This
narrative shift was an unexpected turn from a movie that was marketed, and began, as a lurid
piece of sensationalism loaded with scantily
clad men gyrating on eager women.
Existing as layered wall - hung canvases, oversized propped cushions or delicately amended
pieces of clothing, Papadopoulos's objects suggest riotous
narratives where fact and fiction are uncertain, and where protagonists remain mysterious and motives unclear.