Sentences with phrase «national artists early»

The gallery worked with and exhibited many important Los Angeles and national artists early in their careers, including Betye Saar, Noah Purifoy, John Outterbridge, and David Hammons.

Not exact matches

This attitude enabled original programming such as «Behind the Music» and «The Real World» to eventually blossom and gave artists like Michael Jackson, Madonna and Prince a national stage at early points in their careers.

Davis is a space artist who drew early inspiration from the work of Chesley Bonestell, a Sputnik - era illustrator whose futuristic illustrations of space travel often appeared in national magazines.

The early part of the National Geographic series is set around the creation of the artist's «Guernica.»

STANDARD OFFER — Receive the Collector's Edition Blu - ray with slipcover — Receive a limited - edition 18» x 24» poster of the newly - designed art from artist Paul Shipper — Product will be shipped two weeks earlier than National Street date of September 20th — Pre-order here.

DELUXE OFFER (Limited to 1,500 orders only — pictured below)-- Receive the Collector's Edition Blu - ray with slipcover — Receive a limited - edition 18» x 24» poster of the newly - designed art from Paul Shipper — Product will be shipped three weeks earlier than National Street date of September 20 — Receive a second slipcover — made exclusively for this promotion and newly - designed from artist Nat Marsh — Receive a second 18» x 24» poster of the newly designed art from Nat Marsh — Pre-order here.

The artist called the most «Japanese» of Japanese directors, famous for the quiet restraint and rigorous simplicity of his sound films, was a voracious film buff more interested in Hollywood movies than his own national cinema early in his career and he thrived in a great variety of genres.

DELUXE EDITION ALSO INCLUDES The collector's edition Blu - Ray with slipcover A limited edition 18 ″ x 24 ″ poster of the newly - designed art from artist Nat Marsh A second slipcover — made exclusively for this promotion — featuring newly - designed art from artist Joel Robinson A limited edition 18 ″ x 24 ″ poster of the newly - designed art from artist Joel Robinson Early shipping to arrive three weeks before the national street date

To continue the institution's support for local, national, and international emerging artists, Kois also established PLATFORM, a series of one - person commissioned projects by early - to mid-career artists that engage with deCordova's unique landscape.

As a Tyson Scholar at Crystal Bridges Museum of American Art, Susan Rather will complete her manuscript for a book examining in depth what it meant to be an American artist during the colonial and early national era.

After training at the National Academy of Design and the Art Students League, Tworkov immersed himself in the early Provincetown art scene, studying with artists Karl Knaths and Ross Moffett.

Named for the renowned African - American artist and art scholar, the Driskell Prize was founded in 2005 as the first national award to celebrate an early - or mid-career scholar or artist whose work makes an original and important contribution to the field of African - American art or art history and related Diaspora studies.

While national and international Street Artists were already making Bushwick a stopping point thanks to some of the earliest galleries like Ad Hoc and Factory Fresh, the scene recently got newly shot in the arm by a local resident who is facilitating much desired legal wall space to a crowd of artists who otherwise would be hunting and hitting up less - than - legalArtists were already making Bushwick a stopping point thanks to some of the earliest galleries like Ad Hoc and Factory Fresh, the scene recently got newly shot in the arm by a local resident who is facilitating much desired legal wall space to a crowd of artists who otherwise would be hunting and hitting up less - than - legalartists who otherwise would be hunting and hitting up less - than - legal spots.

During these early years the association presented exhibitions of national artists and, until the mid-1930s, annual exhibitions of paintings by Texan artists.

The focus on national and international art characteristic of the association's early years returned in the 1950s, and while local artists continued to receive some attention, they now were displayed with American and European artists.

His work was shown to great acclaim in the Parisian salons of the late 1940s and early 1950s; in 1947, Buffet became the youngest artist ever to have work acquired by the French Republic, catapulting him onto the national stage as a young art star.

In New York, Bauermeister entered the art world swiftly, moving into a studio at the National Arts Club in Gramercy Park in early 1963 and participating in the International Artists» Summer Seminar at Fairleigh Dickinson University in Madison, NJ later that year.

