Sentences with phrase «narratives around what»

Not exact matches

The false narrative around the Pulse shooting, white supremacist messaging through diapers and what internal DOJ documents say about civil rights.

What we are missing is (as Yglesias indicated) a right - leaning news outlet whose most prominent programs are based around reporting rather than commentary and narrative reinforcement.

But what if we changed the narrative around being a new mom?

On the whole, across party, it tends to be very good as a space for internal party politics (especially party organisation issues like all women shortlists or primaries), for broad political narrative and argument (what should Labour), personalities and reactive left - right politics around major headline news events, and for some other specific political issues (challenging the far right is a good example).

Tasked with linking the two narrative strands, Mara's character is a sympathetic daddy's girl who's not allowed to play with her tougher male colleagues, but the only one with any awareness of what could be around the corner.

The narrative deftly mixes the day to day stories of the characters as well as themes around death and what it means to come back as a ghost.

The romantic angle is what drives the narrative of the film, but this is first and foremost a character piece that is clearly built around its tremendous leading lady.

The boys fighting for what they love despite the uncontrollable world around them certainly parallels the many competing narratives inherent in the film's context, but it also reveals that big picture thinking instead of expediency might have far reaching benefits.

What director and writer Charles C Moore has done is create a narrative structure around formative flashbacks, moments of pathos and three dimensional character studies.

In what appears to be a narrative kickstarter, Dorothea — fearing that her son needs more nurturing than she alone can give — gathers up Julie and Abbie around her kitchen table and asks the pair to join her in raising him.

We thus begin to doubt Theo's critical diagnosis of the world around him, while the narrative space of attention begins to widen and allows the spectator more choice in what to see, freed from the protagonist's gaze.

What framework of a narrative unspools at a leisurely pace, mostly content to observe as Moonee plays with a set of friends around the alternately pastoral and urban area surrounding the motel.

In combining this «straight» Western, with what remains unsaid in the Oedipal narrative Red River shifts from being just a fine genre piece or one of Hawks» better works, into something constituted by a series of intensities collocating around certain moments.

One of the most fascinating things about the movie is the way it builds its plot around members of Miguel's family, living and dead, as they battle to determine the official narrative of Miguel's great - great grandfather and what his disappearance from the narrative meant for the extended clan.

Until now, «the narrative of black boys in this city has always been around their deficits and what they are not doing,» says AAMA Executive Director Chris Chatman.

Engaging narrative and vibrant images paint a robust portrait of this inspiring champion of the land and of women's rights.Center student discussion around the following questions, citing evidence from the text to support their answers: What are Wangari Maathai's views on the importance of education?

Although these are the narratives, it'll be interesting to see what the members of the group have to say and more importantly how they structure their picks around this environment.

Thus we have our narrative; 25 floors of enemies to shoot with the possibility of death around every corner and one burning question; what the hell is going on?

It's overly confusing and the narrative jumps you around between so many different characters, wars and decades that you'll be hard pressed to follow along with what's going on» This is so inaccurate its untrue, the campaign follows Mason the WHOLE way through, you play 2 - 3 segments as another character but in no way does it jump around too many characters... did you actually play the game??

[112][136][137] Edge noted that while it did not do enough to make up for the opening chapters, at Gran Pulse the game «hits a sweet spot» as the narrative offers «hunting side - quests and the simple joy of exploring to see what visual marvel is around the next corner.»

Sagi is also what is called a spiriter, meaning his heart has bonded with that of a spirit — in this case, that means you, the guy (unlike [i] EWatLO [/ i], you do not get to input your own gender; its masculinity is part of the narrative this time around) holding the control pad.

You will not be running around as much as you did before, but there is enough to make you feel like you are an active participant in the game's narrative no matter what ninja you are playing.

Add the deadly serious tone and the unlikeable protagonist to the mix and it's clear no - one will be drawn to Sniper Elite III for its stunning storytelling, although what narrative is there serves efficiently enough to keep Karl moving around Africa and shooting people.

While you explore the minds of suspects or walk around the environment, most of what you see can be interacted with in some way, either by being able to be scanned or simply helping to bring the narrative to life through visuals of your surroundings, and causing odd things to happen either behind you or in front of you to make the sense of unease linger further.

However, what we don't know is if we'll see the supernatural power centered on the protagonist and what the overall narrative journey will be based around.

It's a pretty fun little way of addressing the player's inclusion in the driving of the narrative, and it always pleases me to see games play around with that paradigm and try to figure out what it really means.

This, Aitken feels, allows us to «explore narratives and storytelling in ways that are unique, and to understand the complexity of what's around us in ways that are very different than the straight story that we've often grown up with.»

Forget narrative around Bernhardt; a spitfire magpie, she follows Warhol's credo of «liking things,» and paints what she likes the way she likes to paint it.

While Lorna, Deep Contact, and other works (including many not in the exhibition) are structured around open - ended narratives, what they presciently anticipated is perception and experience skipping along the internet's seemingly infinite set of links — seemingly, because what Hershman Leeson's work also shows is how circumscribed choice (even on the web) can be.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

But the substance of those interviews, and the narrative around them, the editorial decisions about what is included from those interviews, and the questions asked are all informed by the same preconceived and false understanding of the debate, and the positions within it.

Oversimplifying the narrative helps it reach some branches of the masses, but there are some bright folks around here who know that an r ^ 2 of 0.5 is missing half of the picture, including what happens around climate regime shifts (as Ninderthana has explained here in the past).

And perhaps more important, what stories or narratives we get pushed around by in our day to day relationships with our partners.