In keeping with his signature approach, Marshall has painted his figures in strikingly opaque black pigments, both fashioning and abstracting their presences in order to assimilate the limitations and contradictions of style, subject, and chronology inherent in art - historical
narratives written from a white, Western perspective.
Not exact matches
«All your clear and pleasing sentences will fall apart if you don't keep remembering that
writing is linear and sequential, that logic is the glue that holds it together, that tension must be maintained
from one sentence to the next and
from one paragraph to the next and
from one section to the next, and that
narrative — good old - fashioned storytelling — is what should pull your readers along without their noticing the tug.»
Missouri Synod theologians had traditionally affirmed the inerrancy of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing of the various biblical
narratives; a somewhat ahistorical reading of the Bible in which there was little room for growth or development of theological understanding; a tendency to hold that God would not have used within the Bible literary forms such as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part of the evangelists who tell the story of Jesus in the Gospels or to consider what it might mean that they
write that story
from a post-Easter perspective; a general reluctance to consider that the canons of historical exactitude which we take as givens might have been different for the biblical authors.
The inference seems to be that the Marcan passion
narrative was already in fairly stable form when Mark
wrote, and that it continued to be told and retold in practically this form — possibly at the Christian services of worship and quite apart
from the
written Gospels, indeed before The Gospels were compiled
From Thucydides down, they all try to
write speeches that fit the character of the speaker and the situation; it gave life and color to their
narratives, and no one questioned the practice.
Marcus could read and
write — though he could not
write well, and had no inclinations to authorship, even in that publishing center of the western Mediterranean in the days of Nero — and so, as one of the few in the local congregation of Christians who could both read and
write, he was commissioned to put together in his free time — probably late evenings, after the assembly of the Christians had broken up — the fragmentary translations of
narratives from the story of Jesus and his teaching which were in circulation in the Roman church.
Inasmuch as many have taken in hand to set in order a
narrative of those things which have been fulfilled among us, just as those who
from the beginning were eyewitnesses and ministers of the word delivered them to us, it seemed good to me also, having had perfect understanding of all things
from the very first, to
write to you an orderly account, most excellent Theophilus, that you may know the certainty of those things in which you were instructed.
Here we are on much firmer ground than in the case of the Gospel
narratives, for not only is it the earliest
written testimony to the resurrection (
written about twenty to twenty - five years after the death of Jesus), but it is first - hand testimony, and most probably the «only
written testimony to come
from one who could claim to be himself an «eye - witness» of the resurrection».18 Admittedly Paul, on his own admission, was in a very unusual category.
A maximalist is one who is prepared to
write a relatively full history of early Israelite history by beginning with the Genesis — 2 Kings
narrative and filling it out with information
from other
written sources and
from archaeology.
Our chief aim in preaching must be to expose the meaning for redemptive history in all the
narratives of the New Testament which are
written from a mythological point of view.
But the biblical
narrative, the great critic Erich Auerbach
wrote, depicted «something which neither the poets nor the historians of antiquity ever set out to portray: the birth of a spiritual movement in the depths of the common people,
from within the everyday occurrences of contemporary life.»
But Mark is not
writing history or biography, nor even giving an account of Jesus» teaching; he is
writing an apology, an explanation of the death of the Messiah, and the passion
narrative is in his mind
from the beginning.
A
narrative of a Lenten meditation in poetic form
written from the standpoint of the apostle Thomas: And if it were not for his love, his grace that sought me out behind locked doors, called me to touch and then believe, I would not be here at your humble table ready now with you, to break the bread and pour the wine as he did years ago.
However, several scholars have suggested that mocked is not a later alteration, but what Mark originally
wrote, I believe that Mark took mocked
from Psalm 69:9; in his
narrative of Jesus» death, Mark weaves together Psalms 22 and 69, as he does other Old Testament passages elsewhere in his Gospel.
He became a prominent engineer, but remained so embattled about the Colorado railroad route that he
wrote a book on his survey (unpublished) and a two - volume history of the river (also unpublished),
from which this absorbing
narrative has been extracted.
That gives the player a unique base
from which to
write themselves into folklore, for the
narrative will always read that they added so much more than could've ever been expected.
I think that my blog has got me in the habit of
writing from a life - in - progress, rather than sharing a
narrative that was all tied up in a bow long ago.
The
Narrative: Both stories have been written by Child Psychiatrist Dr Kaylene Henderson and are based on principles from cognitive - behavioural, narrative and art
Narrative: Both stories have been
written by Child Psychiatrist Dr Kaylene Henderson and are based on principles
from cognitive - behavioural,
narrative and art
narrative and art therapy.
The MFA in Creative
Writing Program at Manhattanville College aims to become a hub for graphic narrative and novel instruction, starting with its graphic novel writing workshops to be held on Saturday, March 24 from 11 a.m. to
Writing Program at Manhattanville College aims to become a hub for graphic
narrative and novel instruction, starting with its graphic novel
writing workshops to be held on Saturday, March 24 from 11 a.m. to
writing workshops to be held on Saturday, March 24
from 11 a.m. to 4 p.m..
A few years ago, the researchers surveyed a random sampling of parents about their attitudes toward vaccines and then showed the participants one of four kinds of information:
written material
from the CDC explaining the lack of evidence that the MMR vaccine causes autism;
written material about the dangers of the diseases prevented by the MMR vaccine; images of children who have the diseases prevented by the MMR vaccine; or a dramatic
narrative about an infant who almost died of measles.
``... pretending to be a ransomware while being in fact a nation state attack... is in our opinion a very subtle way
from the attacker to control the
narrative of the attack,»
wrote Matt Suiche at cybersecurity firm Comae in a blog post last week.
The creative team on this action - adventure event is led by director / producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years — with Kurtzman
writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the
narrative engineer of the Fast & Furious saga as it has experienced explosive growth
from its third chapter on.
