Sentences with phrase «narrative nonfiction story»

This narrative nonfiction story sequences the steps an illustrator follows when creating pictures for a story.

Not exact matches

Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.

FIRST PLACE / NARRATIVE The Peculiar Abilities of Mr. Mahler, Paul Philipp, director FIRST PLACE / ANIMATION Negative Space, Max Porter & Ru Kuwahata, co-directors FIRST PLACE / NONFICTION Breaking the Cycle, Josephine Jackson & Vincent Augusto, co-directors FIRST PLACE / EXPERIMENTAL Gray Umbrella, Mohammad Poustindouz, director STUDENT AWARD It's Just a Gun, Brian Robau, director TEXAS AWARD Bodies of Water, David Lykes Keenan, director Jury Prize — Guan Xi, Dora Wu, director Jury Prize — The Driver is Red, Randall Christopher, director Jury Prize — The Modern Lives, Bill Plympton, director Performance Award — Michael Laskin, A Real Adventure Cinematography Award — Wasteland, Jakub Michnikowski, director Honorable Mention, Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,NARRATIVE The Peculiar Abilities of Mr. Mahler, Paul Philipp, director FIRST PLACE / ANIMATION Negative Space, Max Porter & Ru Kuwahata, co-directors FIRST PLACE / NONFICTION Breaking the Cycle, Josephine Jackson & Vincent Augusto, co-directors FIRST PLACE / EXPERIMENTAL Gray Umbrella, Mohammad Poustindouz, director STUDENT AWARD It's Just a Gun, Brian Robau, director TEXAS AWARD Bodies of Water, David Lykes Keenan, director Jury Prize — Guan Xi, Dora Wu, director Jury Prize — The Driver is Red, Randall Christopher, director Jury Prize — The Modern Lives, Bill Plympton, director Performance Award — Michael Laskin, A Real Adventure Cinematography Award — Wasteland, Jakub Michnikowski, director Honorable Mention, Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Counterfeit Kunkoo, Reema Sengupta, director Honorable Mention, Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Mrs McCutcheon, John Sheedy, director Honorable Mention, Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Hope Dies Last, Ben Price, director Honorable Mention, Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Passion Gap, Matt Portman & Jason Donald, co-directors Honorable Mention, Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack,Narrative — Seven, James Morgan, director Honorable Mention, Nonfiction — Hunger for Truth: The Rhea Clyman Story, Andrew Tkach, director Honorable Mention, Nonfiction — Uncle Jessie White - Portrait of a Delta Blues Man in Detroit, Stashu Kybartas, director Honorable Mention, Experimental — Strangers, Eve Duhamel, director Honorable Mention, Student Film — The Chocolate Soldier, Jackson Smith, director Honorable Mention, Texas — Underneath, Christopher Grissom, director Honorable Mention, Texas — Aberration, Andy Pollack, director

The second unit, Reading to Learn: Grasping Main Ideas and Text Structures, addresses essential skills for reading expository nonfiction, such as ascertaining main ideas, recognizing text infrastructure, comparing texts, and thinking critically, as well as the skills for reading narrative nonfiction, such as determining importance by using knowledge of story structure.

She wants to hear pitches for fantasy, science fiction, literary fiction, upmarket / mainstream fiction, young adult (all kinds), middle grade (all kinds), women's fiction, romance, thriller, mystery, diverse stories, #ownvoices, narrative nonfiction, and voice - driven memoir with commercial appeal.

Narrative Magazine awards a US$ 4000 new and emerging writers» prize for the best short story, novel excerpt, poem, one - act play, graphic story, or work of literary nonfiction published in the magazine.

I've always been a kind of omnivorous reader, devouring fiction, nonfiction, narrative essays, short stories, books about science — you name it.

We also have two professional screenwriters on staff, who specialize in writing screenplay adaptations of novels and story - driven narrative nonfiction.

Family Stories From the Attic: Bringing letters and archives alive through creative nonfiction, flash narratives, and poetry.

For novels, fictional anecdotes in nonfiction, and true stories told in a narrative style, I highlight areas where you can «show, not tell,» use active voice rather than passive, and weave in more sensory details and point - of - view characters» observations, thoughts, and feelings.

