Sentences with phrase «narrative space more»

Not exact matches

Moralioglu, a self - confessed classicist known for the rich narratives behind his collections, bought the portrait at an auction last month, and it couldn't be more indicative of the space he has carved out as a go - to for old - world elegance in a market that is increasingly crowded with an athletic, hyper - branded aesthetic.

Although in one instance — a party sequence featuring a rather clichéd depiction of Catherine's feelings of claustrophobia in a crowded space — the film falls victim to a heavy - handed narrative choice and unsubtle execution, more often, smaller moments such as Catherine's interactions with Rich, or her reminiscences about the past with Ginny, become crucial in expressing her emotions.

We thus begin to doubt Theo's critical diagnosis of the world around him, while the narrative space of attention begins to widen and allows the spectator more choice in what to see, freed from the protagonist's gaze.

A «recovering lawyer» who was born in Jamaica, Phang was selected from a diverse pool of more than 260 applicants and intends to use the grant to produce her first narrative feature, The Space Between.

Atavist juxtaposes various digital forms that lies in the space between long narrative magazine articles and traditional books and e-books — a bit like music singles in iTunes — Atavist presents stories longer and in more depth than typical magazines, less expensive and more dynamic than traditional books.

Perhaps, as this genre continues to evolve, we will see a shift in the design process, where the narrative more directly revolves around the player, incorporating others in the same space — but it's vital that the connection between game and player, built so steadfastly on loneliness, isn't compromised.

Even GTA - the king of agency 10 years ago, has seen its system space massively curtailed in its latest iteration in order to make more room for the authored narrative.

The «narrative elements» turned out to be nothing more than floating heads taking up space in players HUD's, shouting skeletal exposition for a non-existant story in a poor effort to apply context that wasn't needed to begin with.

Finding your team, completing your data collection and shooting the enemy in the xeno - scrotum is debatably a more elegant narrative than the tale of three warring factions all vying for the use of explosive space Hula Hoops.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

There is a well - worn narrative of twentieth century painting that goes like this: From Cezanne to Picasso to Pollock, the illusionistic space of painting flattened more and more until the picture plane and the surface created by the paint itself became the primary subject matter, eliminating images altogether in favor of abstraction.

It is more a space between a narrative drawn from fiction and a life.

Shirin Neshat's newfound grandeur this summer already shows all sides of the picture — simpler narrative form, wider space, a popular musician on the soundtrack, and more heightened expectations with each new show.

Translated from the French as «out of field,» or more colloquially «off - camera,» the term «hors - champs» refers to the capacity of certain images to create a sense of narrative space beyond what is immediately shown by the camera.

Following these exhibitions and the more current than ever topic of the representational character of image, space and actual object, Galerie Gmurzynska, will bring a selection of sculptures, reliefs and collages spanning art historical narratives from the early 20th century to the early 21st century.

Howard, Katie, «Keith Mayerson in My American Dream @ Marlborough Chelsea», Art Blog Dog Blog, December 19 (link) Indrisek, Scott, «7 Must - See Gallery Shows in New York», Blouin Artinfo, December 16 (link) Wolin, Joseph R., «Critic's pick — Keith Mayerson: My American Dream», Time Out New York, December 5 (link) Pollack, Maika, «Keith Mayerson», Interview, November 10 (link) Lehrer, Adam, «Artist Keith Mayerson's Meta - Narrative of Appropriated Americana Explored in «My American Dream» at Marlborough Chelsea in New York», Autre, November 5 (link) Brown, Jeffrey, «Whitney Museum opens more space for risk - taking artists», PBS News Hour, April 30 (link) Johnson, Paddy, «At the Whitney: Industry, Advertising, and Death Makes America Hard to See», Art F City, April 27 (link) Russeth, Andrew, «The Whitney Opens With a Winner», ARTnews, April 23 (link) Indrisek, Scott, «The Whitney, Chapter by Chapter: How to See 100 - Plus Years of Art in One Day», Blouin Artinfo, April 23 (link) Mogilevskaya, Regina, «Prewiew: America is Hard to See at the Whitney», Blouin Artinfo, April 23 (link) Bilsborough, Michael, «Course of Empire», SVA Continuing Education Blog, April 23 (link) Shaw, Dash, «Go Burn Brightly», American Book Review, Volume 36, Number 2, January / February 2015, p. 4 Shelton, David, «David Shelton Reports from the Dallas Arts Fair», PaperCity, April 17 (link) Lin, Allie, «Iconoscapes at Freddy, Flowers at Franklin Street», Post Office Arts Journal, January 25 (link)

However, Overby's work quickly diverged from those experiences and developed into a more psychological and narrative attitude that saw domestic space and architecture as metaphorical extensions of bodily decay, and that lead the artist to refer to his practice as «Baroque Minimalism».

