Not exact matches
Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the
nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made
from the shooting script, and the modernist
narrative.
But for all its dreamy
narrative qualities, Marczak's film is actually a lyrical, fluid - motion documentary that, in a very different way
from «Kate Plays Christine» (see above) but no less profoundly, blurs the distinction between
narrative and
nonfiction filmmaking.
In the Heart of the Sea is based on Nathaniel Philbrick's
nonfiction book, which explored two
narratives of the sinking of the whaling boat Essex in 1820 — one
from a hardy first mate, Owen Chase (Chris Hemsworth), and another
from a cabin boy, Thomas Nickerson (played by Tom Holland as a youngster, and Brendan Gleeson in his advanced years).
Family Stories
From the Attic: Bringing letters and archives alive through creative
nonfiction, flash
narratives, and poetry.
True Story,
from Creative
Nonfiction Magazine, is perfect for that — a purse - sized mini-chapbook each month featuring one long essay or
narrative nonfiction piece.
Even when you can't interview your characters or directly observe them in action, you can still write great
nonfiction narratives from the rich materials of history.
For
nonfiction, she is interested in exceptional
narratives from authors with strong platforms.
Becky Sweren Literary Agent represents mostly
narrative nonfiction, such as
From the Corner of the Oval by Rebecca Dorey - Stein (Spiegel & Grau); Miami 1980 by Nicholas Griffin (37 INK / Atria); Miami 1980 by Nicholas Griffin (37 INK / Atria); and The Fox Hunt by Mohammed Al Samawi (William Morrow).
From Pulitzer Prize - winner Katherine Boo, a landmark work of
narrative nonfiction that tells the dramatic and sometimes heartbreaking story of families striving toward a better life in one of the twenty - first century's great, unequal cities.
Both also distribute their published works on Kindle Singles, with several starring on the bestseller list there, including The Fearless Mrs. Goodwin (Byliner) by Elizabeth Mitchell, a 44 - page true - crime account of a brutal bank heist taking place in turn - of - the - century Manhattan, and Blind Sight (Atavist) by Chris Colin, a 38 - page
nonfiction narrative about a Hollywood movie producer's horrific car wreck that killed his new wife and his subsequent 10 - year journey recovering
from devastating brain injuries.
This collection of 20 gripping, beautifully - written
nonfiction narratives is the best of the best
from CNF.
Narrative Winter Story Contest Entries can include short shorts, short stories, essays, memoirs, photo essays, graphic stories, all forms of literary
nonfiction, and excerpts
from longer works of both fiction and
nonfiction.
In her recent post about How Writers Write: Lessons Learned
from Monica Hesse, professional writer Deb Hemley (@dhemley) explored how writing in - depth
narrative nonfiction can require immersing yourself in the story.
Our distinguished faculty bring diverse approaches to the classroom
from their own work in experimental film, video, animation,
nonfiction,
narrative, installation, glitch, interactivity, art games, curating, archiving, and web - based art projects.