Goldstein's work has been exhibited at Museum of Contemporary Art, Los Angeles, MMK Museum fur Moderne Kunst, Frankfurt am Main, Whitney Museum of American Art, New York, MAGASIN Centre National D'Art de Grenoble, France, Kunstlerhaus, Stuttgart, Germany, Centre d'Art Contemporain, Geneva, The Groningen Museum, the Netherlands, Artists Space, New York, Haus der Kunst, Munich, Metropolitan Museum of Art, New York, Hamberger Bahnhof, Berlin, CCA Watts, San Francisco, Austin Museum of Art, Texas, Andy Warhol Museum, Pittsburgh, Pennsylvania, Kunstmuseum, Basel, Institute of Contemporary Art, Philadelphia, Institute of Contemporary Arts, London, and many more since the early 1970s.

Early on the collection focused on acquiring works by Maine artists and artists of national and international significance working in Maine.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

In this conversation recorded on February 9, 2014, as part of The Collecting of African American Art, a series at the National Gallery of Art, Ruth Fine and Rodney M. Miller discuss his collection in all of its aspects — from his early interest in art to the development of his diverse interactions with contemporary artists, curators, and dealers.

Beirne has exhibited extensively and to great acclaim since the early 1970s at institutions including P.S. 1 Contemporary Art Center, New York; the National Center for Contemporary Art in Kaliningrad, Russia; TV Gallery, Moscow; MIT List Visual Arts Center, Cambridge; the Sculpture Center, New York; the International Center of Photography, New York; The Whitney Museum of American Art, New York; Anthology Film Archives, New York; the New Museum of Contemporary Art, New York; and Artists Space, New York among many others.

Remarkable Painting by Frans Van Mieris, Early Portrait by Alex Katz, Stunning Dutch Trompe l'Oeil Painting, and an Exemplary Artist's Book by Joan Miró Enter the Collection of the National Gallery of Art

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

Browsing the history of artistic practices related to video and sound from the early 1960s until today, Video and après is devoted primarily to artists videos from the collection of the Musée National d'Art Moderne.

Anchored in the idea that artist and audience can work together to create a work of art, an idea advanced earlier by artists of nearby and renowned Black Mountain College, the exhibition at Longwood will provide an important record of the workshops, their inter-connectedness, and their regional and national significance.

Anima, organized by Paul Roth, the Corcoran's senior curator and director of photography and media arts, will showcase a newly - commissioned series of portraits in the Corcoran's Rotunda that show the majestic burial horses of Arlington National Cemetery, and will be accompanied by three earlier bodies of work, showing the artist's range of approaches to her subjects.

The birth of InIVA, though tied to the above international impetus and the more fraught, and sometimes transgressive territory of identity politics — embodied a year earlier in the 1993 Whitney Biennial — was also the culmination of a more national struggle for representation amongst a cadre of pioneering non-white British artists, writers and intellectuals.

Earlier this year, the National Gallery of Victoria showed the first comprehensive exhibition of Melbourne - based artist Patrick Pound; titled The Great Exhibition, it was a testament to the influence of Richter's Atlas Overview on the Australian artist's work — an influence that Pound himself paid tribute to in his talk at Goma.

A complex piece in Zaatari's overall oeuvre, Time Capsule not only serves as a sort of sequel to the artist's earlier video In This House (2005), for which he unearthed a letter buried by leftist militants in 1991 (right after the Lebanese Civil War ended), it also links the experience of the Arab Image Foundation, which Zaatari co-founded in 1997 (he recently resigned from the organization's board, which inspired the time capsule project), to that of Beirut's National Museum, where dOCUMENTA (13)'s team found the wrecked objects that are now on view with Adnan's painting tool in the rotunda of the Fridericianum.

Many highly acclaimed Bay Area artists received major museum shows early in their careers and were highly respected in both the local and national press — but as Abstract Expressionism waned into Funk and Pop, they were overlooked.

Although the exhibition was national in scope, a significant portion of the artists were from Los Angeles and were part of a group working with Noah Purifoy and the Watts Towers Arts Center to reclaim the remains of the Watts uprising, which had taken place just one year earlier, by using them to make art.

