Sentences with phrase «narrative images take»

The narrative images take you on a dreamy trip.

Not exact matches

And television has become our prime story - teller, the creator of the images and narratives which, taken altogether, provide us with a worldview which seriously competes with the real world of direct experience.

If you want to take it to an extreme, we might have goggles that we put on with laser systems that write directly onto the retina and fill the entire field of view with a narrative image, kind of like Omnimax.

Society adores winning stories, but Buschel's narrative efficiently recognizes that taken without images of money and fame, ego can be a very negative, isolating value.

Abawi's narrative traces the harrowing experiences of refugees fleeing Syria, putting a voice to the images of tragedy that flooded western media for a time before other news took their place.

Recently his narrative has taken him down still other new avenues: Large canvases covered with copper where he has cut into the material to create the image.

Gander is an inventive polymath, a creator of worlds and teller of tales, whose making takes forms as varied as a lecture series entirely based on «loose associations,» a nonlinear narrative of wildly disparate ideas and images found and collected by the artist; re-creations of children's tent - forts sculpted in marble; the construction of complex mechanisms to generate a gentle breeze that wafts through a gallery; a conveyer belt carrying sculptures that can only be seen through one window; or detailed designs for an art school that may never be realized.

... Prager takes her cues from pulp fiction and the fashion images of Guy Bourdin to construct filmic narratives starring women disguised under synthetic wigs, dramatic makeup, and retro polyester attire.

The idea of appropriation, of taking images and transforming or re-contextualising them, has proved a powerful tool for artists, allowing them to reveal and challenge social and media narratives around, for example gender, sexuality and race.

The narrative of the work is a deliberately self — conscious tale of how we took the opportunity to appropriate an image for the purpose of the sunscreen project.

Taken together, the exhibition challenges viewers to go beyond preconceived and polarizing narratives to encourage discussion after viewing the images.

Specifically, the role of Muslim women in that narrative, and the steps Muslim women are now taking to change that image through artistic collaboration.

Through three floors of the gallery, Leonard's family narrative unfolds — beginning with the various iterations of her old family photographs and then expanding to new images of pigeons over a New York skyline she took, presented as contact sheets.

Take It or Leave It: Institution, Image, Ideology opts for an unusual curatorial methodology, adopting certain standards of exhibition practice at the same time that it challenges them, arguing that accepted categories, genres, and conventions of telling a narrative through artworks can be approached otherwise.

Taking process as a central subject, Chu and Huang will use the gallery for both exhibition and studio, creating an ever - changing workspace to consider the visual resonance of an image, place or narrative once it has ceased to exist.

Representation is the key strategy for two artists: the Japanese American artist and community activist Tomie Arai's Momotoro / Peach Soy revisits the narrative of a Japanese folk tale, used as propaganda by the Japanese military during World War 11, by juxtaposing images taken from various sources.

The New York - based artist draws portraits of people featured in old discarded photographs taken between Emancipation and the modern Civil Rights era and often creates a narrative «tableaux» by pairing the images with found objects.

But taking these collaborative images out of their timeless, spaceless, substanceless paradise, K.E. and Meisenberg have translated the digital through the limits of material and narrative, creating a very human intimacy from technologically interstitial captivity.

Images taken from any number of resources including: science - fiction novels, encyclopedias, history and scientific diagrams, are cut and assembled in oftentimes multidimensional surfaces to create curious and dark narratives.

This transformation from «realistic» image to «allegoric» image, accompanied by narrative text, is successful in creating work that not only resembles the original photograph in appearance, but also completely reconstitutes the collective myth or history we can take from it.

Ayoung Kim (b. 1979, Seoul, Korea, works in Paris) is interested in the relationship between language, sound, and image, producing narratives that take various forms.

An offsite exhibition of moving image works to coincide with the art forum berlin international art show and art berlin contemporary (abc) The moving image works in V - Effekt thematise cultural and historical narratives and take their inspiration from various existing aesthetic contexts.

Likened to an epic journey or an ongoing narrative, these images, which were taken on Eggleston's travels during the 1980s, are loosely organized into thematic groupings that collectively expound on the photographer's assertion that no subject matter is more or less important.

Images of plants, statues of Jesus, basketballs, text taken from Ghostface Killah lyrics and personal writings come together to develop new narratives and relationships.

Coinciding with Frieze 2014, Neil Beloufa will take over the Lower Gallery and Theatre spaces to show a selection of installations in combination with a series of moving image works, which explore the blurring of narrative, make - believe and truth that underpin the representation of real - world events.

The works presented at the exhibition shy away from narratives and meanings, bringing into the fold of structuralist reflection existing images of gardens presented in one of the best - known paintings and a puzzle of early 20th century Polish symbolism, as well as photographs taken by Natalia in an overgrown park in Mallorca during a 2014 residency at CCA Andratx.

Taking this as a starting point, Chiurai's images attempt to disrupt the colonial narrative by imagining a radically different reading of history from which to consider a truly alternative Afro - future.

... Prager takes her cues from pulp fiction and the fashion images of Guy Bourdin to construct filmic narratives staring women disguised under synthetic wigs, dramatic makeup, and retro polyester attire.

Curated by Dorothée Dupuis, the exhibition takes inspiration from Joseph Cornell's experimental 1942 film, By Night with Torch and Spear, and Jerez explores the greater narratives promised by technology and the «increasingly schizophrenic relationship between the mass produced devices / images and the bodies that use and consume them».

It took a bit of effort to locate the third - floor «Gallery at Hermès,» site of a party celebrating Aitken's newly published book Broken Screen: Expanding the Image, Breaking the Narrative (D. A. P.), but the crowd inside appeared unfazed.

Taking as its title a nod to Albert Camus» four - part epistolary essay «Letters to a German Friend,» the work not only extends Zaatari's interest in excavated narratives and the circulation of images in times of war, it also raises crucial questions about national representation and perpetual crisis by reviving Camus's plea: «I should like to be able to love my country and still love justice.»

The drama of his dreamy narratives take shape over time: he begins with drawing and sketches, and through the act of painting, further allows the images to become more ambiguous or transform into something the he could not have originally predicted.