Miller's videos explore self - representation and self - presentation in
narrative form as a tool for the reconstitution of both physical and psychic manifestations of loss.
Not exact matches
As an industry content leader, Participant annually produces up to six
narrative feature films, five documentary films, three episodic television series, and more than 40 hours of digital short
form programming, through its digital subsidiary SoulPancake — all aimed at entertainment that inspires social awareness and engaging audiences to participate in positive social change.
Even the various
forms of theological activity can be redescribed in
narrative terms,
as when Newbigin writes of «the congregation
as hermeneutic of the gospel»: interpretation of Scripture for Newbigin is not so much what a particular scholar writes
as what a particular community of believers enacts.
Missouri Synod theologians had traditionally affirmed the inerrancy of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing of the various biblical
narratives; a somewhat ahistorical reading of the Bible in which there was little room for growth or development of theological understanding; a tendency to hold that God would not have used within the Bible literary
forms such
as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part of the evangelists who tell the story of Jesus in the Gospels or to consider what it might mean that they write that story from a post-Easter perspective; a general reluctance to consider that the canons of historical exactitude which we take
as givens might have been different for the biblical authors.
The recent ferment in approaches to biblical study and new
forms of criticism such
as canonical criticism and
narrative theology give promise of offering new insights on this subject.
This approach assumes that
narrative accounts
form analogues to the composition of historical events and that the dynamics of
narrative are expressed in events
as symbolic transformations, emerging in temporal patterns, and resulting in definite configurations that can be analyzed at several levels of abstraction.
Yet it is a necessary prerequisite to the reestablishment of
narrative as a valid
form of explanation.
But when the
narrative form lacks integrity,
as it seems to for many contemporary novelists, it can not be insisted upon.
Human imagination
as a whole provides the particular idiomatic and
narrative construction of a congregation; its members communicate by a code derived from the totality of
forms and stories by which societies cohere.
Though this schema remains, in much reduced
form, in the present volume, Hopewell found the central image, the body, unsatisfactory
as a conveyance for his essentially structuralist arguments about congregational
narrative.
Angels, visible in human
form, appear
as characters in the
narrative and address the chief actors; an angel descends from heaven, rolls away the stone which sealed the rock tomb and sits upon it.
In fact, however,
as I have indicated, I do not think that the Synoptic traditions should be taken for the most part
as factual history, but rather
as reflections, cast in
narrative form, of the theological thinking of the early Church about the Easter appearances and of various current controversies about them.
Indeed,
as early
as Origen in the third century it was being pointed out that we must not think of the Ascension
as a movement in space; and in fact Luke seems to have translated into mythical
form, i.e. a pictorial
narrative, the universal belief of the early Church that Jesus has ascended to the throne of God, not in a physical manner but in the sense that he has been exalted to Lordship over all the world.
As the Cold War was rooted in a conflict of ideologies and visions, so it was a drama unfolding in narrative form, and nobody could equal John Paul as a master of the dramatic art
As the Cold War was rooted in a conflict of ideologies and visions, so it was a drama unfolding in
narrative form, and nobody could equal John Paul
as a master of the dramatic art
as a master of the dramatic arts.
forms of plot development) which were not necessarily the same
as the techniques used in modern Western
narrative.
His point was not that scriptural
narrative contains no historical elements, but rather that the Bible's historical elements are always mixed with myth, saga and related
forms of expression
as vehicles of the Word.
Narrative theology came into vogue, followed by narrative preaching — understood variously as preaching about narratives, preaching with narratives and giving sermons narrat
Narrative theology came into vogue, followed by
narrative preaching — understood variously as preaching about narratives, preaching with narratives and giving sermons narrat
narrative preaching — understood variously
as preaching about
narratives, preaching with
narratives and giving sermons
narrativenarrative form.
If NT theology is understood
as a response to certain key events of the life of Jesus in
narrative form, a comparison of the different traditions (synoptics, John, Paul) suggest a development, if not different understanding.I view this
as a «human construct».
They share their unique perspective on the joys and challenges of ministry in alternating segments,
forming a collective
narrative that illuminates the inner workings of a clergy marriage, even
as it inspires with heartfelt tales of life in ministry.
As for the musical patterns that held and «composed» Dr. P., Sacks now sees that these also are
narrative in
form.
They were usually treated
as pieces of a jig - saw puzzle which must be ingeniously fitted together to
form one full and more complete
narrative.
It was this stream of thought that came to expression in the Passion
narrative where Luke recorded Jesus
as saying to the penitent thief; «today you shall be with me in Paradise».5 We must be careful to do justice to the fluid nature of the
forms in which the resurrection hope was expressed, and to recognize that they were alternatives which could not be easily reconciled with each other.
It was important to establish the fact that they knew who was crucified and where he was buried, before their discovery of an empty tomb could be of any significance, but the narrator has introduced these references in such a way
as not to disturb the already existing
forms both of the Passion
narrative and of the burial story.
Before we elaborate the modes of congregational idiom and the
narrative forms they assume, a task that will occupy all the subsequent chapters of this book, we must dispatch two preliminary matters: a definition of the congregation
as one among several
forms of religious association and some comments on the relation of the congregational
form to specifically Christian witness and mission, a discussion that
forms the last section of this chapter.
Let us set down three observations: (a) Mark 15:40 - 16:8 possesses several features which divide it so sharply from the Passion
narrative that it could hardly have been the natural continuation of that in the stage of oral tradition, (b) this pericope, however, could not have existed in its present
form as an independent tradition, (c) the pericope itself falls naturally into two parts, the first of which can exist
as an independent story, but the second of which can not, for it depends upon the first.
