In the seminal exhibition of British painting of the 1980s: The New British Painting2 (1988), selected to tour the US, the works that took centre stage were the large landscapes of Christopher Le Brun and Thérèse Oulton,
the narrative works of the Glaswegian artists Peter Howson, Steven Campbell, Adrian Wiszniewski and Ken Currie, and the personal mythologies of Eileen Cooper, Paula Rego and Andrzej Jackowski.
Yet, like his early mural work, this change in style allowed the artist to once again engage in
narrative works of art.
INTERNATIONAL NARRATIVE FEATURE FILMS:
Any narrative work of fiction of international origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary» style.
U.S. NARRATIVE FEATURE FILMS:
Any narrative work of fiction of U.S. origin with a running time of 50 minutes or more, including films that are shot in a «mockumentary» style.
The novella is
a narrative work of prose fiction of around 30,000 to 50,000 words.
From the first time you load the game and hear the excellent
narrative work of Stephen Fry, to the satisfying sound effect that plays when you press square to load up your Popit menu, LittleBigPlanet 3 looks, acts, and somehow even smells like a proper LittleBigPlanet sequel.
I feel like he only places sex scenes and domestic scenes in his games just to go «Look at how mature my game is, my game is
a narrative work of art because sex and adults do sex sometimes, emotions.
Not exact matches
The
narrative in our household was all about the incredible value
of hard
work.»
When they didn't
work, the
narrative of the policy community — unsubstantiated by any facts — was to say Canadians have a lack
of fire in the belly.
But the
narrative already has the makings
of a feel - good Hollywood movie — so it should come as no surprise that a feature film dramatizing Ma's rags - to - riches rise is already in the
works.
Whatever the truth behind the alleged link between Donald Trump's organization and the Russian financial firm Alfa Bank, the real surprise is that Alfa's name has taken so long to
work itself into the world's most garish
narrative of 2016.
This wide - ranging
work not only evaluates the overarching political and economic framework
of the medical system but also provides rich
narrative detail, examining the political dramas, corporate maneuverings, and forceful personalities that created American health care as we know it.
Her story is the classic real estate investing
narrative of hustling to do repair
work and property management.
From its beginnings, it's been a place where
narrative artists — writers, filmmakers and the like — welcome the discipline
of structure in their
work lives, and build a community
of peers.
I'll be quite happy if at least stocks are being held by those who understand the full
narrative of the recent half - cycle, and have seen, considered, and discarded our
work.
Social media and mainstream reporting are both shaping dangerous and misleading
narratives that, in the long run, are slowly causing the erosion
of the real
work of journalism.
But the human mind is made to fall for stories and miscalculate the odds when a good
narrative is in place, as has been usefully described by the
work of Nassim Taleb and Daniel Kahneman, among others.
This a staggeringly unhealthy
narrative to promote to our children about the way sexuality
works, and plays directly into the hands
of a rape culture such as the one in which we live: If you are a woman and ever get catcalled, abused, molested, raped or any number
of other sexual advances, you are probably at least partially to blame.
First published in the early decades
of the nineteenth century, it is a long
narrative poem about a young woman
of great beauty and culture, her misfortunes, and the burdens
of karma; a
work of genuinely moving brilliance, grim and sad at many points, but also somehow radiant.
The Bible Roma Downey and Mark Burnett's epic attempt to tell the whole
narrative of scripture in ten hours mostly
works and often dazzles.
What Mark put together was a
narrative of the mighty
works and death
of Jesus — a book largely devoted to explaining why Jesus had died — and he had to write it in haste in the midst
of danger, not for Jews, but for Gentile converts.
The
narrative serves as a gentle reproof
of two popular misunderstandings: (1) that the life
of faith is all
work and no play, and (2) that
work is faith in action.
At the same time, the past reveals a larger
narrative of God's
work and interaction with his creation.
But if the
narrative serves to make neither a religion
of work nor a
work of religion, what is its effect?
These theological convictions about how God
works in the world through particular communities that contain in their
narrative life the seeds
of their own — and the world's — redemption were the first source
of Hopewell's interest in congregations.
Much
of what Metz says about memory and
narrative resonates with what process theology has learned from H. Richard Niebuhr's classic
work on The Meaning
of Revelation.15 There is, however, a certain difference.
That is, the statement that Jesus made was specific to that particular group
of Pharisees who were particularly stubborn to the way the Spirit was
working through Jesus in that particular
narrative.
