It is clearly incomplete on a gameplay and
narrative level which required shuffling.
Not exact matches
In fact, experience is inchoate even to the subject until it is captured first at the
level of mythic expression, much of
which is nonverbal, then in mythologies
which cast myth into the form of
narrative, then in fully conceptualized systems.
This is just the criticism
which the HBK memorandum
levels against Bultmann, especially in connection with the resurrection
narratives.
But Christian discrimination ought to operate on another
level here; it ought to applaud the metaphorical adroitness in giving a new context for the passion story, a context
which provides for disbelieving contemporary human beings a genuinely «secular» experience of the
narrative, and one
which is in continuity with the parabolic way of hiddenness and mystery.
According to the Times -
which is widely acknowledged to have originated the football = CTE and CTE = suicide
narrative in a January 18, 2007 article - all that was left for scientists to figure out was «how many blows to the head, and at what
levels, must occur for C.T.E. to take hold.»
A lengthy, well - researched, and powerful article in the Spring 2015 issue of the NCAA's Champion magazine, not only reports the belief of many top concussion experts that the media
narrative about sports - related concussion trace has been dominated by media reports on the work of Dr. Ann McKee,
which was the centerpiece of PBS Frontline's League of Denial, but Dr. McKee's, however belated, mea culpa that «There's no question [that her autopsies finding evidence of CTE in the brains of most of the former athletes were] a very biased study,» that they involved «a certain
level of... sensationalism», that there were «times when it's overblown» and went «a little too far.»
«This government
which is a government of change must be prepared to change the
narrative by ensuring that teachers are motivated and the condition in
which they work are conducive at all
levels, so that they can deliver on their professional calling,» he said.
Josh Brolin and Daniel Kaluuya also are strong supporting actors, both providing the film with a heightened sense of urgency as well as a balanced
level of comic relief
which doesn't take away from the films overarching
narrative.
Where it performs less well is on its
level design,
which feels rather bland, and on its plot and
narrative, making this component a disappointment but one
which still feels good to play and
which can bring some hours of fun.
On a purely
narrative level, however, the introduction of some of the villains feels somewhat awkward, as the film has to abandon its point - of - view close to Ruth to show what kind of people they are before they are set onto a collision course with Ruth and Tony,
which doesn't quite feel organic.
Alternatively, such family - orientated films have launched polemics from critics for substandard plots, economic production values and primarily, alienating heathens with sanctimonious ideologies,
which trumpet a transparent proselytizing
narrative that fails to inspire on any dramatic or entertainment
level.
Despite this freewheeling
narrative style, the piecing together of
which has earned editor Tatiana S Riegel an Oscar nomination, the ice - skating sequences are fabulous, with Gillespie and cinematographer Nicolas Karakatsanis joining forces brilliantly to show the effort, speed and skill that goes into figure skating at the highest
level.
A truly well - implemented
narrative could bring racing games up to a whole new
level...
Which is why it's so sad that Need for Speed: The Run is utterly lacking one.
Whether the syrupy tunes (penned by the duo behind La La Land's songs) annoy or mesmerise, they carry the film through as proper
narrative devices, rather than tacked on flourishes,
which shows an impressive and touching
level of genre - specific dedication from Jackman and director Michael Gracey.
The Steam version of the game will reportedly feature additions such as a
level editor, and a
narrative for the protagonist
which makes things a little more interesting.
«I quizzed Julian to find out how long it will take on average to
level up one car to the top rank, to
which he replied around 25 — 30 hours — and that's if you play through the
narrative.
That's especially true of the opening
level which stands as a glorious testament to why Naughty Dog is often thought of as the king of single - player,
narrative - driven experiences.
Ericka Beckman's Cinderella, 1986, a 16 - mm rendering of the fairy tale, is an Atari - like musical in
which the title character staggers through various
levels of
narrative as if in a video game.
The In situ props,
which all share the symbolic value of both escape and uprising, interact with wanderers on various
levels: may these be physical, visual,
narrative or emotional.
Honey Moon transformed the lower -
level gallery into a secluded Thai beach, and this fictionalized vacation blended personal
narratives with paparazzi culture, highlighting the scripted intimacy inherent to honeymooning, a fetishized ritual in
which private acts merge with public expectation.
Of this image from «The Democratic Forest» series, Lulay explains «the images are rich on a visual and
narrative level — here you have a view of America, Pop Art references in the signs, and the color blocking
which moves to abstraction.»
But for journalists and others who are not climate scientists, some
narrative would help, as inline text and more clarification as footnotes if needed including, cover for example: — being very clear for a graph what was being forecast (people play silly games with Hansen, confusing
which was BAU)-- Perhaps showing original graph first «This is what was predicted...» in [clearly a] sidebar THEN annotated / overlayed graph with «And this is how they did...» sidebar — placing the prediction in context of the evolving data and science (e.g. we'd reached 3xx ppm and trajectory was; or «used improved ocean model»; or whatever)-- perhaps a nod to the successive IPCC reports and links to their
narrative, so the historical evolution is clear, and also perhaps, how the confidence
level has evolved.
Simply improving messaging in accordance with recommendations of psychologists or following the recommendations of economists to create economic incentives to engage in less GHG producing behavior will not likely create strong citizen support for climate change policies unless citizens better understand that the
narrative created by opponents of climate change policies about high
levels of scientific uncertainty and unacceptable harm to the economy from the adoption of climate policies is not only false but has been manufactured by fossil fuel companies and other entities
which have economic interests in continuing high
levels of fossil fuel consumption.
Narrative gives its user community an unprecedented
level of control: they elect their own moderators, elect a «tribunal» that functions like a Supreme Court, and even decide
which ads run on the platform.