Sentences with phrase «narratives of lived experience»

Our Board is comprised in its entirety of First Peoples with a lived experience with disability, and it is the narratives of their lived experience which guide our policy and advocacy work.

Jordenö is the co-founder, together with Amber Horning, of FringeField, a platform for researchers, advocates and cultural producers inside and outside of academia who concern themselves with the promise of fieldwork and of inclusivity of a multitude of narratives of lived experience.

Not exact matches

By being a part of an exciting live experience, they're able to reshape the narrative around their own brand.

One of the chief themes of the narrative theology that came to prominence in the Anglo - American world in the late 1980s and early 1990s was the centrality of communal experience to the life of Christ's Church.

It also places it in continuity with the experiences of the early church, and within the continuing narrative of the development of Christian thought — as people have struggled to make sense of and articulate their lived experience of God — which produced the great ecumenical creeds (with their clear progression of understanding about God, Christ and the Holy Spirit)- and which continues on today.

The narrative of another person's life experience, especially when it is told as dramatically as Augustine's, holds perennial and intrinsic interest and pleasure for readers or hearers.

We have not an individual identity, but fragments of experience; not the narrative of a life that is in some sense a whole, but a decentered flow of experience.

On one hand, «life story» versions of theology point to the narrative character of human experience and thereby connect theology to the drama of suffering and hope.

Many scholars have consequently interpreted it as a resurrection narrative which has been read back into the earthly life of Jesus.34 Whether it stems from an actual experience of the disciples, or whether it is a symbolic account of the much more complex spiritual experience of the disciples after the crucifixion, it is very difficult to determine.

This type of experience, suggested not only in Paul but in some of the Gospel narratives, (E.g., Matthew 28:16 - 17; Mark 16:9 - 12) may have been the beginning of the conviction that Jesus was not dead but alive, and the more physical representations of the disentombment may have been an aftermath, caused by the insistent belief of the Jewish - Christian mind that resurrection was of necessity involved in life after death.

As a transcript of a living community tradition, the Gospel of Mark relies not only upon the early passion narrative and the oral records of Jesus» life and teachings, some of which may already have been gathered into little collections, sequences, groups of sayings; it relies also upon the apostolic experience which supplemented and interpreted those traditions.

The theological entailment of this is that the locus of revelation is not just the event of Jesus Christ or the word about him or, on the other hand, human experience, but is rather the intersection of the New Testament kerygma with the universal archetype of death and resurrection which underlies that fundamental human life rhythm of upset and recovery (Susanne Langer) and which generates comic narratives.

Unlike the experiential - expressivist model, Lindbeck claimed that the law of believing is not derived from individual religious experience, but from how a religious community speaks and lives a «narrative» over time.

In the narrative of Israel's experiences at Sinai we find, by and large, a remarkably coherent, instructive account of the faith of Israel as Israel looks at her own past and the meaning of her continuing life.

We are concerned with their effort to be metaphoric in their reflection, staying close to the parabolic form with its insistence on using common language in novel ways to evoke insight, with its emphasis on the narrative quality of believing, its foundation in experience, and with both language and belief rooted in a total life - style.

Not only does narrative convey the experience of corporate existence, it also characterizes the continuing form of symbolic interchange among members.14 The rich discourse that constitutes congregational life occurs almost entirely in story form.

In Crites's view, narrative does not merely order a chaotic world, it also provides the basic model that experience makes of life.

Crites proposes that experience of the lived present must have a narrative character, because it necessarily ties the perception of the moment to the memory of past events and to the anticipation of the future.

In the present chapter, I have argued that idiom is primarily conveyed in story form, as the parish apprehends its corporate experience and as its members communicate their common life and draw resources from the narrative structures of the world.

In an intriguing if controversial article, Stephen Crites argues that experience itself is basically narrative in form, providing the essential order for human understanding.13 The storied unity found in life is not, for Crites, a secondary result of human culture.

One of the most powerful ways we understand the experience of being human is by constructing a narrative of our lives.

Most take the conventional route of touching on the most important moments in their subject's life, turning what should be a satisfying narrative experience into an exhausting show reel.

Fong, a physician and astrophysicist who trained in part at NASA, weaves firsthand, nail - biting ER experiences with gripping historical narrative as he recounts 100 years of breakthroughs, such as inducing hypothermia as life - saving therapy and pioneering facial reconstruction for burn victims.

