Sentences with phrase «narrative paintings made»

For those familiar with Otero's work, it might come as a shock to realize that his contemporary abstract paintings originate by way of figuration and in this particular case, visual translation of ornate, narrative paintings made during the period of the French Baroque.

Not exact matches

The dominant narratives in our society paint a picture of happiness and ease, and fashion, beauty, weight loss, and pharmaceutical industries make a lot of money telling you there's something wrong with you if you're not calm and / or happy all the time.

Special effects are asked to behave like character, motivation, and narrative while the actors paid exorbitant amounts to caper by themselves before a blue screen do their best not to cackle like Snidely Whiplash making off with burlap bags that have dollar signs painted on them.

The hand - painted artwork immerses players into Pyre's world, and the interactive narrative makes for unique gameplay experiences that can differ from player to player.

Yau writes: «There are few contemporary artists who can make a convincing narrative painting, one that doesn't devolve into a mere story.

O'Reilly's understanding of the language of painting as a medium allows for the evolution of narrative in his palettes and mark - making.

I'll make a figure painting, a little figure painting, then I'll think, «oh, well that one would look like something possible if I could put it with this other figure painting that I've also done from observation, and then some grouping and / or narrative might emerge in pairing the two».

By defining the painting as a made - up space in which an open - ended narrative (or dream) can unfold without reaching a resolution, Reginato gains an immense amount of freedom for himself.

Employing loose washes to illustrate theatrical domestic settings inspired by the cinematic imagery of Dick Bengtsson, Andersson makes dreamlike prints, paintings, and drawings that channel dreamlike narratives.

Since the early 1960s, Dorothy Iannone has been making vibrant paintings, drawings, prints, films, objects and books, all with a markedly narrative and overtly autobiographical visual feel.

Either way, I don't know how helpful autobiographical links are to the narratives in my work, but, when I make a painting, experience and memory does play a role in choosing images or the composition.

The wonderfully prolific artist, who communicates his vision through a variety of media, including sculpture, hand carved masks, paintings on canvas, gouache and watercolors on paper, and even short video, made advocating for the natural world the main focus of his narratives.

A sphere made of colored strips of fabric torn from a plethora of unraveled paintings, The Painting Ball performs the undoing of painting in its traditional form to mark a tabula rasa moment that inscribes Saban's project firmly into the canonical narrative of painting's many deaths and resurrPainting Ball performs the undoing of painting in its traditional form to mark a tabula rasa moment that inscribes Saban's project firmly into the canonical narrative of painting's many deaths and resurrpainting in its traditional form to mark a tabula rasa moment that inscribes Saban's project firmly into the canonical narrative of painting's many deaths and resurrpainting's many deaths and resurrections.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

Selected new exhibitions feature contemporary abstraction, narrative installation, figurative paintings and conceptual print making.

The significance of the black monochrome painting to the narrative of modernism means that anybody making one now is, to some extent, qualifying an existing sign.

The artist generates the subject matter of his art from the material substances with which he works, an approach made most memorable perhaps in Zucker's «cotton ball paintings» of the early 1970s with their narrative images of plantation life in the American south.

Known for irreverent riffs on the art historical «muse,» William Villalongo has made episodic paintings and works on paper, which underscore historical erasure and master narratives of desire.

Brandon Lattu's fourth exhibition with the gallery is a combination of two video installations, and a series of three - dimensional painted photographs, each created by removing the human factor from the process of selecting the building blocks of the narrative and allowing a proprietary computer algorithm to make those decisions.

DAVID DRISKELL Creative Spirit: Five Decades by Bridget Goodbody DAINA HIGGINS New Paintings by Charles Schultz LOIS DODD New Panel Paintings by Sharon Butler Unlikely Friends: JAMES BROOKS & DAN FLAVIN by Greg Lindquist DAMIEN HIRST The Complete Spot Paintings 1986 — 2011 by Corina Larkin LORI ELLISON by Corina Larkin GEORGES HUGNET The Love Life of the Spumifers by Valery Oisteanu Dark Christmas by Bradley Rubenstein ELLSWORTH KELLY Schwarz & Weiss by David Rhodes MALCOLM MORLEY Another Way to Make an Image, Monotypes by Robert Storr Five Works from the Collection of Albert Murray: ROMARE BEARDEN and NORMAN LEWIS by Charles Schultz THE RONALD S. LAUDER COLLECTION: Selections from the 3rd Century BC to the 20th Century / Germany, Austria, and France by Charles Schultz Anonymous Tantra Paintings by Noah Dillon SANGRAM MAJUMDAR New Work by Kara L. Rooney GUDMUNDUR THORODDSEN Father's Father by Paolo Javier SOTO Paris and Beyond, 1950 — 1970 by Cora Fisher JESS Paintings by Phong Bui GEORGE MCNEIL by Robert Berlind VICTOR MATTHEWS by Vincent Katz LOLA MONTES SCHNABEL Love Before Intimacy by David Markus THOMAS WOODRUFF The Four Temperament Variations by Kara L. Rooney MARTHA CLIPPINGER Hopscotch by Robert Berlind PETER GALLO by Jonathan Goodman Connected by Noah Dillon KANDINSKY's «Painting with White Border» by Susan Bee BARBARA SANDLER Straight On Till Morning by Robert Berlind December (Organized by Howie Chen) by Nathan Kernan EDWIN DICKINSON In Retrospect by Robert Berlind JOSÉ RIVERA by Nathan Kernan REMBRANDT»S WORLD: Dutch Drawings from the Clement C. Moore Collection by Sara Christoph JOSEPH MONTGOMERY Velveteen by Linnea Kniaz The Renaissance Portrait from Donatello to Bellini by Mira Schor BOSCO SODI Ubi Sunt by Jonathan Goodman DOUG WADA Americana by Lilly Wei Mind the Gap by Anne Sherwood Pundyk BILL JENSEN by Ben La Rocco WITHIN / WITHOUT: A Studio Visit With SHOSHANA DENTZ by Zachary Wollard SUSANNA HELLER's Studio by Robert Berlind STUDIO VISIT: JOYCE PENSATO by William Corwin Making American Taste: Narrative Art for a New Democracy by Shane McAdams Letter from BERLIN by David Rhodes JOSEPH MARIONI Eye to Eye by Robert C. Morgan GORDON MOORE by Joan Waltemath Master Bill at MoMA by Irving Sandler

Her canvases are mostly scaled to the artist's own body, often dyed with rich violets and greens, and occupied with flatly painted signs scrambled into effusive narratives about their own making.

