Sentences with phrase «national gallery of»
By the 1970s Poons created thick - skinned, cracked and heavy paintings referred to as Elephant Skin paintings; while Christensen sprayed loops, colored webs of lines and calligraphy, across multi-colored fields of delicate grounds; Ronnie Landfield's stained band paintings are reflections of both Chinese landscape painting and the Color Field idiom, and John Seery's stained painting as exemplified by East, 1973, from the National Gallery of Australia.
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The Rothko room at the National Gallery of Art is an open, monumental space.
She later described the seemingly unfinished painting — which is on long - term loan to the National Gallery of Art in Washington — as «looking to many people like a large paint rag, casually accidental and incomplete.»
The Fourth Plinth Commissioning Group invited Fritsch to create the sculpture Hahn / Cock, which was unveiled in Trafalgar Square in the summer of 2013 and is currently on view at the Walker Art Center in Minneapolis and the National Gallery of Art in Washington, DC.
Akron Art Museum Arthur Ross Gallery, University of Pennsylvania Brooklyn Museum of Art Canadian Centre for Architecture Cleveland Museum of Art Colby College Museum of Art Columbia University Cranbrook Art Museum Detroit Institute of Art Grand Rapids Art Museum Haverford College High Museum, Atlanta Hood Museum of Art, Dartmouth College International Museum of Photography, George Eastman House Indiana State University Israel Museum, Jerusalem Los Angeles County Museum of Art Library of Congress Mead Art Museum, Amherst College The Metropolitan Museum of Art Museum of the City of New York Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Nebraska Art National Gallery of Art, Washington DC National Gallery of Canada, Ottawa The Nelson - Atkins Museum of Art New York Public Library North Carolina Museum of Art Norton Museum of Art, West Palm Beach FL Philadelphia Museum of Art Princeton University Art Museum The Queens Museum of Art Rollins College, Florida San Francisco Museum of Modern Art Smithsonian Institute, Washington DC Snite Museum of Art, Notre Dame Swarthmore College Francis Lehman Loeb Art Center, Vassar College Charlotte & Philip Hanes Art Gallery, Wake Forest University Whitney Museum of American Art Yale University Art Gallery
His work has also been shown in exhibitions at venues such as The National Gallery of Art Norway; ISCP, New York, NY; Museum Quartier, Vienna, Austria; Frauenhofer Institut, Berlin, Germany; Astrup Fearnley Museum for Kunst, Oslo, Norway and many others.
November 25, 2014 Gustave Caillebotte Exhibition Presents French Impressionist's Most Important and Provocative Paintings; Premieres at National Gallery of Art, Washington, June 28 — October 4, 2015
She co-authored the 1975 Judd Catalogue Raisonné published by the National Gallery of Canada.
National Gallery of Art, Corcoran Collection (The Evans - Tibbs Collection, Gift of Thurlow Evans Tibbs, Jr.) Courtesy National Gallery of Art
Tompkins has been featured in numerous group exhibitions, including Black Sheep Feminism: The Art of Sexual Politics, Dallas Contemporary, Dallas, TX (2016); The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York, NY (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York, NY (2014); Elles, Centre Pompidou, Paris, France (2011); among others.
Her work is included in collections of the Art Gallery of Ontario, the National Gallery of Canada, the Vancouver Art Museum, the Metropolitan Museum, the Guggenheim Museum, the Albright Knox Gallery, and Yale University.
The National Gallery of Art's East Building reopens after a three - year renovation with new gallery spaces and a sculpture terrace.
The National Gallery of Iceland begins its exhibition program in the new year with an exhibition that brings together four contemporary artists: Gauthier Hubert (1967), Chantal Joffe (1969), Jockum Nordström (1963) and Tumi Magnússon (1957).
Today Pierre Soulages» paintings are part of over a hundred museum collections, including the Solomon R. Guggenheim Museum and the Museum of Modern Art, New York; the National Gallery of Art, Washington; the Albright - Knox Gallery, Buffalo; the Fogg Art Gallery, Harvard University; the Walker Art Center, Minneapolis; the Aldrich Museum, Ridgefield; the Philadelphia Museum of Art; the Tate Gallery, London; the Centre Georges Pompidou and the Musée d'Art Moderne de la Ville de Paris; Montreal Museum of Fine Arts; and the Museu de Arte Moderna, Rio de Janeiro.
Beyond Belief — Modern Art and the Religious Imagination * National Gallery of Victoria, Melbourne, Australien.
The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings, department of prints and drawings, National Gallery of Art, Washington, and Mollie Berger, curatorial assistant, department of prints and drawings, National Gallery of Art, Washington.