Life is Strange is becoming more and more interesting, and might turn out as one of the best narrative experiences of the year.

But at the same time, her life - experience narrative proves a distraction and a disservice to the promise of the film's title.

Imagine a cinematic equivalent of a Picasso cubist portrait, but instead of showing multiple perspectives of an object in an image, it presents experiences from different periods in a life in a single narrative.

In reality it's a deceptively complex piece of storytelling, one that takes a straightforward and compelling narrative and finds visual ways to translate Northup's irony - laced prose so that we're in the moment with him as he experiences the frontline reality of an institution he's been opposed to, but distanced from, all his life.

The music - driven feature film combines a bold narrative and spectacular live - performance footage of one of the most popular and influential rock bands in history to produce a bracing, raw andvisceral cinematic experience.

Hopefully it will find an audience on DVD and, appropriately, online, because Blackhat is a sublime merging of form and content, a film about the experience of living in our interconnected world on a psychological, political and philosophical level that conveys this experience beautifully through its narrative, stylistic and generic features.

The music - driven feature film combines a bold narrative and spectacular live - performance footage of one of the most popular and influential rock bands in history to produce a bracing, raw and visceral cinematic experience.

And that's what this film becomes: an experience as much in the texture of this fictional life, growing up from first grade to arriving at college, as in the narrative journey.

That's what this film becomes: an experience as much in the texture of this fictional life, growing up from first grade to arriving at college, as in the narrative journey.

Told with Trier's keen emotional sensitivity and affinity for playful narrative structure, Louder Than Bombs explores the subjective experience of memory and how we allow it to affect our lives.

As with his best films — which include «The Tree of Life,» «Badlands» and «Days of Heaven» — Malick is obsessed with crafting a sensory experience, rather than a dense or even particularly cohesive narrative.

He draws on his life experiences and stories, on his decades - long reading of influential scholars and visionaries, on era - specific music, movies, and books, and on his university, media, civil society, and United Nations consulting background to write a rousing, engaging and compelling narrative about what humanity faces in the 21st century.

The site also houses NetSmartz's Real - Life Stories videos, a series of teen narratives about real experiences of online victimization.

If you really commit yourself to the idea of weaving a narrative, you could end up with a highly engaging training experience and one that will stick with your learners... and they can all live happily ever after!

The activity positioned preservice and beginning teachers as storytellers of personal learning and growth and offered opportunities for them to experience «narrative reconstruction» as they reflected on their lives, their learning, their choices, their past experiences, and their goals for the future (as also in Hull, 2003, p. 232).

«Pioneer Girl» relates the real - life experiences of the McCance family, Nebraska homesteaders in 1885, combining narrative...

We'll match you with an expert who has a similar background or life experiences and can craft a unique and compelling narrative around a set of key points and topics that you provide.

Many of the creatives that Jamison profiles experienced more nuanced addiction narratives than the one in which, as she says, «sobriety swoops in and is a creative fairy godmother and gives you a new creative life.»

My daughter is at an age where she is experiencing all of the world for the first time, and I thought how wondrous would it be if she had what so many of us didn't: a positive narrative to embrace her heritage and faith as part of the first memories of her life.

Air Traffic is a narrative digest of his life and those of his family members, several of whom also experienced dramatic rises and falls.

With a distinctive narrative voice that relies heavily on the rhythms of the vernacular, her stories unflinchingly capture the experiences of ordinary people — often, but not always, women — as they shuffle through life, at once pushing against and accepting what fate has dealt them.

I think the way the narrative skipped around in the lives of the three main characters worked from an emotional point of view, matching up the different experiences that they were having in relation to each other.

Students can create a graphic web that lists the qualities of a good friend as described in the stories, add traits that they feel are important in their own lives, and write their own personal narrative about a real or imagined experience.

A writer writes a narrative essay to describe his / her real experience of the life.

Even on a galactic scale, players will experience the narrative action created by rising superpowers and the discovery of alien life.

It's a trend we're seeing more and more of now, in games that are driven to committing the player to their worlds over anything else — Half - Life 2 planted the seeds of player - reliant agency in the minds of consumers and developers alike, and now we're seeing game - makers really take advantage of how they can give the end - user a narrative experience that feels shaped by them, the whole way through — and not just in the setpieces, and not just with QTEs and button prompts, either.

It is quite a unique type of game, that merges virtual reality, point»n click adventure design and motion - controlled interactions to give you the most immersive narrative experience you've ever lived.