Also, I don't have the type of narrative to make a film, people often say why don't you make film because your paintings are so related to the cinema.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

He cites his work's narrative in the use of his hands to make his paintings, and his choice of child - like materials — wax crayons — which he presses onto shaped panels.

Making Painting explores the concept that, though working on different continents in different centuries, JMW Turner and Helen Frankenthaler share fundamental qualities in their use of paint and colour, form and narrative, and in their understanding of landscape.

Taylor McKimens has been known for years as a painter of «American Life», making large and narrative paintings that feature rural tableaux, economically marginalized people, overlooked and often beautiful details of the natural world and cultural debris.

This exhibition explores the making of painting as well as the conceptual underpinnings of the artist's narrative.

Alexis Murray makes narrative, figurative paintings using old master techniques and are full of fantasy and caricature.

There's a tension in his paintings, drawings and films that make them impossible to derive clear narrative of meaning from, yet the work seems burdened with significance.

«What interests me about Wool» the artist and critic Joan Waltemath has said, «is how, at a time when painting was not on the map, he really did the nuts and bolts work to find a way to make it possible to get back into that grand narrative.

She tends to place her subject matter upon the figure and narrative, and employs a unique painting technique by pushing acrylic paint through a thin wire mesh to make rich, fiber - like surfaces.

His paintings» continual slipping between these modes demands sustained attention from each viewer of each canvas, making it difficult to hang them together in a coherent narrative or group.

Tadeusz was inspired by everyday impressions, but gave those motives a surreal twist, which made his paintings ambiguous and more profound, and created a narrative of life.

Carol Es is a self - taught artist whose work bears dark, yet childlike humor that interweaves throughout her paintings, drawings, installations, and books making these narratives nearly accessible.

While Binion's monochromatic work has been compared critically to minimalist practice, the artist resists that explanation and cites his work's narrative instead in the use of his hands to make his paintings, and his choice of child - like materials — wax crayons — which he presses onto shaped wood and aluminum panels.

Through repetitive patterns, mark making, and textural floral elements, her paintings depict personal narratives that focus on feelings of identity, vulnerability, and loss.

«Rather than sex, these paintings are narratives of their own making.

It is rarer for a young artist (Kowch is now 31 years old) to inspire that level of confidence that she will make paintings that meet expectations, both men separately said, stemming from Kowch's abilities as a consistent painter of technical excellence and weaver of narrative magical realism.

In Svobodová's paintings, folds made during a concentrated period of time build the infrastructure of the final image and create a narrative of space that never stops suggesting something intrinsic about flatness.

Its narrative is drawn from letters, diaries, and reports from the period, and these histories are made tangible through a dazzling array of art objects, sculpture, costume, and paintings.

For her current solo show, «Into The Wind,» Kowch also made a series of small paintings that are intimate in scale but rich in detail and narrative implications.

She builds up layers of acrylic paint and narrative content, such as map grids and abstracted images of war, which she then overlays with mark making using pencil, pen, ink, and more paint.

About lines and strokes, about painting paint strokes, telling a story, using the grid, moving from figure and landscape space, making the work narrative, isolating strokes, thinking about the anatomy of a painting... being able to see the process the painting went through, the ground, pencil lines, paste, gel, paint.

Both these paintings get their force from the counterbalancing of reality and reflection, image and object, canvas and screen — and, more than their narrative overtones, it's their perceptual complexity that makes the greatest impact.

Nothing is fixed, and there is liberation, mystery and glory in this, as Carrington's paintings, at their best, brilliantly attest... With their myriad characters, narratives and settings, her paintings suggest not only that art and the imagination can liberate our thinking, but also, by implication, that we make attempts to close down the imagination at every possible opportunity.

Artist Thornton Dial, who used found objects, fabric, and paint to make astounding, intricate wall reliefs and sculptures that harbor nuanced narratives at once grand and intimate, died yesterday, Monday, January 25, at his home in Emelle, Alabama.

Knight writes: «The narrative in these paintings is a story of their making... One result is an intensified sense of the here and now, a moment that seems right and sure and achingly ephemeral, poised to slip away.

The tactility of the painting as well as the integration of paper collage onto its surface offers a complexity to Binion's process that is deeply devoted to the narrative of the work's making.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

2013 Make every show like it's your last, Frac Île de France / Le Plateau, Paris, FR Once upon a bicycle, not so long ago, Annet Gelink Gallery, Amsterdam, NL Ryan Gander's Associative Photographs, 2004, Zabludowicz Collection, New York, US How I Imagine artists physically envisage the internet when using it as a presentation platform, Desktop Residency, www.desktopresidency.com 2012 These are things that I do nt understand, Daiwa Press Viewing Room, Hiroshima, JP Esperluette, Palais de Tokyo, Paris, FR Boing, Boing, Squirt, Museo Tamayo Arte Contemporáneo, Mexico City, MX Lost In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT Ryan Gander: An Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK An exercise in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, UK