«American Landscapes: Treasures from the Parrish Art Museum,» features landscape paintings that trace the «evolution of American art from its roots in an emerging
national landscape tradition to the liberating influences of European modernism» — the progression from the 19th - century Hudson River School to the present.
Not exact matches
It includes native - born artists who drew in the European
landscape tradition to reflect on their own culture, as exemplified by José María Velasco's paintings of Mexico, which not only embrace the European Enlightenment sensibility, but also a growing sense of
national identity.
This acquisition will allow the
National Gallery's visitors to see the work of these innovative
landscape artists alongside the British
landscape tradition of Constable and Turner.
«I thought it was a really interesting engagement with a lot of issues around nature, the environment,
landscape traditions, Romanticism, melancholia — some of Pierre's big subjects,» says Lynne Cooke, who organized a 2002 show of Huyghe's work at the Dia Art Foundation in New York and is now senior curator for special projects in modern art at the
National Gallery of Art in Washington, D.C.
This wide - ranging collection of objects dates from the colonial era to the late 1920s and encompasses the major genres of American art — from the founding
tradition of portraiture and the first «
national» style of
landscape painting to a diversity of still life and figure painting.
His fascination with mythical
landscapes has been nourished by pictures in the
National Gallery and in «The Caged Bird's Song» one senses the excitement of the fusion of different strands of his own art coming together with the historic
tradition of tapestry - making.»
His
national tradition of
landscape painting, young as it was, seemed stronger, and when it was on the point of being embalmed in an Australian Academy of Art (luckily short lived) the reaction was urgent and noisy.