Students used the Netherlands as a case study and examined the articulation of personal, corporate, and
national identity through various works of art, especially portraits, landscapes and architecture.
October 8, 2014 • The Puerto Rican alto saxophonist and composer's new album explores
national identity through spoken word and music.
With Ti — khor, Kallat uses an animistic metaphor to promote the possibility of unifying apparently incompatible
national identities through the dissolution of divisions of species, caste, creed, nations and race.
Not exact matches
How you refer to these car - serving conveniences depends on which keeper of Canadian
national identity you trust more: the Canadian Oxford Dictionary says the correct spelling is «drive -
through»; Tim Hortons — which operates such windows at 2,604 locations across Canada — insists the proper usage is «drive - thru.»
We can see the same struggle with
national identity and determination carrying all the way
through to the present day, even among peoples who had already «discovered» it.
As well as a direct effect on support for Scottish independence, personality also has important indirect effects, which operate
through the influence of personality on things such as a voter's sense of
national identity and appetite for risk.
The outcome is a complex, multi-level, continuously re-negotiated, composite political
identity, which can express itself
through local, regional, or «
national» narratives.
Also, this
identity - reconstruction process is unlikely to take place exclusively at a
national level and should instead be framed
through a transnational dialogue and within a common European platform.
It is about how people define themselves
through their
national identity.
Elements of these Framework Programmes aim to promote a European
identity through such activities as supporting collaboration between scientists across
national borders and encouraging movements of researchers between universities in different countries.
ICPS is aware that fostering
national identity and pride
through deeper understanding of musical culture is an essential component of education in South America.
It has particular resonance
through its link with William Shakespeare whose works contributed significantly to the formation of a new
national identity.
Built a strong foundation of
identity through an ongoing process of wayfinding to engage in local,
national, and global contexts
Penguin Shorts will debut at the # 1.99 price and the nine launch titles will be A Guest at the Feast by Colm Toibin, a memoir of his days growing up in Ireland during the 1950s and 1960s; At the Hairdressers by Anita Brookner, a novella exploring issues of trust, betrayal and loneliness; Protection by Helen Dunmore, a story examining how far you would go to ensure your family's safety; The Happiness of Blond People by Elif Shafak, an examination of
national identity and immigration; How To Set Up a Free School by Toby Young; How to Be a Rogue Trader by John Gapper; recipe title Perfect Christmas Day by Felicity Cloake; The Battle of Alamein: North Africa 1942 by John Bierman & Colin Smith, the first of a Great Battles series to be available
through Penguin Shorts; and Great Battles: The Battle of Isandlwana by Saul David.
They still have a
national identity, even
through their subsidiaries may not always care to allow that
identity to obtrude in the markets they serve.
By the deliberate efforts of post-revolutionary governments the «Mestizo
identity» was constructed as the base of the modern Mexican
national identity,
through a process of cultural synthesis referred to as mestizaje [mestiˈsahe].
By Sara Schnadt, July 3, 2012 In his work he sparks an awareness of the contrast between an American
national identity that was developed at the start of the country and communicated around the world
through landscape painting with imagery from contemporary American post-industrial cities.
This multi-disciplinary exhibition of 150 of some of the Americas most celebrated visual artists, musicians, poets, playwrights, and filmmakers is designed to spark a
national conversation about American
identity through the arts.
In the paintings for which he first became known, de Balincourt worked from the position of an outsider (the Paris - born artist has lived in the United States since childhood), questioning structures of power and influence, laying bare injustices and hypocrisies while maintaining an amused attachment to the myths
through which
identity — individual and
national — is constructed.
With no
national boundaries,
identities are formed
through self determination — and political rights in autonomous Kurdish communities are only obtained
through the resistance of the people.
Through the process of documenting America's foundation through both mythology and quotidian objects, photographer Taryn Simon reflects on the heart of national identity by capturing that which is often ob
Through the process of documenting America's foundation
through both mythology and quotidian objects, photographer Taryn Simon reflects on the heart of national identity by capturing that which is often ob
through both mythology and quotidian objects, photographer Taryn Simon reflects on the heart of
national identity by capturing that which is often obscured.
The work highlights the perceptions of varied
national identities that have been appropriated
through the aesthetic lens of an artist as avid collector.
The exhibition brings together seminal paintings, photographs and installations that provide an overview of the artistic, socio - economic and political concerns of post-war Germany, a time period when these artists were reconciling with the trauma of war, finding a
national identity and constantly pushing the limits of modern and contemporary art,
through to the present day.
Through an individual lens, Work Hard suggests an imaginary time and place in art history as past, present and future converge in a narrative of
national identity and art production.
