The individual actions caught up in the Trinity story were each irregular or apparently spontaneous, but the overall
narrative form of the story is a pattern of meaning so regular that we term the pattern a myth.
Not exact matches
We're creatures
of narrative, and our memories are especially pleased by anything that takes the
form of a
story.
Missouri Synod theologians had traditionally affirmed the inerrancy
of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing
of the various biblical
narratives; a somewhat ahistorical reading
of the Bible in which there was little room for growth or development
of theological understanding; a tendency to hold that God would not have used within the Bible literary
forms such as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part
of the evangelists who tell the
story of Jesus in the Gospels or to consider what it might mean that they write that
story from a post-Easter perspective; a general reluctance to consider that the canons
of historical exactitude which we take as givens might have been different for the biblical authors.
But regarding the creation
story, it makes specific factual claims (albeit, internally contradictory when comparing the two different creation
narratives) regarding the order
of creation which are directly contradicted by observable, physical evidence, e.g. earth before sun, the order
of the appearance
of particular
forms of life, etc..
In the following two chapters, I shall examine more precisely the various
forms that parish
stories assume and show how by observation and inquiry one can explore the setting
of a congregation's
narrative.
Human imagination as a whole provides the particular idiomatic and
narrative construction
of a congregation; its members communicate by a code derived from the totality
of forms and
stories by which societies cohere.
One advantage
of the
narrative form is that we do not have to fix on one
story told in one way at all times and places.
It would be a fictitious
story expressing certain timeless truths or beliefs in the
form of a concrete and particular
narrative.
If faith gives
form to the structure
of the
stories of Genesis, and if the
stories are therefore instructive to the continuing faith
of Israel, it is also clear that Israel, early and late, enjoyed the
narratives of the fathers.
Now,
narrative vision or seeing the world in the
form of a
story is out
of fashion in our world.
Some attention to the
story form in apocalyptic can show us some
of the reasons why the
narrative form is in trouble, while process theology has some fundamentally useful hints about how we may re-imagine the
story, or grasp a new
narrative vision
of the world, which will enable us to set the new into a meaningful framework and respond to it with hope.
Others are not quite so enamored with
stories but continue to speak
of narrative sermonic
form.
Some have thought that John's
story is a development in
narrative form of this parable.)
But initially these
narratives were simply expressions
of faith in
story form.
It was important to establish the fact that they knew who was crucified and where he was buried, before their discovery
of an empty tomb could be
of any significance, but the narrator has introduced these references in such a way as not to disturb the already existing
forms both
of the Passion
narrative and
of the burial
story.
Let us set down three observations: (a) Mark 15:40 - 16:8 possesses several features which divide it so sharply from the Passion
narrative that it could hardly have been the natural continuation
of that in the stage
of oral tradition, (b) this pericope, however, could not have existed in its present
form as an independent tradition, (c) the pericope itself falls naturally into two parts, the first
of which can exist as an independent
story, but the second
of which can not, for it depends upon the first.
«By the time
of the writing
of the gospels,» notes C. F. Evans, «it had disappeared, leaving behind no more than an echo, and that not in
narrative but in credal
form («The Lord is risen indeed, and has appeared to Simon»), which Luke has some difficulty in attaching as an awkward pendant to his Emmaus
story.»
We owe the Red Sea
story in its present
form to them, as well as the
narratives of the conquest
of Canaan, particularly the
story of the fall
of Jericho.
How do you account for the presence
of two discrete
forms of the oral tradition (a healing
story and a conflict
story) in a single
narrative?
tried to show that we can trace in the Gospel according to Mark a connecting thread running through much
of the
narrative, which has some similarity to the brief summary
of the
story of Jesus in Acts x and xiii, and may be regarded as an expanded
form of what we may call the historical section
of the kerygma.
The folks living when the christian
story was
forming were more aware than we are
of the similarities to other religious
narratives.
With Gutenberg's printing press the
story of creation, fall and redemption was put into linear
form, and Protestants have always been proud
of their control over the biblical
narrative of redemption.
Everything
of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time
of the exodus, but by the
story of the exodus — the
story as it was first remembered and repeated; the
story as it assumed relatively fixed classical
forms in different areas, in the North or South; the
story as its multiple versions, written and oral, were compared, mutually «corrected,» and finally composed into the single, unified
narrative that is before us now.
Not only does
narrative convey the experience
of corporate existence, it also characterizes the continuing
form of symbolic interchange among members.14 The rich discourse that constitutes congregational life occurs almost entirely in
story form.
In the present chapter, I have argued that idiom is primarily conveyed in
story form, as the parish apprehends its corporate experience and as its members communicate their common life and draw resources from the
narrative structures
of the world.
Had the course progressed in the manner we had hoped, we would probably have also employed the in
forming aspect
of narrative, sketching the
story as a scenario for action.
In telling us the
story of Trinity Church, the persons who had left the course were primarily recounting their social character, knitting into
narrative form its significant elements.
A
narrative form of analogy frequently found in religious teachings is the parable, a short fictional
story whose characters are taken from everyday life.
Stories used to describe and remember these events have been called «self - defining
narratives» (McLean, Paspupathi, & Pals, 2007) in reference to the ways they
form our basic perceptions
of who we are.
«I also hope that this paper and video encourage more scientists to take an artistic approach when they start a new project, not necessarily to create a
narrative - based
story, but to explore their idea the way an artist explores a canvas, because that makes the mind open to a different
form of serendipity that can lead to unexpected results.»
