Sentences with phrase «national flag design»

Notwithstanding, it is extremely unlikely that you could be successfully prosecuted for copyright breach for using a national flag design as you would have a near watertight fair use / fair dealing defence for public policy reasons.

Not exact matches

I'm not seen an American flag maxi dress before, what an unusual design — perfect for celebrating national holidays!

Students research basic principles for flag design, find out how the flag of their city (or of a city close to their community) ranked in a national survey, and then use the computer to create their own community flags.

Highlights of the car include the specially designed roof graphic that combines elements of Prince Harry and Meghan Markle's national flags, 3D - printed personalized interior and exterior details, as well as the special embroidery.

The biggest design element is the roof with its multiple colors that brings together elements of Prince Harry and Meghan Markle's national flags — the Union Jack and the Stars & Stripes.

The Indian national flag is a horizontal, tri-colour design with equal proportions of deep saffron on the top, white in the centre and green at the bottom.

Colen has exhibited at a number of institutions including Royal Academy, London, MoMA PS 1, New York, National Museum of Art, Architecture, and Design, Oslo, New Museum, New York, FLAG Art Foundation, New York, and Brant Foundation Art Study Center, Greenwich, Connecticut, among others.

Using designs, icons, and colors from all of the world's national flags, without hierarchy or political prejudice, Kimsooja's installation To Breathe — Zone of Nowhere creates a visual canopy where national differences exist on an equal plane.

2009 Willy Loman: The Rise and Fall, Stephen Friedman Gallery, London, England Party Time: Re-Imagine America - A Centennial Commission by Yinka Shonibare MBE, Newark Museum, 1 July - 3 January 2010 A Centenary Commission, 26 February - August 2009 Dublin City Gallery The Hugh Lane, Ireland A Flying Machine for every Man, Woman and Child & other Astonishing Works, Santa Barbara Museum of Art, California, USA A Flying Machine for every Man, Woman and Child, Miami Art Museum, Miami, USA Yinka Shonibare, MBE, Museum of Contemporary Art (MCA), Sydney, Australia; touring to Brooklyn Museum, New York, USA and National Museum of African Art Smithsonian Institution, Washington D.C, USA 2008 Odile and Odette, Savannah College of Art and Design, ACA Gallery, Atlanta, USA Yinka Shonibare, MBE, Museum of Contemporary Art (MCA), Sydney, Australia; touring to Brooklyn Museum, New York, USA and the Smithsonian, Washington D.C., USA Prospero's Monsters, James Cohan Gallery, New York, USA 2007 Scratch the Surface, National Gallery, London, England Jardin d'Amour, Musée du Quai Branly, Paris, France White Flag at Half Mast, commission for the Jubilee Flagpole, Hayward Gallery, South Bank Centre, London, England Summer Show, New York Gallery, New York, USA

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Exhibitions include the 2006 Whitney Biennial, Whitney Museum of American Art, New York (2006); «USA Today,» Royal Academy, London (2006); «Defamation of Character,» PS1 Contemporary Art Center, Long Island City, New York (2006); «Fantastic Politics,» National Museum of Art, Architecture and Design, Oslo (2006); «Skin Fruit: Selections from the Dakis Joannou Collection,» New Museum, New York (2010); «Peanuts,» Astrup Fearnley Museum of Modern Art, Oslo (2011); «In Living Color,» FLAG Art Foundation, New York (2012); «Meanwhile... Suddenly and then,» 12th Biennale de Lyon (2013); «Dan Colen: The Illusion of Life,» Inverleith House, Edinburgh (2013); «Help!»

Exhibitions include the 2006 Whitney Biennial, New York; «USA Today,» The Royal Academy, London (2006); «Defamation of Character,» PS1 Contemporary Art Center, Long Island, New York (2006); «Fantastic Politics,» The National Museum of Art, Architecture and Design, Oslo (2006); «Skin Fruit: Selections from the Dakis Joannou Collection,» The New Museum, New York (2010); «Peanuts,» Astrup Fearnley (2011); and «In Living Color,» the FLAG Art Foundation, New York (on view until May 19, 2012).

I don't know how the Oz offsets program is designed, but I flag that this is one of the key elements to encouraging the stitching together of different national approaches into an international strategy.