Sentences with phrase «narrative leaves me at»

Still, the current narrative leaves me at least slightly suspicious.

Not exact matches

And, given that the Furioso is the completion of the Innamorato (left unfinished at Boiardo's death), readers who have not mastered the dialects of Renaissance Italy can now enjoy the whole narrative arc of these two linked epics without resorting to abridgments.

Numbers and Deuteronomy complete the narrative, describing the experiences and lessons of the people as they leave Sinai and finally arrive at the edge of the Promised Land.

Biblical narrative typically leaves unsaid a character's thoughts, feelings and inner motives, preferring to leave these hinted at by external actions and direct speech.

At least we leave open the thought that Satan acts subtly and by indirection, perhaps by including us in a dominant narrative that makes promises about security and happiness that can not be kept.

Destructive biblical criticism, exemplified for years in the work of the so - called Jesus Seminar, eviscerates the gospel narratives of all theological power and leaves us, at best, with a Jesus made in our own image — political agitator, cynic sage, new age guru, etc..

That is to say, a great deal of new material is introduced into the narrative by both Matthew and Luke, but at the end of a lengthy section of new material the story usually is taken up again where it was left off, and follows the Marcan order.

there is some suggestion that wenger is backtracking on his fervent stance regarding what players would be staying at the club for the remainder of the season... some might deduce that this is all part of a much bigger, more elaborate plan... by shifting the blame wenger is attempting to, not so slyly, flip the narrative... by doing so he hopes to evoke empathy from his most ardent supporters, while attempting to rally any fence - sitters, whose faith was waning unless a more legitimate agent of blame emerges... unfortunately, and incredibly insulting to the fans, when wenger attempts to spin a tale and / or tries to eat his own words, he doesn't seem to play it all the way through in his head, so invariably gaping holes emerge... say we believed his version of the truth, would that not make him either an incredibly well - paid custodian of destruction or a spineless jellyfish because what manager worth his weight in salt would stay at a club that didn't give him final say after 20 years of supposed «success»... no matter the answer, neither bodes well for us... how ironic, in a way, since many pundits claim this team has lacked a «spine» for some years now... so whether we win, lose or draw on Sunday is frankly immaterial, as the problems will remain, and although it will be easier to digest if we left the Pool with 3 points, it might just be the worst result for the betterment of this club... a fact that both breaks my heart and baffles the mind

According to the Times - which is widely acknowledged to have originated the football = CTE and CTE = suicide narrative in a January 18, 2007 article - all that was left for scientists to figure out was «how many blows to the head, and at what levels, must occur for C.T.E. to take hold.»

While I think mothers work hard to carve out their own boundaries, we've fallen into the conditioning of leaving ourselves out of the narrative, when it is a relationship... Anyway, this has been expressed by mothers far better at expressing than I am.

And we need to stop engaging in a narrative that blames voters for Tory failures in managing our economy and for ideological budget cuts that have stretched our public services to breaking point.The left are good at diagnosing problems, but too often we shy away from pitching solutions.

Once you have done your own little bit, as you have done for months now, to damage the Corbyn campaign, by your constant nitpicking of his competence and leadership skills and policy development shortcomings, and regular defence of the «soft Left» who have so blatantly failed to support him all year, from a supposed position on the Left (so much more effective in the current battle for the dominant narrative than criticism coming openly from the Labour right), will you too finally, (sorrowfully and with much hand - wringing») declare for Owen Smith at the opening of voting, David?

That leaves Cuomo to try and cobble together a deal, knowing his narrative as an accomplisher is at stake and grappling with two inexperienced partners in the Legislature.

«Until now, we haven't had a compelling narrative about how leaf and stem traits have evolved to tolerate cold temperatures,» said lead author Amy Zanne, assistant professor of biology in George Washington University's Columbian College of Arts and Sciences who earned her doctorate at UF.

Granik will go to Cannes with «Leave No Trace,» her first narrative film since the Oscar - nominated «Winter's Bone» in 2010, and a film that received strong reviews when it premiered at Sundance in January.

Although he has an important narrative function, Andreas» partner Simon is sidelined as a character, with his back - story merely glimpsed (his family have left him and he's prone to getting into drunken trouble at strip joints).

At the beginning of the narrative, the protagonist, Rowan (James Marsden), is understood to be disenfranchised from society by a past incident that leaves him feeling worthless and ridden with guilt, until a grizzly runs amok in the park bordering his small Alaskan town.

Clunky moments in dialogue and transparent narrative mechanics seem mere quibbles when set against several genuinely moving scenes, leaving the audience with a contented smile at the end.

This alone you can forgive, but compound it with some truly ham - fisted attempts at CGI and a story that was almost literally taped together from vague scraps of narrative left lying around the set and you've got a real dud.

Instead of leaving it at that, Toukiden actually develops on this original premise by introducing a narrative and characters.

A mess of early CGI, noisy silliness and bizarre science fiction musings, both films leave narrative logic and effective atmosphere at the door, with their camp pleasures very much a matter of diminishing returns across their mercifully brief runtimes.

The narrative does lag the slightest bit at the midpoint when Carl decides to leave LA behind for a quick trip to Miami and the script loses its focus, but as soon as he gets his hands on that food truck and he's back to being a man on a mission, the film takes off with even more momentum than before.

From the somewhat scattershot narrative — evoking at times a Nicolas Roeg film and Richard Lester's Petulia — we gradually piece together that Alec has twice left Marjorie for Katherine (Deborah Kara Unger), an American coworker, but has recently become obsessed with rejoining his former wife.

But with the nonlinear narrative structure and digressions into the personal life of the defense lawyer Michael Nyqvist, the audience is left feeling disoriented at times and quite frankly, even bored.