The Latin word resurrectio appears to have been created for Christian use, and while the Greek equivalent anastasis is certainly pre-Christian, it does not seem to have been widely used until Christian times, some scholars thinking that, when Paul referred to it at Athens, his hearers mistook it for the name of a goddess.26 The idea of resurrection first came to expression in the
form of a
narrative, and until the advent of the above technical terms, words of very general usage, such
as «raise», «wake up», «stand up», etc., served the purpose of relating it.
«By the time of the writing of the gospels,» notes C. F. Evans, «it had disappeared, leaving behind no more than an echo, and that not in
narrative but in credal
form («The Lord is risen indeed, and has appeared to Simon»), which Luke has some difficulty in attaching
as an awkward pendant to his Emmaus story.»
We owe the Red Sea story in its present
form to them,
as well
as the
narratives of the conquest of Canaan, particularly the story of the fall of Jericho.
tried to show that we can trace in the Gospel according to Mark a connecting thread running through much of the
narrative, which has some similarity to the brief summary of the story of Jesus in Acts x and xiii, and may be regarded
as an expanded
form of what we may call the historical section of the kerygma.
[3] Bruce Lincoln defines myth
as «ideology in
narrative form».
Whether it be Wieman's general appropriation of James's «knowledge by acquaintance» in Religious Experience and Scientific Method, Meland's «appreciative awareness,» or Loomer's more
narrative forms of gathering evidence, each purports merely to describe, but then evinces that the description is driven by rather specific personal and / or contextual definitions of what counts
as religious experience.
Here is the
narrative of the Cave (1 Kings 19)
as it may first have come to
form, oral or written, still in Elijah's own century.
A
narrative of a Lenten meditation in poetic
form written from the standpoint of the apostle Thomas: And if it were not for his love, his grace that sought me out behind locked doors, called me to touch and then believe, I would not be here at your humble table ready now with you, to break the bread and pour the wine
as he did years ago.
Everything of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time of the exodus, but by the story of the exodus — the story
as it was first remembered and repeated; the story
as it assumed relatively fixed classical
forms in different areas, in the North or South; the story
as its multiple versions, written and oral, were compared, mutually «corrected,» and finally composed into the single, unified
narrative that is before us now.
The present
form of the
narrative has certainly in some measure been shaped by Israel's annual celebration of the Sinai Covenant,
as each year the making of Covenant was re-enacted, and the structure of the Covenant itself renewed.
This oral tradition
formed the basis or main body of the evangelic tradition up to but not including the passion
narrative; it was the common knowledge of Jesus
as it circulated in Palestine during, and soon after, the lifetime of Jesus — «the report that spread all over Jewish Palestine,
as you yourselves know, beginning in Galilee after «the baptism» which John preached» and continuing down to the present.
N. T. Wright puts what I'm trying to say succinctly when he argues that the entire burden of the Pauline letters is to teach new Christians to «think within the biblical
narrative, to see themselves
as actors within the ongoing scriptural drama: to allow their erstwhile pagan thought -
forms to be transformed by a biblically based renewal of the mind» (emphasis added).
In this respect, his approach is very different from that of another distinguished literary critic, Robert Alter, author of The Art of Biblical
Narrative, who deprecates what he calls the excavative techniques of professional biblical scholarship and works with the text
as it is, in its final
form.
In the present chapter, I have argued that idiom is primarily conveyed in story
form,
as the parish apprehends its corporate experience and
as its members communicate their common life and draw resources from the
narrative structures of the world.
I cover a lot of ground and do so in the
form of a
narrative, and so the information below will be helpful for you
as you seek to follow along.
Had the course progressed in the manner we had hoped, we would probably have also employed the in
forming aspect of
narrative, sketching the story
as a scenario for action.
But the biblical
narrative does not say that the Spirit took the
form of a dove, nor that the devil appeared to Jesus
as a living being.
I use traditional metalsmithing skills, mixing silver, copper, and minerals,
as well
as Murano and artisan glass, to create
forms and ornament inspired by nature and
narratives.
Ideology is usually defined
as a set of political ideas and beliefs - which
form a
narrative of sorts.
What follows is in many ways a detective
narrative that darts between past and present, East and West, taking in an exploration of capitalism, freedom and human rights
as well
as the similarities and differences between the two superpowers whose names
form the play's title.
If France seeded the EU to take control of the European
narrative and avoid another regional war on French soil; did Germany seed the EU
as a
form of rapprochement?
Articles made comparisons to mundane, low - level
forms of radiation; defined the risks
as unknowable, given the lack of long - term studies; and largely excluded concerns expressed by experts and residents who challenged the dominant
narrative.
lacks the straightforward
narrative or melodic thrust of The Wall, but it isn't
as somnolent
as The Final Cut, and if the songs don't call attention to themselves, they nevertheless
form a long suite that works
as a sustained mood piece.
The fantastic
narrative structure jumps from a pre-historic era, when apes first discovered using bones
as tools and
as weapons, to a futuristic space - age when man discovers proof of intelligent alien life in the
form of a gigantic black monolith on the moon.
The film relies far too heavily on sophomoric audience indictments, double flashbacks (Robert Forster and Mary Kay Place are fantastic
as young Nathan's terrifying parents), and three stale
narrative testimonial
forms (the police station confession, the testimony before Congress, the dead man in Heaven) that are each wildly distracting and atonal.