Not exact matches
In Harris»
narrative, it's hard to see exactly how she comes to the conclusion that concerns for «the poor's rights» demand aligning with liberal politics rather than those of Christian conservatives, but
by the end, Harris finds herself on the opposite
side of the political spectrum, voting with those she had envisioned as the manifestation of evil while growing up.
So when I told you to stick your platitudes where the sun don't shine, what I was saying was that I reject your shamy concern trolling and refuse to allow you to control this
narrative... like you tried to control MY statement
by calling it «silencing» (the very word we've all been using to accuse TJ's EV crowd... very clever), and you tried to control JULIE»S story
by diminishing it to «well there are two
sides», and how you tried to control this entire conversation
by saying what we think about it isn't important or relevant unless we're having face - to - face convos (and yet you're commenting here?
He could have done this
by going down into Judea on the west
side of the Jordan and then crossing to Perea, but the
narrative as a whole gives the impression that he went down on the east
side of the river and crossed back farther south, near Jericho.
There were several people saying that Ronda was being discussed as the next opponent for Cyborg, including Cyborg herself and Meisha Tate... but you know, don't let the facts started
by the people who were there interfere with your pro-Ronda
narrative (despite your assertions that you're not a fan, you sure as hell are all - in on any
side of the story that favors her, even when there is clearly a debatable aspect to it).
I can only hope that this attempt is taken more seriously than the largely muted and clearly unsuccessful protests of late last season... although the plane writing escapade brought some much - needed attention to the matter, it failed to resonate with fence - sitters and those who had just recently fell off the Wenger truck... without a big enough showing of support the whole endeavor appeared relatively weak and poorly organized, especially to the major media outlets, whose involvement could have significantly changed what was to follow... but I get it, few wanted to turn on their club, let alone make a public display of their discord... problem is, they are preying on that vulnerability, in fact, their counting on you to keep your thoughts to yourself... who are you to tell these fat cats how to steal your money... they have worked long and hard to pull the wool over your eyes... they even went so far as to pay enormous sums of cash to your once beloved professor to be their corporate spokesmodel so that the whole thing would be more palatable... eventually the club made it appear as if this was simply a relatively small fringe group of highly radicalized supporters, which allowed the pro-Wenger element inside the club hierarchy to claim victory following the FA Cup win... unfortunately what has happened to this club can't be solved
by FA Cups or a few players coming in, the very culture of this club needs to be changed and that starts at the top... in order to change the unhealthy and dysfunctional
narrative that has absorbed this club we need to remove everyone who presently occupies a position of power... only then can we get back to the business of playing championship caliber football, which should always be the number one priority of this organization... on an important
side note, one of the most devastating mistakes made in the final days of this hectic and poorly planned transfer window didn't have to do with the big name players like Sanchez or Lemar, but the fact that they failed to secure Jadon Sancho, who might even start for Dortmund this season... I think they might seriously regret this oversight... instead of spending so much time, energy and manpower pretending that they were desperately trying to make big moves, they once again lost the plot due to their all too familiar tunnel vision
Though some may take issue with my wording, this
narrative is largely embraced
by people on both
sides of the divide.
Anecdotes from Winston Churchill sit
side by side with the aforementioned Nigella revelation in Thomas» fluid
narrative.
Next, they need to do a
side -
by -
side comparison with
narratives from similar times that are known to be based on reality, such as the ancient Greek histories.»
I started saying yes to my own self - care, which meant saying no to friends who wanted to spend time together on nights before classes and saying yes to being in my bed
by at least 10 p.m. Ultimately, my
side hustle changed the
narrative of showing up for myself.
Metal Gear Solid V: Ground Zeroes has a brief
narrative, but its short length is bolstered
by flexible
side missions and exceptional replayability.
Side missions, presented in the post-game
by Marvel fourth wall - breaker Gwenpool (replacing the first game's Deadpool) give characters not featured in the core
narrative a chance to shine.
Home Directed
by Jeremy Podeswa Written
by Dave Hill Bran Finally showing back up after a year's mini break on the other
side of the Wall (chilly weather, sparse accommodation, but reasonable rates), Brandon Stark (Isaac Hempstead - Wright) pops seamlessly back into the
narrative as he continues his padawan learner training with Game of Thrones «Obi - Wan, -LSB-...]