But she's especially looking forward to a publication forthcoming later this year in the Yale Journal
of Law & Feminism titled «Telling
Stories in the Supreme Court: Voices Briefs and the Role of Democracy in Constitutional Deliberation,» which will analyze a new, controversial form of appellate narrative argument: briefs that share stories of individuals not parties to the case a
Stories in the Supreme Court: Voices Briefs and the Role
of Democracy in Constitutional Deliberation,» which will analyze a new, controversial
form of appellate
narrative argument: briefs that share
stories of individuals not parties to the case a
stories of individuals not parties to the case at hand.
As these familiar strands
of old
stories collide, they
form an increasingly unpredictable drama — one that, thanks to the impact
of each
narrative's formula upon the others, surprises as well as scares.
So good is Cable that you wish the film would've allowed more room for growth with his inclusion into the
story and while he plays a key role in proceedings, you still can't escape the feeling that the film would've grown as a whole had Brolin been allowed more spotlight, ditto for Dennisen and Reynolds budding mateship, that despite
forming the core
of the
narrative thrust is never properly built up, making Wilson's mission as a whole less engaging than it could've been.
No less important, this film relies on a variety
of storytelling devices and
narrative forms, such as
narrative painting, the gothic tale, the incest
story, the letter, the dream, the flashback, the omniscient narrator, and the horizontal wipe.
The
narrative in Child
of Light, for example, exudes charm by unfolding in the
form of poetry, making the
story essentially a playable poem.
No
narrative has been announced for the 15 level single - player campaign, but whatever
form the
story takes, it will exist independently
of Descent's, according to Luke Schneider, Revival's Lead Designer.
Where so many docs are content to fit into simple categories, often attempting to mimic the
narrative formulas
of fiction films,
Stories We Tell embraces the
form and then reaches beyond its usual confines.
With a somberness that belies the childish image
of a ghost
formed from a sheet, A Ghost
Story slides back and forth through time, toying with
narrative and
form and creating some
of the most indelible images
of the year.
Our plan is grounded in the following two premises: 1) When purposefully synchronized with one another across multiple
forms of media («cross-media»), children's and adolescents» exposure to high quality youth - oriented social and ethical
story content, i.e.
stories of substance specifically about character development, compassion, and courage (CCC), is a powerful way to promote youth academic achievement and ethical values; 2) Especially if these
stories, told and «read» across media, in their various genres (human interest, biography, history and historical fiction, civic engagement, coming
of age, social change, spiritual awakening, moral issues, etc.), are «taught» by «educators» (broadly defined) using an «evidence - based» pedagogy that A) makes use
of peer to peer, and adult facilitated group discussion and debate as a primary
form of instruction, and B) takes advantage
of access to the texts
of the
story that are made available cross-media (
narratives, scripts, videos, etc.) to foster students» critical thinking and ethical reflection skills.
Contains - Alphabet (topic word for each letter)- Comic Summary (read a
story and summarise it in comic
form)- Hand (research a volcano in history and pull out main facts)- Imagination (descriptive writing prompt)- One Sentence Only (summarise each paragraph in a chosen text)- Positive and Negative effects (foldable sorting effects
of volcanoes)- Storyteller (
narrative writing prompt)- Structure
of a volcano (information sheet for students to create a volcano diagram)- Types
of volcano (foldable that involves matching names, description and picture)- Volcanic Eruptions Comprehension (information passage with questions)- Volcano cloze (information text with missing words about volcanoes)- Volcano explorer (gathering information from interactive voclano website)- Volcano Vocabulary (foldable involving matching topic words to definitions)- Witness vs. Scientist (foldable involving sorting statements)
The
narrative, which is repeated over and over, is a
form of the salvation
stories so popular in mythology, but leaves out the psychological brutality that has been part
of «Being Noble» from the year
of the school's founding by former Wells High School math teacher Michael Milkie.
These
stories take many
forms, from driving
narrative to lyrical reverie, at times evoking mythic overtones, and this variety, along with an unflinching confrontation with the conditions and consequences
of childhood abuse, creates its own
form of suspense - in what direction will this book take us next?
A more advanced
form of editing, known as developmental editing, involves just that — the development
of your
narrative and
story arc.
It is a city tucked in the pockets
of Nigerian writers around the world, offered back to the world by this diverse, talented group in their short
stories, novels, poems and many other
narrative forms.
THE SUICIDE CLUB is a collection
of three 19th century detective fiction short
stories by Robert Louis Stevenson that combine to
form a single
narrative.
Transmedia itself... is often thought
of as a series
of actions that happen between or across media or the transfer
of messages — this isn't «wrong» per se, but it tends to neglect the nuances
of human behavior, the levers for why people share
stories to begin with and how they connect to each other through different
narrative forms.
Narrative Winter
Story Contest Entries can include short shorts, short
stories, essays, memoirs, photo essays, graphic
stories, all
forms of literary nonfiction, and excerpts from longer works
of both fiction and nonfiction.
Here are some tips on writing
narrative essays:
narrative essay is written about personal emotions and memories in the
form of a
story;
narrative essay is a
story from the author's point
of view, therefore all elements
of telling (such as setting, plot, character, climax and ending) should be Continue reading
And obviously, as the technology evolves and the creators get more involved and more savvy in creating new content and new
story narratives for that
form, I think that's where you'll see a lot
of exciting things developing in digital.
I no longer see travel bloggers as the rebel writers I once thought they were — people writing the
narrative of their adventures like a long -
form discovery
story.