Discourses of
national identity, human rights, and the administration of justice are recurrent themes in his art, and the techniques of his audio - aesthetic practice have become the basis
through which he has become known as a «private ear,» conducting forensic audio analysis for several legal investigations.
Through newly commissioned video and installation works, the contributing artists deal with the constructs of bureaucracy, colonialism,
national identity, immigration, ethnicity, posthumanism, the gendered body, and tourism.
Yinka Shonibare's works explore the issues of postcolonialism,
national and racial
identity, and class
through the media of painting, sculpture, photography and film.
The Duchess will visit our Self: Image and
Identity exhibition which includes the last Self - portrait by Sir Anthony Van Dyck, recently acquired for the nation by the
National Portrait Gallery
through a public appeal with The Art Fund.
The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI
Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections,
National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal
Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black
Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009,
National Academy Museum, New York Creating
Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution
National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI
Through this, as well as through photography and video, Halter addresses notions of a dislocated national identity and the politics of post-colonial Zimbabwe within a broader African c
Through this, as well as
through photography and video, Halter addresses notions of a dislocated national identity and the politics of post-colonial Zimbabwe within a broader African c
through photography and video, Halter addresses notions of a dislocated
national identity and the politics of post-colonial Zimbabwe within a broader African context.
Through his rigorous work Gavin Murphy makes visible the histories of The Hugh Lane as a municipal museum, as a space for defining, contesting, and interrogating
national, cultural
identities.
Brent Cehan,
through computer graphics and collaged calendars, explores realms of
national / sexual
identities.
The first show to exhibit works from the region since the gallery's inception in 2003, Gazelli Art House examines
national identity, tradition and history
through this exceptional oeuvre.
[4] In his catalog essay, the curator Jeffrey Weiss relates that the protagonist of a Katsusuke Miyauchi novel, seeking to lose his
national identity and become stateless
through constant travel, encounters a fictional On Kawara in the artist's hotel room and is deeply impressed by him, coming to think of «Kawara» as the very model of a rootless soul.
Constructing
Identity includes works by 11 artists whose artwork is also held in the collection of the recently opened
National Museum of African American History and Culture in Washington, D.C., as well as Northwest artists such as Portland painter Arvie Smith (whose own exhibition at PAM has been extended
through March 12).
Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and
Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999
Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS,
National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.
From an early age, Alberto Giacometti, who was born in Borgonovo in the Canton of Grisons, saw himself as an international artist and refused to be defined
through a
national identity.
Chia - En Jao's Arms no. 31, a tapestry that represents Taiwan's multi-faceted
identity through a coat of arms woven from textiles from factories across the island, presents a narrative of a
national identity ready - made for the United Nations.
Through the work of three artists — Aissa Deebi, Kamal Aljafari, and Dor Guez — Noah Simblist addresses the complexity of Israeli and Palestinian
national identity.
Through the visual arts, performing arts, and new media, the Portrait Gallery presents poets and presidents, visionaries and villains, actors and activists whose lives form our
national identity.
Any sense of a
national cultural
identity comes
through the ad hoc development of pop culture — the movies; rock and roll; youth culture.
In this conversation, both artists and curator will discuss the ramifications of the racialization of ethnic
identities through national campaigns such as Speak Mandarin and the complex social positioning that those of Chinese ancestry have been negotiating in multiracial Singapore and Malaysia
through the years.
Plaster, water, photo of mom Dimensions variable 2017 «Meet me
through the borders and mortars» is a meditation on the conflicts and traumas of traversing
national identities.
Unlike its counterpart in the U.S., these
identity accounts can be revoked and reissued easily
through an established
national protocol.
blog.knowbe4.com - Michael Trimarchi at the Bloomberg Bureau of
National Affairs wrote an excellent article about the continued risk of phishing, as reported by the IRS: «The stealing of personal information
through phishing and
identity theft are major concerns of the Internal Revenue Service in 2018, the agency...
When you successfully create an account at Cex.io First verify your account, found the verification page on the top right submenu open verification page there available tow options the First is verifying
through National Identity card and the second one is Through Pa
through National Identity card and the second one is
Through Pa
Through Passport.
The first day of the workshop was devoted to an exploration of how to open spaces for reconciliation
through apology and forgiveness, themes that have a particular resonance not only in our personal and therapeutic contexts, but also in the wider contexts of
national identity and international relationships.
It is true that culture, language and
identity should inform the COAG agenda
through the Indigenous Engagement principle in the Service Delivery Principles scheduled to the
National Indigenous Reform Agreement.