Trained as an anthropologist, Kiwanga performs this role in her artistic practice, using historical information to construct
narratives about groups of people.
Not exact matches
It feels as if the
narrative of «how to communicate climate issues» has gotten stuck in a room where no one is trying to figure out how to get out — there's just a
group of people in the middle
of the room arguing
about how, theoretically, they might get out.
So from which
group do I get pushback — or at least dubious questioning —
about why I write their resumes in the first
person, as a
narrative of their professional brand?