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Indeed, one of the best things about Sunless Sea, apart
from its beautifully crafted elder - horror stories, fantastically drawn artwork and generally creepy atmosphere, is the feeling that the decisions you make within the game are shaping the
narrative, and that by playing, you are
writing yourself into that story.
One of the film's strategies is to pair the voice of Samuel L. Jackson intoning selections
from Baldwin's
writing with relevant images salvaged
from American history, including segments that highlight the white supremacy encoded in Hollywood
narratives.
In a film so manipulative and wrongheaded on so many different
narrative levels, for this gem of a scene to emerge and produce real tears
from a character barely
written in to the story is a welcome surprise.
Mojave Directed by and
written by William Monahan (USA)-- World Premiere,
Narrative William Monahan's second feature, starring Oscar Isaac and Garrett Hedlund, is a delirious trip
from the fringes of the desert to the center of the film industry.
Backtrack Directed and
written by Michael Petroni (Australia)-- World Premiere,
Narrative In this spine - tingling supernatural thriller, troubled psychotherapist Peter Bowers (Adrien Brody) is suffering
from nightmares and eerie visions.
HBO's Show Me a Hero is a subtle and deeply effective melding of art and conscience;
from its
writing and
narrative pace to its outstanding performances (particularly that of its star, Oscar Isaac) the miniseries locates a seldom - found sweet spot between storytelling and moralism.
Grandma Directed and
written by Paul Weitz (USA)-- New York Premiere,
Narrative Reeling
from a recent breakup and still mourning the loss of her longtime partner, once - famous poet Elle Reid (Lily Tomlin) is surprised to find her teenage granddaughter on her doorstep in need of $ 600 and a ride.
Release: Friday, July 10, 2015 [Theater]
Written by: Àlex and David Pastor Directed by: Tarsem Singh A talented cast can't save Self / less
from selfishly wasting its potential on a
narrative utterly disinterested in entertaining.
Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's
writing (including basing characters on real crime figures), casting, explosive stunts, changes made
from the shooting script, and the modernist
narrative.
But a lot of weight is given to whether a game's creative director came
from a
writing background, as many of the best
narrative - driven franchises, like BioShock, feature creative directors in that vein.
The adaptation
from James Sallis» book
written by Oscar nominated writer Hossein Amini (The Wings of the Dove, 1997) is pitch perfect in pace and while the
narrative isn't as wrapped up as tightly as one would hope, it's still an impressive feat for any writer.
The legendary composer's story then unfolds in a series of flashbacks depicting key scenes
from his life, using his lyrics he
wrote to provide much of the
narrative.
The second half is more story - driven Jamal's school
writing competition goes
from being a far - off contemplation, to being the central
narrative drive.
This is no small thing for Sorkin, who, in his long and productive career of
writing for film and television,
from the testosterone - heavy offices of «Sports Night» to the dizzying techno - prophet
narratives of «The Social Network,» «Moneyball» and «Steve Jobs,» has never before given us a proper female lead.
The
writing also continues to be top - notch —
from the sparkling dialogue, to the excellent character development, to the smartly plotted
narrative that keeps you coming back for more — while the show's absurdist tone works even better in a period setting like the late 1970s.
As that description indicates, the
narrative allows the composer the glorious opportunity to fuse period pastiche music with his own singularly emotive voice, the end result deriving inspiration
from Henry Purcell's «The Fairy - Queen'to enormously rousing effect whilst also giving way to Howard's distinctively tender woodwind
writing.
The Russos, aided by a script
from Christopher Markus and Stephen McFeely (the
writes of both previous Captain America films), have the unenviable task of corralling a mammoth cast (that recap paragraph didn't even have room to mention Paul Bettany's Vision, Jeremy Renner's Hawkeye, Paul Rudd's Ant - Man or the debuting Tom Holland, bringing Spider - Man into the main Marvel Cinematic Universe) and steering them through a twisty
narrative chock full of multiple belligerents coming
from all angles.
From what I've seen on - screen, Mr. Right's
writing is the film's strongest element, even if it does have
narrative flaws and inconsistent character moments.
Written and directed by Stefan Avalos (co-creator of the indie breakthrough film, The Last Broadcast), the story of a couple victimized by neighbouring ghosts in an exclusive hilltop community is a
narrative jumble, but the film's aided by an effectively moody synth score
from Vincent Gillioz.
The creative team is led by director / producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years — with Kurtzman
writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the
narrative engineer of the Fast & Furious saga as it has experienced explosive growth
from its third chapter on.
The Big Lebowski is additionally the sort of comedy that Thomas Pynchon would
write, with its sprawling cast of characters and essential departure
from narrative.
The time limit adds a sensible
narrative purpose for replays, constantly urging you to hurry along while the well -
written prose tempts you away
from that goal with its seemingly limitless possibilities for discovery.
Time travel plays a key role in the movie's distended wormhole of a
narrative, which takes inspiration
from textbooks both real (Stephen Hawking's «A Brief History of Time») and fictional («The Philosophy of Time Travel,»
written by Roberta Sparrow, who is played in the film by Patience Cleveland).
The
writing on showcase here differs
from most R - rated fare, not so reliant on pervasive profanity, gross - out humor / nudity, or joke - to - joke
writing with no propelling
narrative momentum once said joke ends.
He
writes a wide range of news stories,
narratives and profiles
from local, national and foreign assignments.
The bombast of these pronouncements couldn't be further
from the world of a non-studio, intensely personal artist like Terence Davies, but the British filmmaker nevertheless begins the
narrative proper of his 1992 masterpiece The Long Day Closes with the blazing brass pomp of Twentieth Century Fox's iconic fanfare,
written by Alfred Newman.