Sentences with phrase «narrative world of»

She is especially interested in creating films that explore how the formal elements of experimental and documentary film can expand the narrative world of her imagination.

His work conjures a narrative world of characters that attract, repulse and manifest emotional fragility, according to an artist description from the Saatchi Gallery.

«We look forward to working with the team as they deliver a new interactive way for fans and gamers to experience the rich narrative world of Batman.»

The Multiplayer mode will also include Solo Missions, which are skill - based missions set within the same narrative world of Black Ops campaigns, between the events of Black Ops II and Black Ops III.

The Christian in - dwells the narrative world of scripture and lives through its meanings.

It is analogous to the experience of Lazarus, the Beloved Disciple in the narrative world of the Fourth Gospel.

If the disciples and Peter follow the risen Jesus to Galilee where he is initiating a second career, they will not only «see the Lord» as he continues his ministry among the marginalized masses, they will also participate in his resurrection, even as they participated in his death; and consequently, like him at the beginning of his career in the narrative world of Mark's Gospel, they will be called into being as God's beloved daughters and sons and simultaneously be empowered to actualize the possibilities of the reign of Christ.

The multiplayer mode takes place in between the narrative worlds of the second and third Black Ops games.

Not exact matches

The narrative transportation theory, as it's called, states that people may feel like they have been teleported to the world of their character in a story they can identify with.

Whatever the truth behind the alleged link between Donald Trump's organization and the Russian financial firm Alfa Bank, the real surprise is that Alfa's name has taken so long to work itself into the world's most garish narrative of 2016.

How To Win Founders and Influence Everybody (Wired) For years Wennmachers has quietly advanced a narrative that has shaped how the world sees Silicon Valley and how the Valley perceives itself — as a group of brainy outcasts upending the limits of the status quo.

In one of the most gripping financial narratives in decades, Andrew Ross Sorkin - a New York Times columnist and one of the country's most respected financial reporters - delivers the first definitive blow - by - blow account of the epochal economic crisis that brought the world to the brink.

Their narratives parallel each other's in both words and pictures; many of the illustrations are reflections of the girls» worlds that can only be read by physically turning the book upside down.

When it comes to technology and innovation, reality seems to be constantly playing catch - up to the visions of the world that are painted in science fiction narratives.

«The fact that inflation didn't heat up as much as most economists had expected plays into the narrative that the Bank of Canada is going to be very patient with regards to future rate hikes,» Royce Mendes, CIBC World Markets director and senior economist, said in an interview.

We've embraced the narrative of the Bronfman scion as fool, a green kid who traded his bluechip birthright for a piece of a phantom media - convergence gold rush, crippling one of the world's great fortunes.

As I told you in February, the Energy Information Administration (EIA) estimates the U.S. will become a net exporter of energy by as early as 2022, and the agency recently shared fresh data that supports the narrative that America is on the cusp of taking the throne as the world's leading energy powerhouse.

The logic of the redemption narrative predicts that when Musk says that he plans to convert the world to solar power and establish a colony on Mars, he's entirely sincere, as crazy as he might sound.

Here's a letter to the board of Biglari Holdings re: executive compensation [Noise Free Investing] & then more thoughts on Biglari's compensation agreement [My Investing Notebook] Where things stand in the market [Bespoke Investment Group] A list of stocks Nasdaq is canceling trades in from yesterday's madness [Business Insider] The best interest rate chart in the world [Trader's Narrative] A great macro overview from Barry Ritholtz [The Big Picture] A look at John Paulson's possible ownership of Bear Stearns CDOs [Zero Hedge] John Mauldin on the future of public debt [Advisor Perspectives] Top buys & sells from Morningstar's ultimate stock pickers [Morningstar] The truth about «Sell in May & Go Away» [WSJ] An interview with hedge fund manager Hugh Hendry [Investment Week] Bill Ackman: Let's have a public registry for stock opinion [Barron's] Hedge fund Harbinger hires ex-Orange chief for wireless plan [Dealbook] & Deutsche Telekom has been in talks with Harbinger [FT] Hedge funds begin to restructure fee system [FT]

One of the chief themes of the narrative theology that came to prominence in the Anglo - American world in the late 1980s and early 1990s was the centrality of communal experience to the life of Christ's Church.

The end rest is a very comforting fictional narrative you've chosen to believe, while people in some other part of the world have chosen to believe a completely different fictional narrative.

We don't just investigate the world at a scientific level: We also seek to give meaning to our lives, and to connect our own small narratives with the larger narratives of the world around us.

