Sentences with phrase «narrative story written»

Great narrative story written by a Canadian.

It must be said that it's kind of odd Cuomo would make this claim, given there's been plenty of off - narrative stories written before that have sometimes resulted in pre-emptive statements attacking the news organization's credibility.

A Lesson Presentation that presents Teaching Resources in Narrative Story Writing.

Thirteen intermediate - level students with learning disabilities and poor writing ability were taught how to use a prestructured story web to improve their narrative story writing ability.

Not exact matches

The course: This specialization created by Wesleyan University consists of four courses, each taught by a teacher below, and covers elements of three major creative writing genres: short story, narrative essay, and memoir.

When Jordan Bishop is not writing personal or company profiles, he contributes insights about the misunderstood to publications like Forbes, never - before - told travel narratives to a handful of in - flight magazines and enables international clients to tell transformative stories as a principal at STORIED Agency.

Missouri Synod theologians had traditionally affirmed the inerrancy of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing of the various biblical narratives; a somewhat ahistorical reading of the Bible in which there was little room for growth or development of theological understanding; a tendency to hold that God would not have used within the Bible literary forms such as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part of the evangelists who tell the story of Jesus in the Gospels or to consider what it might mean that they write that story from a post-Easter perspective; a general reluctance to consider that the canons of historical exactitude which we take as givens might have been different for the biblical authors.

I call this alchemy «narrative theology» because I'm usually just wanting to write what I think and experience about God and the best way I know how to do that is through story - telling.

To understand Noah, and to give his character a story arc, Aronofsky and his co-writer, Ari Handel, spent 10 years poring over the Book of Genesis and the midrash — stories written by rabbis to fill out the Bible's narratives.

The story, however, is his own graphic narrative, written probably between 85 and 95, and for the express purpose, he says, of giving an orderly and accurate account of what had happened.

Marcus could read and write — though he could not write well, and had no inclinations to authorship, even in that publishing center of the western Mediterranean in the days of Nero — and so, as one of the few in the local congregation of Christians who could both read and write, he was commissioned to put together in his free time — probably late evenings, after the assembly of the Christians had broken up — the fragmentary translations of narratives from the story of Jesus and his teaching which were in circulation in the Roman church.

«By the time of the writing of the gospels,» notes C. F. Evans, «it had disappeared, leaving behind no more than an echo, and that not in narrative but in credal form («The Lord is risen indeed, and has appeared to Simon»), which Luke has some difficulty in attaching as an awkward pendant to his Emmaus story.»

Like most, I've spent a lifetime scanning through the pages of Scripture searching to find «my» story: a biblical narrative I could write myself into.

Tyler Ward recently released Marriage Rebranded, where he debunks modern myths about marriage, tells real - life stories and offers unorthodox best practices that are sure to help anyone write a better marital narrative for themselves.

It is a story, a narrative which was written by mortal men thousands of years ago.

As Adam is simply the Hebrew word for «man», the story is about man and his wife, and becomes one of the most penetrating narratives ever written about human self - understanding.

Examples of these human marks include the fact that the Bible was written in Hebrew and Greek, that the Old Testament world was a world of temples, priests and sacrifice, that Israel as well as the surrounding nations has prophets that mediated divine will to them, that Israel was ruled by kings, that Israel's legal system shares striking similarities with those of surrounding nations, that the creation narrative and the story of Noah resemble other ancient stories of the time, that the writers of Scripture operated within the paradigm of ancient cosmology, etc..

Everything of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time of the exodus, but by the story of the exodus — the story as it was first remembered and repeated; the story as it assumed relatively fixed classical forms in different areas, in the North or South; the story as its multiple versions, written and oral, were compared, mutually «corrected,» and finally composed into the single, unified narrative that is before us now.

He writes that «in the Bible we find a vast array of competing stories concerning the character of God that are closely connected to the concrete circumstances of those who inhabit the narrative.

For each one of us is an unfolding story, a narrative of daily and distinct episodes; but one without meaning or coherence if I can't connect my self - story of yesterday with that of today and with the continuation of it I will write tomorrow.

Stanley Hauerwas devotes the first part of A Community of Character to demonstrating the intimate connection between character and story.1 «Every community and polity,» he writes, «involves and requires a narrative, «2 actually a constellation of stories, that acts to indicate and to inculcate a society's collective character.

This material, partly oral, partly written, was already in circulation in the communities before the composition of the Gospels, and it consisted of narratives, sayings, and other bits of discourse (including the parables), and the Passion story.

Denise B. Lacher wrote a terrific book on the subject: Connecting with Kids Through Stories: Using Narratives to Facilitate Attachment in Adopted Children ``

The Narrative: Both stories have been written by Child Psychiatrist Dr Kaylene Henderson and are based on principles from cognitive - behavioural, narrative and artNarrative: Both stories have been written by Child Psychiatrist Dr Kaylene Henderson and are based on principles from cognitive - behavioural, narrative and artnarrative and art therapy.