True Story, from Creative Nonfiction Magazine, is perfect for that — a purse - sized mini-chapbook each month featuring one long essay or narrative nonfiction piece.

As in all the best narrative nonfiction, the story moves in time, portraying the lives of the swimmers and providing vivid detail about the era.

The story is a «memoir - cum - investigative - nonfiction - narrative.»

Preston's account of this amazing world, by turns terrifying, moving, and fascinating, is an adventure story told in novelistic detail by a master of nonfiction narrative.

True Story is a new home for longform nonfiction narratives.

From Pulitzer Prize - winner Katherine Boo, a landmark work of narrative nonfiction that tells the dramatic and sometimes heartbreaking story of families striving toward a better life in one of the twenty - first century's great, unequal cities.

Master of thrilling nonfiction Michael Lewis (Flash Boys, The Blind Side) excels at breaking down the most important stories in the world of American finance and economics into character - driven narratives, and The Big Short is no exception.

Rin Tin Tin by Susan Orlean One of our best narrative nonfiction writers returns with the story of one of the most remarkable dogs of all time: Rin Tin Tin.

Among current writers of narrative nonfiction, none can top Larson's skill for weaving parallel story lines into a gripping account of a historical event.

Simultaneously offering the absorbing reading experience of a can't - put - it - down thriller and the perception - altering resonance of a story whose reverberations continue even today, American Lightning is a masterpiece of narrative nonfiction.

A work of narrative nonfiction in the tradition of the The Immortal Life of Henrietta Lacks, Mercies in Disguise is the story of a family that took matters into its own hands when the medical world abandoned them.

Memoir is the personal side of creative nonfiction but there's a public side as well, often referred to as narrative or literary journalism — or «big idea» stories.

As the above Sourcebooks post pointed out, readers using eReaders seem to prefer books that tell stories; i.e., fiction and narrative nonfiction (history, memoir, biography, and the like).

Published monthly by the editors of Creative Nonfiction magazine, True Story is a new home for longform nonfiction narratives.

Tagged anthologies, anthology series, Biblical Legends, creative nonfiction, essays, fiction, flash fiction, Garden of Eden, narrative poetry, poetry, short stories, speculative fiction

Narrative Winter Story Contest Entries can include short shorts, short stories, essays, memoirs, photo essays, graphic stories, all forms of literary nonfiction, and excerpts from longer works of both fiction and nonfiction.

Writing True Stories That Matter (Jan. 11 - April 27, 2018) will give you the tools to transform information into compelling nonfiction narratives.

The $ 4,000 Narrative Prize is awarded annually for the best short story, novel excerpt, poem, or work of literary nonfiction published by a new or emerging writer in Narrative.

True Story is a new home for longform nonfiction narratives, published monthly by the editors of Creative Nonfiction magazine.

The Florida Review publishes innovative fiction, nonfiction, poetry, reviews, graphic narrative, digital stories, and visual art by established and emerging writers in print and online.

A good editor will enter the author's universe and come up with new and original ideas wherever needed to spike the story, deepen the personalities, add an unexpected dimension to the accelerating pace of the narrative, whether it's fiction or nonfiction.

In her recent post about How Writers Write: Lessons Learned from Monica Hesse, professional writer Deb Hemley (@dhemley) explored how writing in - depth narrative nonfiction can require immersing yourself in the story.

True Story, a new home for longform nonfiction narratives, publishes pocket - size issues showcasing one exceptional essay by one exceptional writer.

Publisher's description: True Story is a new home for longform nonfiction narratives.

Tracy Kidder, the «master of the nonfiction narrative» (The Baltimore Sun) and author of the bestselling classic The Soul of a New Machine, now tells the story of Paul English, a kinetic and unconventional inventor and entrepreneur, who as a boy rebelled against authority.

A good story is still a good story, and a compelling nonfiction travel tale will not just evoke a strong sense of place, it will contain the same human themes and narrative elements as a good work of short fiction.

Whether at trial or in an appellate courtroom, writing his own superb autobiographical nonfiction, the best - selling Just Mercy, or in his efforts to evoke and acknowledge the historical narratives of the black experience and our legacy of racial injustice in America through the work of the Equal Justice Initiative, Stevenson employs well - told stories to change the shape of the world.