Thus, by describing the antecedent field we can provide a reasonable basis for logical analysis, but we also demonstrate the need for a narrative explanation of the creative process through which the Indeterminate conditions of the antecedent world are transformed into constituent elements of some novel occasion.

It's refreshing to read through Bessey's spiritual and theological narrative peppered with thoughtful and insightful reflections on interpreting Paul's biblical stance on women, and a beautiful litany of women in scripture and world history whom God has equipped and used to further God's purposes in the world.

Readers of Last Testament may wonder, however, what in this fourth of Seewald's book - length interviews with the man who became Benedict XVI is going to change the views of a world media locked into its own certainties and «narratives», much less the views of Ratzinger's longtime Catholic critics.

Matthew's story of the transfiguration becomes a luminous narrative icon, a painting in words that points beyond the text to the true reality of Christ, the light of the world.

It was a matter of setting out the larger story, the narrative framework, which makes sense of and brings order to God's world and God's people.»

Wright criticizes Reformers for failing to stress «the great narrative of God, Israel, Jesus, and the world, coming forward into our own day and looking ahead to the eventual renewal of all things» so that their readings of the gospels «show little awareness of them as anything other than repositories of dominical teaching, concluding with the saving events of Good Friday and Easter but without integrating those events into the Kingdom - proclamation that preceded them.»

Our world, as mirrored in this narrative from Matthew, is one in which there is a constant shove toward the top of the heap.

Comic and romantic narratives that envisioned cure were counterbalanced by tales of tragedy and irony that depicted settings in which I was to accept my body, and thus the world, as it is.

To distinguish these worlds I shall first use the four narrative genres identified by Northrop Frye.6 Frye has laid out all of Western literature in a great imaginary circle that has four cardinal points much like those of a compass.

The world gains its meaning only because human imagination accounts for the world in an interwrought narrative texture of many views.

Hegel's narrative of the world Spirit presented it in such a linear form, and Teilhard's narrative of the development of life and humanity on this planet is also quite linear.

The late Hans Frei of Yale persuasively contended that the modern world's typical way of understanding human life was through «realistic narrative.»

Thus the world views that constitute setting are arranged according to Frye's system of narrative genres.

These theological convictions about how God works in the world through particular communities that contain in their narrative life the seeds of their own — and the world's — redemption were the first source of Hopewell's interest in congregations.

I first became aware of the structure of the narratives that express world view several years before the discovery of my cancer, when I began during my sabbatical year to study congregations systematically.

A realistic narrative is, as Aristotle taught, a sequence of events that, in retrospect, «had» to happen or could happen in the real world.

The intricate world views and belief systems of congregations constitute the setting of their corporate narrative, while their traditional histories, the sequences of past events selected for retelling, correspond to plot.

As he wrote earlier in this chapter, any use of the test as «a substitute for searching conversation» about world view / setting and the other dimensions of narrative explored later in the book was in his view more likely to yield a mechanist reduction than a deepened symbolic understanding.

Telling the story develops the identity and mission of a congregation by establishing the setting of the story of a local church, its picture of the world; narrative proclaims corporate nature.

To use Professor Rowland's term, it is «a master narrative» that convincingly vindicates the centrality of Christ in our world.

Leaving the house I called home for so many years, I felt very welcome exploring any number of narratives / world views / myths.

Indeed, as early as Origen in the third century it was being pointed out that we must not think of the Ascension as a movement in space; and in fact Luke seems to have translated into mythical form, i.e. a pictorial narrative, the universal belief of the early Church that Jesus has ascended to the throne of God, not in a physical manner but in the sense that he has been exalted to Lordship over all the world.

You know all of that, but you're still able to hear these as true stories, as metaphorical narratives using ancient archetypal language to make, among other affirmations, that Jesus is the light coming into the darkness, to make the affirmation that the Herods of this world constantly seek to destroy that which is born of God.

Finally, if we are to take seriously an organic approach to narrative teaching, we will tell stories from different eras of history and different parts of the world, but we will also tell stories that are happening in our midst.

Furthermore, narratives can also add novelty by introducing fresh descriptions of the world, new perspectives or new visions.

«It is more like a collection of narratives poking around a theme that attempts to make sense of this world in all of its mystery and complexity».

Runciman's History resembles the medieval chronicles on which it is based, using narratives of events and depictions of individuals to draw moral as well as historical lessons: «by the inexorable laws of history, the whole world pays for the crimes and follies of each of its citizens.»

Andrew Walls begins the project by examining some of the implications of the other worlds that are bursting in upon what has long passed as the standard historical narrative.