Acknowledging that his own left - wing political agenda informed part of the film's narrative, Liman, whose father was an interrogator in the Iran - Contra trial, praises the perqs of studio filmmaking (while toning down the anti-Universal sentiments he expressed to the media last year), illustrates the importance of directing a French crew in their native tongue, laughs at how coveted the «f» word was by the actors (the film was allowed only one because of the PG - 13 rating), and so on.

Soderbergh continues — in part two of today's multi-part examination of the director's concluding career, we pick up at Out of Sight and watch the director become a filmmaking powerhouse unlike any in Hollywood, before ultimately deciding to abdicate his narrative throne... but not before leaving us with one last slice of pie: Side Effects.

Click for tickets The 716th Short Narrative Country: USA Director: Andrew Bowen Writer: Andrew Bowen Starring: Taj Speights, Lauren McFall, John Asher, Andrew Bowen Left to die at the hands of her enemies.

The movie falls apart at the end as Niccol is forced to complete Egan's narrative arc, but the filmmaker doesn't want people to leave the theater talking about a character.

The Argentine auteur Lucrecia Martel's first narrative film in nine years, Zama is a warped portrait of colonial power left to rot in the sun, a feverishly funny and surreal experience that mostly turns its nose up at narrative.

As the second daughter leaves the hospital she passes three women at a phone booth — all former prisoners who quickly take over the narrative.

If Green were simply telling the story of a particular intellectual movement and how it has influenced a few pockets of teacher preparation and professional development, then one could simply appreciate the narrative, and leave it at that.

Rather, the difficulty must lie in the setting — at least in most cases: the students can not process the text with enough cognitive bandwidth left over to make inferences, or they lack the vocabulary to follow the narrative, or they lack knowledge.

We're Not Leaving is a compilation of powerful first - person narratives told from the vantage point of World Trade Center disaster workers — police officers, firefighters, construction workers, and other volunteers at the site.

With exuberance, grit, and sly tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave one home to grasp at another.

Deborah Jay presents Please don't leave me hanging... posted at Deborah Jay — Mystery, magic and mayhem, saying, «I wrote this post with the aim of exhorting fiction writers to learn the craft of narrative structure.

Here was Fenno's large, rich story at the center, told directly to the reader, with Paul and Fern portrayed in intimate detail to left and right but seen from the side and that's what third person is: a kind of narrative profile view.

Because of the limited word count, some of the elements of the narrative may be hinted at, rather than developed, but it is done in such a way that the audience is a left with a sense of completion upon finishing the reading.

A Dangerous Business — One Ordinary Girl, Life's Extraordinary Adventures Darling Escapes — Female Travels David M Byrne — Travel Inspired Photography Blog David's Been Here — Leave Your Mark on the World De la Pura Vida — Adventures of a Location Independent Freelancer Departing Melbourne — Lighthearted Narrative Travel Blog about Holidays Discovering Legacies — Adventure Travel and Everything Floating Dish Our Town — Traveling the World, One Dish at the Time With a Kid Disrupting the Rabblement — Waging War on Thoughtless Living Divergent Travelers — Life is Either a Daring Adventure or Nothing at All Don't Forget To Move — Travel Deeper For Cheaper Drifter Planet — A Backpacker Couple Drink Tea Travel — Canadian Couple on a Mission to Build a Sustainable Lifestyle Dutch Dutch Goose — Family Friendly Travel & Expat Lifestyle in Europe

Like Far Cry 3 before it Far Cry 4 has some impressive aspects to its narrative design that hint at something fantastic lying just below the surface, but also some major flaws which stop it from ever achieving the greatness it deserves, leaving a slightly sour taste in the mouth.

There's a very loose plot thread connecting all of the various missions that Mondo embarks on, with the occasional snippet providing brief hints at the overall narrative throughout, but it doesn't actually come together until the very end and doesn't make a whole lot of sense when it does, and will likely leave you wondering why any of it happened.

MK9 took a bold route and made players go through a fixed storyline with changing characters and their narratives and many players were left pleasantly surprised at the length of the campaign and the quality of the story.

The former prisoner is released from incarceration at the start of the narrative, and he's been tasked with destroying the link between his world and the Rhogar's: a demonic, evil race that wants to subjugate what's left of the human race that they haven't already killed.

The narrative itself feels like an attempt to throw as many TMNT characters into one short story as possible, leaving the idea of a cohesive narrative at the door.

Development often sacrifices narrative strength at the altar of technical achievement, leaving titles with clichéd plots and lifeless dialogue in favour of visual panache and mechanical complexity.

The multiplayer is undoubtedly a failure and some of the gameplay is a little bit predictable, but «Kane And Lynch: Dead Men «s delightful co-op, engaging narrative, and interesting characters leave it at a fairly worthwhile level.

Super Mario Galaxy 2 is as light on narrative direction as ever — Bowser shows up long enough to steal stars and announce his new empire before grabbing Princess Peach and leaving Mario at square one.

After this, Final Fantasy XII truly reinvented the series with its MMO style mechanics that some series fans felt were too far removed from other games in the series, and then Final Fantasy XIII came along with its incomprehensible narrative and lack of towns, leaving many unimpressed at the first entry in the series for the seventh console generation.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Artists like Lorraine O'Grady, David Hammons and Senga Nengudi were left out of the narrative of SoHo's heyday, though they did find a home at Linda Goode Bryant's Just Above Midtown gallery, which opened in 1974 on West 57th Street and moved to TriBeCa in 1980.)

This dehumanising lack of narrative is at once Gursky's greatest strength and also a weakness: the most critical issues of our time are coolly documented, distilled to abstract aesthetics and left open to interpretation.