
Eichenwald also
focuses on
narrative «contradictions»
in the biblical account
in order to undermine appeals to Scripture; specifically, the Christmas story, the Easter story, the Flood
narrative, and the Creation accounts.
And since the Old Testament word for angel, as that of the New Testament, means also messenger, it is a legitimate suspicion that these
narratives preserve reminiscences of the growing significance of the prophetic movement, which comes into clear
focus just a little later
in First Samuel.
Their
focus is not on imaginative construction but on what they call the «realistic
narratives»
in scripture that render characters and circumstances
in mutual interaction.
To me, the
narratives in that gospel indicate a writer who
focused on facts, either experienced by himself or obtained by searching for and interviewing eye witnesses.
What the book does is it helps the reader think of large, and sudden moves
in the economy
in terms of monetary and banking policy and helps correct for
narratives of economic events that tend to overwhelmingly
focus on questions of taxation, spending and labor regulation.
The issue of inheritance
in general also carries theological overtones which Steinberg does not discuss, but her
focus allows for a clear reading of the
narrative that puts many confusing details
in their place.
In 1988, the
narrative focused on Los Angeles.
Although I've found it very cathartic to speak, vent and end occasionally rant about all things Arsenal, we need to act carefully and intelligently right now or we're going to get played by this club even worse than at present... the pro-Wengerites and the suits, who represent a considerable proportion of the season ticket holders, don't want to believe that there is no plan and that Wenger has mailed it
in for several years now or that things are going to get much worse before they get better... why would they... many have spent a considerable sum buying some of the highest priced tickets
in the World... they want to have a front row seat to see something special and to be seen doing so, which simply provides ample justification for the expense and the time invested... to many of them, Wenger is the sun
in their soccer universe... his awkward disposition, misplaced arrogance and his utter lack of balls makes him a rather unusual cult figure, but the cerebral
narrative seemed to embolden those who already felt pretty highly of themselves... many might not even of really liked football that much before his arrival and rarely games they weren't attending... as such, they desperately believe that Wenger, and only Wenger, can supply them with their required fix... if he goes, they were wrong and that's a tough pill to swallow... they would have to admit that they were duped... they will definitely resent whoever made them feel this way, but of course it will be too late by then... so when we go overboard with ridiculous comments bordering of anarchy, it scares the shit out of them and they shift their blame towards us rather than at those who really perpetrated this act of treason... we aren't the enemy... we simply woke much earlier and the reason our comments have gotten more vile
in recent years is out of utter frustration...
in order for any real change to occur at this club we need to bring as many supporters as possible with us or the big money interests will fade and our ultimate objective will be lost... so it's time to
focus on the head instead of the heart for now
Focusing on successful models is an attractive approach for a
narrative journalist, too, because people generally prefer reading emotionally resonant stories about individuals
in pursuit of a worthy goal to slogging through lots of dry research and statistics.
This could be the case because the format of ebooks for toddlers is structured so there is only a sentence or two on each page, letting them
focus and fully absorb that message, instead of getting lost
in a longer
narrative.
In my current work with the Centre on Migration, Policy, and Society (COMPAS), I
focus on the ways that British newspapers talk about migration issues and relate these
narratives to public perceptions and migration policy changes.
But McDonnell is proving to be more multi-layered than his caricature, seeking late
in his career to match expediency with belief, gripped by the need to prove economic competence (he reads the findings of
focus groups as avidly as New Labour's leading figures used to do), knows the importance of
narrative and how George Osborne impressively framed one about how Labour crashed the car and should never be given the keys again.
The prevailing
narrative of the rise of West, which
focuses on the importance of the revival of Ancient Greek knowledge following the Dark Ages
in paving the way for the Renaissance, the Scientific Revolution and the Enlightenment, has a tendency to portray Europe's rise
in self - contained euro - centric terms, often failing to acknowledge debts from further afield.
As they begin compiling more opposition files
in earnest, America Rising plans to
focus on New Yorkers
in pushing their Cuomo
narrative.
The problem seems to lie
in two longstanding journalistic habits: the tendency to
focus on poll leads, rather than shares, and to interpret the poll leads
in terms of the prevailing Westminster Village
narrative.
At first, the
focus on the aged Thatcher's modern life feels like it's getting
in the way of the historical
narrative.