His work is included in many prestigious collections, including The Art Institute of Chicago; The National Gallery of Art, Washington, D.C; Moderna Museet, Stockholm; Museum of Modern Art, New York; National Gallery of Canada, Ottawa; National Gallery of Modern Art in Rome, the Smithsonian Institution National Museum of African Art and Hirshhorn Museum & Sculpture Garden, San Francisco Museum of Modern Art; Museum of Fine Arts, Boston; Tate Collection, London; VandenBroek Foundation, The Netherlands; Victoria and Albert Museum, London, among others.
Linda Marrinon's work is represented in the following public collections: Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Art Gallery of Western Australia, Perth; Australian National University, Canberra; Monash University Collection; Museum of Contemporary Art, Sydney; National Gallery of Australia, Canberra; National Gallery of Victoria, Melbourne; Queensland Art Gallery Gallery of Modern Art, Brisbane; and the University of Melbourne Art Collection.
The National Gallery of Art is hosting a panel discussion on the role of artists in international diplomacy.
«FRÉDÉRIC BAZILLE AND THE BIRTH OF IMPRESSIONISM» In a strong year for the National Gallery of Art, the standout show was this nearly complete summation of the life of a realist painter who shared a studio with Monet and was on his way to greatness when he died, at 28, in the Franco - Prussian War.
Anne Truitt, 26 December 1962, No. 5, 1962, acrylic on wove paper, National Gallery of Art, Washington, Corcoran Collection (Gift of the artist in memory of Gene Baro), 2014.136.217
Dine has been the subject of nine major surveys and retrospectives since 1970, including Jim Dine, Some Drawings, organized by the Allen Memorial Art Museum (2005 — 2007); Drawings of Jim Dine, a major traveling retrospective organized by the National Gallery of Art, Washington, D.C. (2004); Jim Dine: Walking Memory 1959 — 1969, the Solomon R. Guggenheim Museum, NY (1999); Jim Dine, Isetan Museum, Tokyo (1990 — 91); Jim Dine: Five Themes, the Walker Art Center, Minneapolis (1984 — 85); and Jim Dine, Whitney Museum of American Art, NY (1970).
Hofmann, Mitchell, Pousette — Dart, Stamos, Hollis — Taggart Galleries, New York (October 30 — December 6) De la pierre à l'écran: Studio Franck Bordas, Paris, Le Centre de la Gravure et de l'Image imprimée, Brussels, Belgium (October 4, 2014 — January 11, 2015) Make it New: Abstract Painting from the National Gallery of Art, 1950 — 1975, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (August 2 — October 13) Joan Mitchell: Mémoires de paysage, Musée des Beaux - Arts de Caen, Caen, France (June 14 — September 21) Rothko to Richter: Mark - Making in Abstract Painting from the Collection of Preston H. Haskell, Princeton University Art Museum, Princeton, New Jersey (May 24 — October 5) Mitchell, Benglis, Wilke, Williams College Museum of Art, Williamstown, Massachusetts (May 19 — October 26) Hans Hofmann, Joan Mitchell, Sam Francis, Galerie Thomas Moderne, Munich, Germany (March 21 — May 17) Modern Masters: 20th Century Icons from the Albright - Knox Art Gallery, Denver Art Museum, Denver, Colorado (March 2 — June 8) Made in the U.S.A.: American Masters from The Phillips Collection, 1850 — 1970, The Phillips Collection, Washington, D.C. (March 1 — August 31) Grażyna Kulczyk Collection: Everybody is nobody for somebody, Fundacíon Banco Santander, Madrid, Spain (February 15 — June 15) Ed Clark: Big Bang, Tilton Gallery, New York (January 14 — February 22)
Judd oversaw the publication of the Catalogue Raisonné of Paintings, Objects and Wood - Blocks 1960 - 1974, co-edited by Dudley Del Balso, Brydon Smith, and Roberta Smith, on the occasion of his retrospective exhibition at the National Gallery of Canada, Ottawa, in 1975.
His work is in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum and the National Gallery of Art in Washington D.C.
His work is held in museum collections worldwide, including The Art Institute of Chicago; Dallas Museum of Art; Essl Museum, Klosterneuburg, Austria; Hamburger Bahnhof - Museum für Gegenwart, Berlin; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; The Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; National Gallery of Victoria, Melbourne; National Museum of Photography, Copenhagen; Solomon R. Guggenheim Museum, New York; and Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent.
He has been the subject of numerous solo exhibitions, and his works are held in the collections of museums worldwide, including the Essl Museum - Kunst der Gegenwart, Klosterneuburg, Austria; Solomon R. Guggenheim Museum, New York; National Gallery of Australia, Canberra; and Shanghai Art Museum, China.
Thomas's work is in numerous public collections including the Museum of Modern Art New York, The Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Brooklyn Museum, the High Museum of Art and the National Gallery of Art in Washington DC.
Her work has been included in national and international group exhibitions including the Contemporary Art Museum (Houston, TX), the Studio Museum of Harlem (NYC, NY), the Zacheta National Gallery of Art (Warsaw, Poland), Haas and Fischer Gallery (Zurich, Switzerland), Clementine Gallery (NYC, NY) and Wendy Cooper Gallery (Chicago, IL).