Yet when that is said and done the
narratives need to be studied not only in the closest detail but also in relation to the whole problem
of Christ's person and
work.
For example, they
work within an industry, a business, that defines most news stories in terms
of conflict
narratives.
So we
worked for months on a cover story looking at the conflict in the Holy Land — why it's happening, peacemaking efforts, the (forgotten) story
of the Church there and the eye - opening
narratives our generation has to grapple with.
Today, however, biblical scholars increasingly analyze the plot
of biblical
narratives, the way the literary forms
work, the patterns
of climax and tension.
Sometimes the most secular
of scholars found that what Frei was doing, with his attention to
narrative and his interest in the language that shapes a particular community, made more sense to them than the
work of many theologians much more systematically concerned to address other academic disciplines.
The
work is being done without much collaboration and cross-fertilization, and no comprehensive educational methodology
of narrative has been developed.
In a novel's case, it's different — you're just cutting the fat: plots that don't need to be there, excessive descriptions, etc. (I
work as a magazine editor so I've learned how to cut, cut, cut, without losing the point
of the
narrative.
This tripartite organization makes the overall
narrative disjointed, with Beecher fading to the background as ever more characters crowd onstage and the
work becomes a survey
of 19th - century history.
Burke recommends that the analysis
of any written
work should begin with the «principle
of the concordance».21 The critic builds an index
of significant terms: terms that recur in changing contexts, terms that occur at significant points in the
narrative, terms that seem heavy with symbolic meaning.
David Hall, a longtime acquaintance
of Carson who said he watched the two
work together, claims that Andrews supplied rough sketches from her experiences in Beverly Hills, and Carson wove them into a fictional
narrative describing her exotic adventures with various shamans based on his own knowledge
of Native American culture.
Yet a woman writer lacks
narrative models for recording the public significance
of her thought and
work.
Like most
of these
works, The Whole Harmonium offers a restrained
narrative that cleaves closely to documentary evidence and ventures little by way
of either critical interpretation or unifying assessment.
Another way
of getting at what is at issue is to say that apocalyptic
narrative is instructive for us because it shows the difficulty
of working both God and man into the same story.
And while slavery is the poisonous weed in the gardens
of her ancestors, Cannon became a student
of slave
narratives, «seeking the interior garden
of Afro - American culture» and consciously
working to inherit the strength and dignity
of her slave foremothers.
Believing exegetes who would interpret the gospels theologically, for instance, usually seek what the evangelist was thinking or, using a
narrative hermeneutic, what the story suggests about God and the
work of the Church.
Since I am
working from a collection
of Jesus» sayings, I have to abstain from the
narrative part
of his biography, the stories
of his birth, healings, Holy Week, and Easter, for, as we will see, they are not in the Sayings Gospel Q at all, or at most, present in a very indirect way.
What it can do is to
work towards a discovery
of the earliest strata
of material in the gospel
narratives, and thus indicate what it is highly likely the earliest disciples believed.
Featuring a truly all - star voice cast back when stars were less inclined to do voice
work (Val Kilmer, Ralph Fiennes, Sandra Bullock, Patrick Stewart, Helen Mirren, Jeff Goldblum and even Steve Martin got in the game), Prince
of Egypt is largely faithful to the biblical
narrative and even manages some real moments
of human drama.
As such, the
work consists
of a discussion and, in some instances, a development
of themes
of narrative theology in biblical and ecclesial issues.
Nor did it occur to Marcus to write his book for Jewish readers anyway; what he put together was a
narrative of the mighty
works and death
of Jesus — a book largely devoted to explaining why Jesus had died — and he wrote it, not for Jews, but for Gentile converts and «listeners to the word.»
Hermann Gunkel, in a sense the unique father
of us all in modern biblical scholarship, despite his insistence on saga's supervision
of the Elijah
narratives as we receive them, nevertheless affirms on the one hand Elijah's kinship with the greatest
of all ministers
of ancient Israel, Moses, in their mutual contention with their own people; and, on the other hand, Elijah's legitimate and immediate relationship to the great prophets who follow him and who, essentially, continue the
work he began.
Ultimately this elliptical, even eccentric involvement
of biblical themes, figures, and
narratives does not make for a
work of superior accomplishment in either religious or literary terms, whether by comparison to masterworks
of the past or the finer novels in Coetzee's own oeuvre.
Emotions are also high, however, because groups on the two extremes
of the cultural
narratives have
worked hard to keep them high.