Whereas, Duane Michals, on the other hand, trained his philosophical interests toward more liminal in - between spaces of what he called «indecisive moments,» which generate ambiguous emotional narratives that he heightened through photo sequences accompanied by his poetically personalized texts.

Gaignard's complete occupation of the space gives people permission to enter the narrative of another and leave considering the foreign as perhaps a little more familiar.

More recent work has investigated the evolution of urban space and the narratives shaping natural history and geology.

The interactive nature of the art makes the overall space and visitors present become part of the creation.The artist gets rid of the narrative structure, concrete language or any transferable information belonging to the object to return to a way of seeing more independently, freely.

In this new body of work, though, she constructs more dynamic spaces in order to deliver her wonky narratives.

The resulting artworks create narratives from the space between these... Read more»

The narrative is bracketed by American artist Robert Smithson's seminal non-sites that asked spectators to look, walk, view, read, and think about combinations of objects, images, and texts installed in a gallery and the Swedish curator Maria Lind's groundbreaking renovations of the exhibition form and the museum space into something more active, open, and democratic inviting the public into new and unexpected encounters with works of art and institutions.

Sarah Charlesworth's recontextualized newspapers, a comparison of The Family of Man by Edward Steichen and Steve McQueen, typologies by the Bechers, Karl Blossfeldt, Dan Graham, and others, the photographic archive as a tool of social control, series - based portraiture by artists August Sander, VALIE EXPORT, Claude Cahun, Bea Nettles, Annette Messager, and Sophie Calle, the passage of space and time in works by Ed Ruscha, Duane Michals, Minor White, William Christenberry, and Atta Kim, photographic documention of artistic process, observation and experimentation, the photobook as a traveling idea, the slide show as performed sequence, Eadweard Muybridge and the illusion of motion, sequential narrative in works by Jan Groover, Eleanor Antin, and Chris Marker, compressing time in video works by Andy Warhol and Paul Pfeiffer, and more...

His interest in creating zones of space within a painting and using this not just to suggest depth and texture, but also to direct the viewer through the picture and any suggested narrative, became more evident.

, Gallery Joe, Philadelphia, PA 14th Annual Inliquid Benefit Auction, Gallery Joe Booth, Icebox Project Space, Crane Arts, Philadelphia, PA 2013 In Front of Strangers, I Sing: 72nd Annual Juried Exhibition, Woodmere Art Museum, Philadelphia, PA 2012 Transformations, Philadelphia Episcopal Cathedral, Philadelphia, PA All About Etchings, Chris Neptune Gallery, Washington, DC 2011 Something French, Art Gallery at City Hall, Philadelphia, PA Exhibition of Select Prints, Wayne Art Center, Wayne, PA 2010 Prints by Gallery Artists, Gallery Joe, Philadelphia, PA Selections from C.R. Ettinger Studio, 2000 - 2010, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2009 50 very small drawings, Gallery Joe, Philadelphia, PA 2008 The Figure Today, Jenkins Johnson Gallery, New York, NY The Figure Today, Jenkins Johnson Gallery, San Francisco, CA Fantastical Imaginings, Delaware Center for Contemporary Art, Wilmington, DE Group Show, Loyola University, Baltimore, MD 2007 Magical Realism, Abington Art Center, Jenkintown, PA 2006 Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC 2005 Telling Stories: The Narrative in Contemporary Art, Pennsylvania College of Art and Design, Lancaster, PA Collaboration As a Medium, Edison Gallery, Washington, DC (traveling Art Place, Baltimore MD and more sites) 2004 Figure Out: Drawing as Narrative, Gallery Joe, Philadelphia, PA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY 2001 Ten Contemporary Artists, 5 x 2, Allentown Art Museum, Allentown, PA 2000 Drawing With Color, Mangel Gallery, Philadelphia, PA When Reason Dreams: Drawings Inspired By the Visionary, the Fantastic, and the Unreal, Philadelphia Museum of Art, Philadelphia, PA Body Dismorphia, Hicks Art Center, Bucks County Community College, Newtown, PA curated by Jeanne Jaffe Allentown Art Museum, 27th Annual Juried Exhibition, Allentown, PA (Juror: Judith Tannenbaum, Curator, Rhode Island School of Design, Providence, RI) 1999 Biographies: Philadelphia Narratives, Institute of Contemporary Art, Univ. of Pennsylvania, Philadelphia, PA (catalog) Biographies: Philadelphia Narratives, Freedman Gallery, Albright College, Reading, PA (Nov. - Dec.)

You have much more space to communicate the narrative that surrounds your situation as a candidate.