Sally Mann, Battlefields, Cold Harbor (Battle), 2003, gelatin silver print, National Gallery of Art, Washington, Gift of the Collectors Committee and the Sarah and William L Walton Fund.
Recent retrospective surveys include «All About Art,» Louisiana Museum, Humelbaek (2003, traveled to Hayward Gallery, London; Museo Nacional Centro de Arte Reina Sofía, Madrid; and San Francisco Museum of Modern Art, through 2005); «Classic of the New,» Kunsthaus Bregenz (2005); «Roy Lichtenstein: Meditations on Art,» Museo Triennale, Milan (2010, traveled to Museum Ludwig, Cologne); and «Roy Lichtenstein: A Retrospective,» Art Institute of Chicago (2012, traveled to National Gallery of Art, Washington, D.C.; Tate Modern, London; and Centre Georges Pompidou, Paris, through 2013).
Artist Rooms: Agnes Martin, Scottish National Gallery of Modern Art, Edinburgh, August 6, 2009 — July 10, 2010.
Between 1999 - 2010, she was the curator at Zacheta National Gallery of Art, Warsaw.
National Gallery of Art, Corcoran Collection (Gift of the Women's Committee of the Corcoran Gallery of Art).
At the National Gallery of Art, Washington D.C., Lynne Cooke's debut exhibition turns the spotlight on so - called «outsider» artists
Courtesy National Gallery of Art
Sally Mann, Ponder Heart, 2009, gelatin silver print, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund.
Lichtenstein's work is included in the collections of the National Gallery of Art, Washington, D.C.; the Museum of Modern Art, New York; and the Museum Ludwig, Cologne, among many other institutions.
LISTEN: Elizabeth Alexander, poet, director of Creative Expression at the Ford Foundation, Columbia University professor, and author of «Light of the World» discussed her work at the National Gallery of Art in Washington, D.C.
Organization: Organized by the National Gallery of Art, Washington, and the Peabody Essex Museum, Salem, Massachusetts.
Anne Truitt, Untitled, 1968, acrylic on paper, National Gallery of Art, Washington, Gift of the Woodward Foundation, Washington, DC, 1976.56.185
Photo: National Gallery of Art, Washington, DC
Her work was recently featured at Prospect.3: Notes for Now, curated by Franklin Sirmans, New Orleans, LA and the Jamaica Biennial 2014, National Gallery of Jamaica, Kingston.
Anne Truitt, Insurrection, 1962, acrylic on wood, National Gallery of Art, Washington, Corcoran Collection (Gift of Mr. and Mrs. Phillip Stern), 2014.136.284
Marshall, 61, has been rewarded for that effort with residencies, fellowships and other accolades, including a MacArthur grant in 1997 and the acquisition of his work by the likes of the Los Angeles County Museum of Art, the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Art Institute of Chicago.
August 18, 2014 Corcoran Gallery of Art, the George Washington University and National Gallery of Art Receive Approval to Implement Agreements
His work has been collected by institutions that include the J. Paul Getty Museum, Los Angeles, CA; Fine Arts Museum of San Francisco, CA; Los Angeles County Museum of Art, CA; Museum of Photographic Arts, San Diego, CA; National Gallery of Art, Washington, D.C.; Pilara Foundation Collection, Pier 24 Photography, San Francisco, CA; San Jose Museum of Art, CA; and Museum of Fine Arts, Boston, MA.
«In the Tower: Kerry James Marshall» at the National Gallery of Art, his first solo exhibition in Washington, D.C., coincided with the 50th anniversary of the March on Washington last year.
His work can be found in public collections throughout the world including the Art Institute of Chicago; the Brooklyn Museum; the Cincinnati Art Museum; the Cleveland Museum of Art; the Dallas Museum of Art; the Fogg Art Museum, Harvard University, Cambridge, Massachusetts; the Israel Museum, Jerusalem; the Indianapolis Museum of Art; the Metropolitan Museum of Art, New York; the Minneapolis Institute of Arts; Centre Georges Pompidou, Paris; the Museum of Contemporary Art, Chicago; the Museum of Fine Arts, Boston; the Museum of Modern Art, New York; the National Gallery of Art, Washington, D.C.; Solomon R. Guggenheim Museum, New York; Tate Gallery, London; Tokyo Metropolitan Art Museum, Tokyo; the Whitney Museum of American Art, New York and Yale University Art Gallery, New Haven, Connecticut.
A specialist in the examination and treatment of modern and contemporary paintings, Jennifer's past experience includes work at a number of leading conservation studios, both private and institutional: Cranmer Art Group, The Getty Conservation Institute, Modern Art Conservation, The Museum of Modern Art, The National Gallery of Art, and The Solomon R. Guggenheim Museum.