Sentences with phrase «narrative sections in»

Not exact matches

And while journalists scrutinize the oil, finance and agricultural industries, tourism is generally considered a pleasant, frivolous pursuit — an aspirational hobby relegated to a newspaper's Travel pages, where breezy first - person narratives are written with a journalistic looseness that wouldn't make it past the editors in the Sports or Arts sections.

You can find a narrative explanation of a company's financial performance in a section of the quarterly or annual report entitled, «Management's Discussion and Analysis of Financial Condition and Results of Operations.»

In this section we provide certain tabular and narrative information regarding the compensation of our principal executive and financial officers and our three other most highly compensated executive officers for the fiscal year ended May 31, 2014, and for each of the previous two fiscal years.

It has always been an insoluble problem for harmonists and writers of the life of Christ; and it is clear from the way Matthew — and perhaps John — and even Luke used the materials of the Gospel of Mark that they, who were its earliest editors and commentators, did not view the Marcan order as chronological or final and unalterable — save in one section, the passion narrative, though even here they did not hesitate to make some changes in order.

tried to show that we can trace in the Gospel according to Mark a connecting thread running through much of the narrative, which has some similarity to the brief summary of the story of Jesus in Acts x and xiii, and may be regarded as an expanded form of what we may call the historical section of the kerygma.

So while Gladwell himself isn't a character in the narrative, its construction proved to be a remarkable personal journey for him.Aside from the section on David, three chapters of the book deal with the stories of people who drew on the extraordinary reserves of their Christian faith to defeat seemingly insurmountable odds.

Perhaps, obliquely, it is to be found in the last section of the narrative where the shepherds go to Bethlehem to check on the truth of the message.

In a section on Lyotard in An Introductory Guide to PostStructuralism and Postmodernism, Madan Sarup points out how Lyotard explicitly contrasts scientific language, the language of verification and falsification, with narrative or story, «which certifies itself without having recourse to argumentation and proof.&raquIn a section on Lyotard in An Introductory Guide to PostStructuralism and Postmodernism, Madan Sarup points out how Lyotard explicitly contrasts scientific language, the language of verification and falsification, with narrative or story, «which certifies itself without having recourse to argumentation and proof.&raquin An Introductory Guide to PostStructuralism and Postmodernism, Madan Sarup points out how Lyotard explicitly contrasts scientific language, the language of verification and falsification, with narrative or story, «which certifies itself without having recourse to argumentation and proof.»

In the present section, several more specific ways are presented by which the effort to uncover the ethos of a congregation is pressed: (a) listening for narrative elements, (b) participant observation, (c) guided interviews for value patterns, and (d) corporate moral inquiry.

And the sabre - rattling from a section of the Ijaw, threatening war and destruction should Goodluck Jonathan fail re-election, nicely keyed into that gung ho narrative, which certainly was not without sympathy in the South East.

Instead of having investigators sum up their record with a list of papers in their biosketch, he introduced a new section, a narrative describing one's key accomplishments.

Hitchcock / Truffaut director Kent Jones» first narrative feature won Best Narrative Feature, Best Screenplay, and Best Cinematography in the U.S. Narrative Feature Film section of the narrative feature won Best Narrative Feature, Best Screenplay, and Best Cinematography in the U.S. Narrative Feature Film section of the Narrative Feature, Best Screenplay, and Best Cinematography in the U.S. Narrative Feature Film section of the Narrative Feature Film section of the festival.

His new film, screening in the Un Certain Regard section of the festival, combines his skills at narrative and documentary filmmaking to create a brutal mockumentary of loosely connected vignettes about the propaganda - and conflict - riddled Donbass region in eastern Ukraine.

The narrative — consisting of a prologue, five sections, and an epilogue — is fluid and easy to follow, but it leaps around in time and switches between the viewpoints of Justin, Alex, Marie, and Juliette.

Films in this section are eligible for Audience Awards for Best International Feature, Best Narrative Feature, or Best Documentary Feature.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

So far, our SXSW preview series has taken a look at the Headliners, Midnight section, and narrative films in the Visions program as well as a tour of the festival's documentaries.

Today we close things out ahead of tomorrow's festival kick - off with a few films from the Narrative Competition, Narrative Spotlight, and narrative films in other Narrative Competition, Narrative Spotlight, and narrative films in other Narrative Spotlight, and narrative films in other narrative films in other sections.

The official theatrical release comes after «Permission» had its World Premiere in the Spotlight Narrative section at this year's Tribeca Film Festival.

In addition, this section of the narrative will see an unprecedented number of deaf actors in roles that would normally go to hearing actorIn addition, this section of the narrative will see an unprecedented number of deaf actors in roles that would normally go to hearing actorin roles that would normally go to hearing actors.

Pellerin will star in «First Light,» which also features Stefani Scott, and will premiere at SXSW in the Narrative Spotlight Section.

Among the first films and filmmakers to use these services will be two selections from the 2011 Sundance Film Festival: Connected: An Autoblogography about Love, Death & Technology by director Tiffany Shlain, which premiered in the U.S. Documentary Competition section and On the Ice, by director Andrew Okpeaha MacLean, which premiered in the U.S. Narrative Competition section.

Ahead of its world premiere in the Narrative Spotlight section at the Tribeca Film Festival on April 27, Deadline has an exclusive clip from the film starring Evan Peters and Barkhad Abdi.