The media, meanwhile, need good guys and bad guys to tell a compelling story — and the good guys always win, because they write the narrative.

Their idea was that papers written in a more narrative style — those that tell a story — might be more influential than those with a drier, more expository style.

In the book, Olsen writes that «[s] cience is a narrative process... therefore [it] needs a story.»

I love to write stories, poetry, and narratives.

Indeed, one of the best things about Sunless Sea, apart from its beautifully crafted elder - horror stories, fantastically drawn artwork and generally creepy atmosphere, is the feeling that the decisions you make within the game are shaping the narrative, and that by playing, you are writing yourself into that story.

Bioshock 2 may have sacrificed storytelling for cleaner gameplay, but the story is still well written and better than your average VG narrative.

However, Lee Marshall of Screen Daily writes, «If narrative cinema is all about the harnessing of character and atmosphere in the service of a strong story, then Matteo Garrone's follow - up to his 2015 Tale of Tales succeeds on every level.»

Based on R C Sherriff's 1928 play, you can see how the narrative drives the story as Sheriff himself was on the front - line in WWI and survived to write about it.

In a film so manipulative and wrongheaded on so many different narrative levels, for this gem of a scene to emerge and produce real tears from a character barely written in to the story is a welcome surprise.

Wondrous Boccaccio (Maraviglioso Boccaccio) Directed and written by Paolo Taviani and Vittorio Taviani (Italy)-- International Premiere, Narrative Set against the backdrop of a black plague - stricken Florence, ten young men and women escape to a country estate where they spend their days telling different stories of love, fate, and resurrection.

The trailer also includes scenes of the story that is inserted into the main narrative, a story written by Jake Gyllenhaal's character that will feature most of the supporting cast and serves as a possible threat to his ex-wife, played by Amy Adams.

Now, Focus Features is looking at this very issue: written by Daniel Kunka and bought for Smokehouse and Spotlight producers Blye Pagon Faust and Nicole Rocklin, the drama is inspired by a number of different stories, including a piece sourced by the Center for Investigative Reporting, to put together a narrative for what is tentatively titled (and aptly named) Trading In Starvation.

Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.

The narrative of Miller's Crossing is so complicated because while writing it we had the tendency ourselves to lose our way in the story.

Her flatly written character contributes little to the overall narrative, and yet the romance crowds a story that has more interesting things to say.

The play, written by «The Walking Dead's Danai Gurira, features an all - black, female cast and the 33 - year - old actress said she found the story of five women, who during the Liberian civil war in 2003 are trapped by rebel commander, an important narrative.

The legendary composer's story then unfolds in a series of flashbacks depicting key scenes from his life, using his lyrics he wrote to provide much of the narrative.

Mark Neveldine and Brian Taylor (genre mechanics with a gift for narrative momentum but weak on story) write and produce but don't direct (Jimmy Hayward gets credit there), and this dull mess could really used some of their hairbrained excess just to make it interesting.

Like Scorsese's Hugo, a faithful adaptation of a splendid young adult novel by Brian Selznick — who both writes his stories and illustrates them with evocative, black - and - white pencil and graphite drawings — Wonderstruck follows two parallel narrative tracks.

The second half is more story - driven Jamal's school writing competition goes from being a far - off contemplation, to being the central narrative drive.

As the story begins father Toller (Ethan Hawke) begins to write a yearlong diary whose entries outline the narrative.

The narrative of the story is carefully laid out through text before the story missions and while the gameplay experience is top notch, some of the writing presented here is equally as brilliant and offers a glimpse at some of the realistic horrors of a large scale war.

However, the filmmaker approaches his narrative, written by Moon (2009) scribe Nathan Parker, as an exploration of a serious, adult love story.

Conceived by David S. Goyer and Christopher Nolan during the writing stages of The Dark Knight Rises, the story of Man of Steel attempts to make Superman relevant to the modern age again, eschewing the traditional adventure narrative of the Richard Donner film, or the morose navel - gazing of Bryan Singer's 2006 reboot, and instead aiming to at once examine Kal - El's place in the world.

Written by Daniel Kunka and bought for Smokehouse and Spotlight producers Nicole Rocklin and Blye Pagon Faust, the drama is inspired by a number of different stories that piece together a narrative about starvation in third world countries.

Written and directed by Kirk De Micco (Space Chimps) and Chris Sanders (How to Train Your Dragon), with comedian John Cleese (Spud) earning a story credit, The Croods plays its safe with its familiar narrative and just as obvious underlying message, promoting the benefits of togetherness along with the acceptance of change.