«As a postdoc, I was very much wedded to a specific research project,» she says, because she was
focused on developing a research
narrative to present
in faculty job interviews.
The United States and other countries, he said, need to turn the
focus toward ways of unlocking vast quantities of private - sector dollars and also «develop a
narrative» of how nations intend to fulfill the pledge made at the 2009 climate summit
in Copenhagen, Denmark.
They identified the key people involved using a
narrative approach to interview
in focus groups formed from those who were early adopters of process improvement methods.
The
focus will be on your MINDSET (what
narrative are you playing over and over
in your head that is working against you), your BODY (what are your fitness, health, and nutrition goals) and your SPIRIT (what is your purpose, why are you here, and what fills you up).
Whereas Mackintosh is centred on traditional craft and commercial product and presented
in Paris, Kostadinov's own line allows him to indulge
in narrative - led collections that
focus on a central character.
It's an interesting graphic adventure, but
in the end the
narrative feels less and less
focused, and the puzzles are way too easy for veterans of the genre.
Barry proves that by honing
in on a specific
narrative with razor sharp
focus and excellent craftsmanship, you can stand out.
Narrated by each character
in shifting turns, «Mudbound» presents a fascinating exercise
in perspective and
narrative focus, weaving
in and out of the two families» stories and the constantly changing dynamics of dominance and dependence, all of it set against a backdrop of poverty and the unforgiving forces of nature.
But as each and every player engages
in debates - concerning, among other things, art, the artist's perspective, and male - female dynamics - Guerín
focuses as much attention on the slippery boundary between documentary and fiction,
in turn engaging with an evolving
narrative, increasingly complex character dynamics, and an endlessly vivid emotional journey.
A tightly
focused romantic drama that exudes the
narrative terseness of a good short story and the lucid craftsmanship of a filmmaker
in full command of the medium.
She discovers that as she meets with a kindly sports memorabilia dealer (Jon Hamm,
in his sweetest film role) and the
focus of the
narrative shifts.
«Perhaps recognizing that the premiere might have been a little confusing to some viewers, the writers of «Las Vegas» keep it remarkably simple, dividing their
narrative into two alternating plotlines, one
in each timeframe... the
focus allows for what's always been the strength of this show: Liev Schreiber.
There's little doubt, ultimately, that the character works best
in extremely small doses and yet much of the
narrative is
focused entirely on his somewhat obnoxious (and completely unsympathetic) exploits, which ensures that large swaths of The Disaster Artist completely fail to completely capture and sustain one's interest - although it's hard to deny the effectiveness of certain making - a-picture sequences
in the film's midsection (eg the shooting of the infamous «oh, hi Mark» scene).
Though it's loose
in narrative, the general plot of the film
focuses on six female spirits (played by Colette Kenny McKenna, Krystle Fitch, Anastasia Blue, Tanya Paoli, Kara A. Christiansen and Makaria Tsapatoris), all recently murdered by the same serial killer (Bryant W. Lohr Sr.), seemingly stuck on the threshold of reality and the afterlife, confined to the labyrinth passageways of a sort of purgatory-esque edifice.
Like their previous film Lenny Cooke, sibling directors Benny and Joshua Safdie
focus on a true story
in Heaven Knows What, only this time they shoot it as a feature
narrative instead of a documentary.
The birth of RoboCop is clearly of interest to Padilha, who takes his time with this portion of the
narrative, introducing us to Dr. Dennett Norton (Gary Oldman), a good - natured guy responsible for Murphy's tech - heavy new body, and letting the gravity of the situation settle on our hero's shoulders
in a series of scenes that
focus on the overwhelming change he must now adapt to.
The
narrative is actually rather brief, clocking
in at about 7 hours and possibly much less if you simply
focus on the main story missions.
Certain Women (Kelly Reichardt, 2016) 4 out of 4 stars Set
in wintry Montana, Certain Women — the sixth full - length feature from Kelly Reichardt (Meek's Cutoff)-- offers a
narrative scope as majestic as the mountains we glimpse
in the distance, with a
focus as narrow... Continue reading →
Lack of dramatic and
narrative focus was another problem
in the original movie.
In Chloé Zhao's resoundingly human film The Rider, the
narrative is framed as both documentary and drama
focused on 20 - year - old rising rodeo star Brady Blackburn (played by Brady Jandreau) as he undergoes a crisis of identity.