Caleb's conversations with Ava are presented as discrete narrative sections, titled like chapters in a book (though the claustrophobic setting will inevitably remind viewers of another classic of shut - in psychodrama, Stanley Kubrick's film of «The Shining»).

In the Narrative Spotlight section we've got the Diego Luna - directed «Cesar Chavez» as well as «Things People Do» starring Wes Bentley, Jason Isaacs, Vinessa Shaw and Haley Bennett and «We'll Never Have Paris» with Zachary Quinto, Maggie Grace and Melanie Lynskey.

The world documentary and narrative feature panorama added the best of Latin American cinema in competition and the Perspective Section.

EXCLUSIVE: The Office alum Paul Lieberstein's feature directorial debut Song of Back and Neck is making its world premiere today in the U.S. Narrative Competition section at the Tribeca Film Festival.

It was more linear and less exploration - focused than a typical Metroid, forcing Samus to look at specific sections of rooms in order to cue up cut - scenes and concocting a series of narrative reasons to delay the implementation of her various power - ups.

One of the pics in the Narrative Feature Competition section is The Strange Ones, which will be making its world premiere Saturday morning at the Stateside Theatre.

In the latest episode of Observations on Film Art, now streaming on the Criterion Channel on FilmStruck, scholar David Bordwell isolates the recurring motifs in Chungking Express, illustrating how the director uses small details to unite two sections that never intersect on a narrative leveIn the latest episode of Observations on Film Art, now streaming on the Criterion Channel on FilmStruck, scholar David Bordwell isolates the recurring motifs in Chungking Express, illustrating how the director uses small details to unite two sections that never intersect on a narrative levein Chungking Express, illustrating how the director uses small details to unite two sections that never intersect on a narrative level.

It's only in the last section that the film slows down again and actually slips back into traditionally paced narrative.

The Kozol text that struck me the most was Death at an Early Age: The Destruction of the Hearts and Minds of Negro Children in the Boston Public Schools that had been published in 1967 and was a narrative about Kozols first year teaching in that same very section of Boston - Roxbury.

In our resources section, you'll find a sample of a «demographics» page for a grant narrative.

Created for A-Level students and includes the following key information in an easy to understand, but high level presentation: The narrative with key quotations from each section of the text; Poetic devices; Structure of the text and significance; Links to the Canterbury Tales as a whole and literary context; Settings and explanations; The Franklin and how he is significant in telling this tale; Genre and the Breton Lay; What some of the key critics say about The Franklin's Tale; Notes on Kittredge and the marriage group of tales.

On each subtopic page, in addition to a selection of primary sources, you will find detailed Questions and Activities, Student Responses, Teacher Narrative, and Additional Resources sections.

The narrative sections of this book document a journey to a remarkable place: an isolated Middle Eastern village whose inhabitants «speak» sign language — a language unlike any other in the world, witnessed by few outsiders and never before described.

Author Amy Greene prevents the narratives from sprawling like kudzu by organizing them into paired sections, allowing characters to alternate speaking in groups of two.

I have to keep checking to see who is responsible for the books narrative in each new section.

Pasulka shows her skill in these delicate sections with narrative that is touching without being melodramatic.

Delete sections that are repetitive or detract from the narrative, or flag such sections that, in editor's judgment, should be deleted Determine the language and reading level appropriate for the intended audience and medium, and edit to establish or maintain that language and level.

However it's less elegant in how it tells it's narrative considering even this early the VA clashes with one another in scripted sections.

The narrative sections are delivered in a bright and colourful 2D comic-esque style not dissimilar style to Danganronpa or Virtue's Last Reward.

Meanwhile the modern day side of the narrative feels like it is being slowly abandoned, barely getting a look in this time around, although at least the developers have thrown in some fun platforming sections that send you to different time periods, including a breathtaking clamber up the Eiffel Tower during World War II.

By the time you've died because a car decided to warp into your path, or you touched a moving door (yes, really, they're deadly), it really makes you question just how the hell these sections — in a cover - based narrative adventure — got approved in the first place.

In today's episode of Dealspwn Playthrough, Matt plays through a section of Josef Fares and Starbreeze Studios» new game, Brothers: A Tale of Two Sons and discusses the control system, the difficulties presented by having a narrative - led game with no dialogue, and how he wishes he was LeBron James.

It also uses these maps more for narrative, like having history explaining statues in some areas of the dystopia, the specialized buildings in the compound, and just having a section of the swamps populated by tourists and street performers.

Combat in BioShock to me is somewhat of «A means to an end» in this narrative driven game and that is why I forgave some less enjoyable sections like fighting the same boss three times or a not well checkpointed battle towards the end of the game.

Double Kick Heroes offers story and arcade modes, the former featuring colorful narrative scenes between levels and the latter omitting these story sections in favor of direct access to each stage.

For everything the game does right in relationship and world building, however, you'll invariably circle back to its shortcomings surrounding the aforementioned camera issues and that nearly unparalleled sense of helplessness of waiting (and wondering) if / when Trico will do what you want to move the narrative forward to the next section.

In addition to the book's captivating plate section, including artist biographies and narratives, insightful essays by notable authors give knowledgeable background on the continuity of the American artistic tradition in one of the nation's most historic areaIn addition to the book's captivating plate section, including artist biographies and narratives, insightful essays by notable authors give knowledgeable background on the continuity of the American artistic tradition in one of the nation's most historic areain one of the nation's most historic areas.