The third view is a MOC
narrow angle image, taken at the same time as the wide angle views, showing details on the surface of the tiny moon.
Not exact matches
Saturn fills the entire frame of Cassini's
narrow -
angle camera in this natural - color
image taken while the spacecraft was still 29.7 million miles away.
Images taken with Cassini's
narrow angle camera on April 15, 2013, show disturbances at the very edge of Saturn's A ring — the outermost of the planet's large, bright rings.
MicroCT scans and other
images revealed
narrow bodies, a shiny brown exterior and two wispy featherlike wings protruding from the hindquarters,
angled like the blades of a helicopter.
Taken while performing a large wide -
angle mosaic of the entire Saturn ring system,
narrow -
angle camera
images were deliberately inserted into the sequence in order to
image Earth and its moon.
This
image from Rosetta's OSIRIS
narrow -
angle camera shows the Philae lander at 10:23 GMT (onboard spacecraft time) on 12 November.
Cassini's
narrow -
angle camera captured the
images that make up the movie over the course of about 40 minutes on Wednesday.
This
image from Rosetta's OSIRIS
narrow -
angle camera is marked to show the location of the first touchdown point of the Philae lander.
Images were sent back to Earth from its
narrow angle camera, which showed that the rings have different colors and brightnesses.
The Mars Global Surveyor (MGS) Mars Orbiter Camera (MOC) science investigation used 3 instruments: a
narrow angle camera that obtained grayscale (black - and - white) high resolution
images (typically 1.5 to 12 m per pixel) and red and blue wide
angle cameras for context (240 m per pixel) and daily global imaging (7.5 km per pixel).
The
image was taken in visible light with the Cassini spacecraft
narrow -
angle camera on Dec. 21, 2010.
While the T408 had good horizontal viewing
angles, vertical viewing
angles were
narrower, with
images washing out at about 45 degrees.
Mury's work, whilst
narrow and hugely free, opens up a dialogue around the history of art — Taking control over the entire creative process: from costume and set design up to the camera
angle, he obtains a unique place in the contemporary scene among artists who use their own
image as the strongest element of creation.
Viewing
angles were relatively
narrow, with
images dimming when I tilted the phone beyond 45 degrees away from me.