Pickup and Imrie, in particular, suffer from being
side - lined, their addition damaged
by the fact their
narratives are based around finding love for selfish reasons.
The current
narrative — pushed
by Politico and other media outlets — is that the anti — Common Core forces have momentum on their
side.
It's the rest of his squad that drives the
narrative, though, from the Jewish - American smartass buddy who sticks
by your
side through it all, to the conflicted Sergeant who's trying to redeem his past on the backs of you and your squadmates.
More recently though, games like Gone Home or Firewatch have challenged that notion
by pushing nearly everything to the
side except delivering a sharp, focused
narrative.
Doublefine's Broken Age and various LucasArts remasters have stood
side by side with the
narrative fiction subgenre, but no one has gone as far as Thimbleweed Park from Ron Gilbert, the creator of Monkey Island.
There's no clear moral compass between the pair of them and the
narrative is made all the more compelling
by the fact that the player is eventually forced to pick a
side.
By blending
narrative and visuals, you are effectively targeting both
sides of the brain, cementing the information.
His involvement in the early 1960s with Judson Dance Theater, New York, an experimental collective that included dancers as well as visual artists, resulted in performances free of
narrative, emphasizing instead the purity of movement — sometimes conventionally dance - like, but also mundane movements, allowing untrained performers to participate
side by side with professional dancers.
He began to write to me, dispensing with formality — no Dear Harland or anything, he began straight in: «Not being a qualified pathologist, I'd say the man lying
by the
side of the road had been dead for two hours, and the mountain to the right, the mountains of Rue were capped with snow, and not being a qualified pathologist, I remember Lily who played the piano so attractively,» he would go on with this almost «cut up» William Burroughs
narrative, repetitive as well, because he would forget obviously.
Richard Hughes is known for his exceptional skill to turn ordinary, sometimes slightly repulsive objects that might be found in a hovel of a rooming house or unceremoniously dumped
by the
side of the road «'' bleak monuments to abused domestic or public spaces «'' into
narrative sculptures.
To do so, the artist arranges blocks of color called «color fields»
side by side to create effects that are independent of
narrative or judgment.
Past group shows and screenings include: Rêve du Pierre, curated
by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower
Side in Istanbul, Mixer, Istanbul, Turkey (2014); It
Narratives: The Movement of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).
Featuring the body of work
by the same name at its epicenter, Walhalla (1992 — 2016), the show expands towards numerous
side rooms, occupying the long corridor, carrying the same
narrative.
Redirecting the purpose of these technologies, Arcangel creates a
narrative that places the histories of art and technology
side by side.
The double
sided film installation, Flora,
by the artist team Hubbard / Birchler is the
narrative of an American woman, Flora Mayo, an artist who goes to Paris to study sculpture.
And yet, they remain artifacts, too, of the era on the other
side of that threshold, when the project to master the coded
narratives of consumer culture had not yet been made to seem,
by a new flood of media, impossibly quixotic; and when it still seemed possible, in a sea of images, to make a personal and idiosyncratic claim.
As you know from Arctic Tale, as a filmmaker, I am very interested in
narrative story lines, taking our audience on journeys through individual animals to put them
side by side with that creature, so they can really feel and know the decision - making process the animals go through in their quest to survive.
The same time is being wasted at the APS all
by letting one
side control a technical
narrative that is nonsense and obfuscating a political
narrative that is most relevant to the story.
The claims from both
sides will be repeated and amplified at cable news, in the
narratives told
by many political journalists, and across the blogosphere.
It used to be the
narrative of the formerly mainstream media, when they deemed it worthy to include perspective from the «skeptic»
side, always came with a «financed
by Big Oil» disclaimer — whether it was true or not.
For every Chris Mooney or Elizabeth Kolbert there are a dozen hacks calling Judith or Roger up every time they need a dash of confusion to make their stories come out even, and another couple of dozen on each
side of the stupid political fence squawking absurd paranoid
narratives that are at best occasionally half true
by luck.
Start dissecting their
narratives, comparing them
side -
by -
side while looking for physical evidence corroborating Ross Gelbspan's «industry corruption» accusation against skeptic climate scientists, and a very different picture becomes clear: these people's
narratives don't line up right, they collectively have no evidence backing up their accusation, and this prompts serious questions of whether core leaders of the global warming movement are totally oblivious to this situation, or if they knew their
narratives had no merit from the start.