Sentences with phrase «narrative voice change»

Or would you have the narrative voice change, too and correspond with the gender of the point of view of the passage?

Not exact matches

Dominique's mission has been changing mainstream narratives on what sustainability looks like in practice while especially giving a voice to women of color.

Brown, who rejects the narrative that he is «too smart» for basketball, will visit the Askwith Forums on Thursday, March 1, to speak with Associate Professor Jal Mehta about education, race, and institutionalized sport, and how athletes can use their public voices to advocate for change.

Presentations at the NCTE Conference were about narrative as a way of fostering student engagement and motivation, narrative as a way to understand other people's cultures or environments, narrative as a way to create student voice, narrative as a spur to innovative thinking, narrative as a way to learn any academic discipline, narrative as a form of persuasion, narrative as a way to create personal meaning and new knowledge, narrative as an impetus for social change, narrative as a way to inspire creativity, narrative as the beginning of inquiry, narrative as an expression of imagination, narrative as a reflection on one's own process of learning, and narrative as the basis of collaboration among those with multiple perspectives.

If I see fundamental flaws, such as a core problem in the structure, a wrong turn in the plot, characters that require a radical makeover, or the need to change the narrative voice, I'll usually suggest a consultation rather than a developmental edit.

The 12th Gwangju Biennale's Imagined Borders is a guiding concept that responds to the current times of change and uncertainty by recognizing the limits of grand narratives, singular authorship and the necessity to return to the complexities of multiple voices and perspectives.

Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.

I was pointing out that this is increasingly the challenge to the climate consensus that is voiced in public, per Carlson in the video, and that this approach will increasingly help expose the gap between the narrative of certain calamity (whatever its touted threshold du jour, which has changed over the years and may continue to do so) and the reality of what is knowable even in the way that the IPCC defines this knowability (let alone what is knowable when taking approaches to uncertainty such as that of our host here).