The National Academy Museum and School will host a discussion with Pace artist Joel Shapiro about the evolution of his work from the late 60s / early 70s to the present, focusing on the development of form, its possible meaning, and the relationship between sculpture and drawing to the plane.

The artist's early training in Miniature art from the National College of Arts, Lahore, takes a three - dimensional, physical form in this exhibition, actualised through the unusual medium of bricks.

Named for the renowned African - American artist and art scholar, the Driskell Prize was founded in 2005 as the first national award to recognize an early or mid-career scholar or artist whose work makes an original and important contribution to the field of African - American art or art history.

Colab was dependent on grants, too, starting with an encouraging sum of $ 6,000 received by the National Endowment for the Arts but, as David E. Little put it in an article on its early activities, the group also «developed a concept of an anti-hierarchical, artists - only organization that would serve as a hothouse for cultivating collaborative projects and would seek out flexible and multiple distribution outlets to reach audiences, from bars and movie houses to cable television and even alternative spaces.»

Accompanied by a $ 25,000 cash award, the Driskell Prize, named for the renowned African - American artist and art scholar, was founded by the High in 2005 as the first national award to celebrate an early - or mid-career scholar or artist whose work makes an original and important contribution to the field of African - American art or art history.

Her early painting, «Kissing the Mother,» entered the permanent collection of the National Museum of China in 1994, making Fu the youngest artist represented by the collection.

Some of Broodthaers's earliest pieces, which were on display in the exhibition's second gallery, take national identity as their key subject, while simultaneously portraying the artist as subject to his national identity.

As the former Curator of Art at the Smithsonian Institution's National Air and Space Museum, Dean shows his own considerable artistic prowess at capturing the early heady times of space exploration through original on - site sketches and personal photographs of the artists working at Cape Canaveral in the early 1960's -1970's.

The stunt did recall «A Lot of Sorrow,» the National's six - hour looped performance, organized by the artist Ragnar Kjartansson, of their song «Sorrow» at PS1 earlier this year.

It also features works by artists that rose to prominence after the founding of the Taller del Gráfica Popular (the national print workshop) in 1937, and earlier works by José Guadalupe Posada, who was posthumously recognised by the revolutionaries as the father of printmaking in Mexico.

The latter three belonged to the rebellious group of early twentieth - century artists in New York known as «The Eight,» who opposed the more conservative, academic tastes of the National Academy of Design.

National Galleries of Scotland holds the important early comic book painting, In the Car 1963 along with two prints, and an example of wallpaper produced by the artist in 1968.

Another black female artist also calls Columbus home, portrait painter Amy Sherald, whose image of First Lady Michelle Obama was unveiled earlier this year at the National Portrait Gallery.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

This exhibition of new work by Kimathi Donkor will reflect on themes arising from Donkor's engagement with local teenage black residents as they discovered the work of black British artists in the national collection at Tate Britain during workshops conducted earlier this Summer.

09.30.2016: Los Angeles to New York: Dwan Gallery, 1959 — 1971, an exhibition focusing on the career of gallerist Virginia Dwan — and featuring works by Michael Heizer as well as other earth artists including Robert Smithson, Walter DeMaria, and James Turrell — opened in the newly renovated East Wing of the National Gallery of Art in Washington, D.C. Dwan was the organizer of the first exhibition of earth art («Earthworks»), an early patron of Michael Heizer's, and the original owner of the work Double Negative.

Brown's alliance with New York's Parasol Press in the early»70s brought a roster of East Coast minimalist and conceptual artists to the Bay Area to make their first prints and helped Brown gain the reputation and connections to publish editioned works by artists of national and international renown, including LeWitt, Kounellis, Ed Ruscha, Richard Tuttle, John Baldessari and Helen Frankenthaler.

Named for the renowned African - American artist and art scholar David Driskell, the prize was founded in 2005 as the first national award to celebrate an early - or mid-career scholar or artist whose work makes an original and important contribution to the field of African - American art or art history and related Diaspora studies.