Its plot combines several
narrative threads from its comic - book source material and blends them together until they're stupidly simple to swallow.
Not exact matches
As far as your comment as to the relevance of my contribution to this
thread, I feel I have just used more colorful language to express my main
narrative; Religion should be private, and kept completely separate
from science, education, and state.
It's ultimately clear that The Finest Hours is at its best in its relatively propulsive first half, as director Craig Gillespie, working
from a script by Scott Silver, Paul Tamasy, and Eric Johnson, does a nice job of establishing the the central characters and the dangerous circumstances in which they find themselves - with the screenplay, which also emphasizes the ongoing exploits of Bernie's girlfriend (Holliday Grainger's Miriam), generally juggling the various
narrative threads to seamless effect.
This is a culmination film ten years in the making and we are pulling the main story
threads from all of the different franchises into one unifying
narrative.
Playing fast and loose with its twists, Exorcist: The Beginning also lacks anything resembling a
narrative thread, jumping instead
from one cheap shock to another.
As the film progresses, each of its two
narrative threads moves
from the peril - laced wilderness to the seemingly safer confines of domesticity.
Rees cuts effortlessly between the various
narrative threads (aided by editor Mako Kamitsuna, who previously collaborated on Pariah), and makes some neat connections, such as cutting
from a battle in the war to Hap Jackson (Rob Morgan, one of Stranger Things» lackadaisical cops) falling of a ladder.
The only minor nit is that some of the book's final scenes pick up on story
threads from much earlier in the series — like
from books 3 and 4 — and if (like me) you haven't read those volumes in 15 or so years, the resolution of these dimly - remembered plot points lack the
narrative punch they might have had.
But the result is less a rich tapestry — as we are accustomed to getting
from him — and more a collection of frayed
narrative threads.
The good news is that Johnson has a bit more of his own plan here than the first half of his film suggests: The Last Jedi becomes essentially bifurcated, thanks to one decisive, unexpected break
from this series's tradition - bound progression that reverberates across the film's various
narrative threads.
From one sentence to the next, approaching it forensically, one can follow the
thread and pinpoint where an editor jumped ahead, ostensibly, to see where something's going and too when she or he has gone back to review some part of the
narrative.
Truth be told the quality of both the writing and main
narrative thread is all over the place, bouncing madly
from genuinely beautifully written moments with emotional impact and outstanding twists sure to leave you with your jaw on the floor to scenes with clumsy dialogue and ideas that just didn't work out as well as I would have liked, though exactly how much of this inconsistency can be put down to translation issues is hard to judge.
From the masterful soundtrack down to the small, intertwining
narrative threads, this is a deeply personal game amid wave after wave of money - grabbing imitators.
It is an oddity that asks players to look at things
from a different angle, mixing whimsy visuals and playful interactions with a sense of surprise and discovery, quietly
threading an untold
narrative.
Kevin Grace,
Narrative Director at 343i, previously stated, «We probably took most inspiration
from Halo CE, frankly, as far as the tone and the arc and how contained things are and the
thread.»
Taking the city of Torino as its main inspiration, «SHIT AND DIE» lies on a
narrative thread drawn by a series of objects that the curators have sourced
from a selection of established yet unconventional institutions and collections in the city.
Drawn primarily
from the Sheldon collection, Black Fire: A Constant State of Revolution presents a small group of large - scale works that evidence
narrative threads of African American experience
from passage of the Civil Rights Act of 1964 to the present.
In the work 8 the film's
narrative is constructed through a single shot that gently pans and flows through a French castle inhabited by all the tableau vivants
from Brandenburg's past works,
threading together numerous theatrical scenes and layering historical characters such as chess players, ghosts and a sleeping man.
Through employing the Nefertiti bust as a metaphorical
thread, and by interrogating the contested history of Egyptian Museum collections
from the 19th century onwards, the exhibition is concerned with the critique of museology, the staging of the artwork and the writing of art - historical
narrative as a means of forming and informing cultural otherness.
Together, their works introduce numerous critical, political, aesthetic, and material
threads that run throughout the exhibition, in works such as Stan Douglas» compelling six - hour meander into an Afrobeat jam session in Luanda - Kinsasha (2013), the late Kwakwaka» wakw artist, activist and hereditary Chief Beau Dick's celebrated performative masks, Nick Cave's enchanting Sound Suit (2015), borne
from the horrors of racialized violence, to Latifa Echakhch's sculptures and paintings that reconcile personal
narratives against broader cultural or nationalistic norms and expectations.