Sentences with phrase «national solo museum»

His paintings have been seen in multiple national solo museum exhibitions including at Laguna Art Museum and have been shown in international group exhibitions from Berlin to Istanbul's Topkapi Museum.

Not exact matches

Sherald has received wide acclaim recently for her portraits of black Americans, and was chosen last year to paint Michelle Obama's portrait, which will be unveiled on Monday at the National Portrait Gallery in Washington, D.C.; Sherald's first solo museum show will follow at the Contemporary Art Museum, St. Louis this cominmuseum show will follow at the Contemporary Art Museum, St. Louis this cominMuseum, St. Louis this coming May.

Her work has been exhibited widely, including solo and group exhibitions at the National Academy Museum (New -LSB-...]

Among many major solo shows he has exhibited at The State Hermitage Museum, St Petersburg, Russia (2016), Benaki Museum, Athens, Greece (2015), Heydar Aliyev Centre, Baku, Azerbaijan (2014), CAFA Museum in Beijing (2012), the Scottish National Gallery, Edinburgh (2011), Tate Gallery Liverpool, UK (2000), Museo Nacional Centro de Arte, Reina Sofía, Madrid (1995), Stedelijk van Abbemuseum, Eindhoven (1991) and Tate Gallery, London (1988).

Recent solo exhibitions include the National Gallery of Art, Washington, D.C. (2013); Secession, Vienna (2012); Vancouver Art Gallery, Canada (2010); and the San Francisco Museum of Modern Art, CA (2009).

Her solo shows include the Museum of Modern Art, Oxford, 1981; Serpentine Gallery, 1983; the Tate Gallery, London, 1995; the Royal Academy of Arts, London, 1997; Jerwood Gallery, Hastings, 2012 and at the National Museum Cardiff, Wales; Tremenheere Sculpture Gardens, Penzance and China Central Academy of Fine Arts (CAFA), China in 2017.

Recent solo exhibitions include the National Museum of Women in the Arts, Washington, D.C. (2013); Pérez Art Museum Miami (2011 — 2012); John Jay College, New York (2011); and Neuberger Berman Museum, New York (2010).

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

Her solo exhibition «American People, Black Light: Faith Ringgold's Paintings of the 1960s» was on view in 2013 at the National Museum of Women in the Arts in Washington, D.C., and last year her work «Groovin High» was featured on a billboard along New York City's High Line park.

Her work has been exhibited internationally and featured in numerous solo and group exhibitions, including at the National Museum of Modern and Contemporary Art, Seoul (2016); Centre Pompidou - Metz (2015); Reina Sophia, Madrid (2006); MoMA PS1, New York (2001); 24th São Paulo Biennial (1998); the 48th, 49th, 51st and 52nd Venice Biennales.

Other prominent institutions which have presented recent solo shows include the National Gallery of Art, Washington, D.C. (2013); Secession, Vienna (2012); Vancouver Art Gallery (2010); San Francisco Museum of Modern Art (2009); and the Wexner Center for the Arts, Columbus, Ohio (2008).

Solo exhibitions from the past decade include those organized by Museo Archeologico Nazionale, Naples, 2003; Astrup Fearnley Museum of Modern Art, Oslo, 2004 (traveled to the Helsinki City Art Museum, 2005); Château de Versailles, France, 2008; Museum of Contemporary Art Chicago, 2008; The Metropolitan Museum of Art, New York, 2008; Neue Nationalgalerie, Berlin, 2008; Serpentine Gallery, London, 2009; Scottish National Gallery of Modern Art, Edinburgh, 2011; Fondation Beyeler, Basel, 2012; and Schirn Kunsthalle Frankfurt and Liebieghaus Skulpturensammlung, Frankfurt, a joint exhibition in 2012.

Recent solo exhibitions include the Rubin Museum of Art, New York; Schirn Kunsthalle, Frankfurt; Uffizi Gallery, Florence; Reykjavik Art Museum, Reykjavik; Solomon R. Guggenheim Museum, New York; Musée National d'Art Moderne, Centre Georges Pompidou, Paris; SFMoMA, San Francisco; Dia Art Foundation, New York; The Museum of Modern Art, New York; Nationalgalerie, Berlin; and Stedelijk Museum, Amsterdam.

He has been the subject of solo exhibitions at Fresno Art Museum, CA (2007); North Carolina Museum of Art, Raleigh, NC (2010); Nevada Museum of Art, Reno, NV (2010); the Sheldon Museum of Art, Lincoln, NE (2011); Museum of Photographic Arts, San Diego, CA (2014); National Gallery of Art, Washington, D.C. (2015); and George Eastman House, Rochester, New York (2016).

The artist has been given solo exhibitions at several prominent institutions including The Metropolitan Museum of Art, New York, The National Gallery of Art, Washington, D.C., the Centre Pompidou, Paris, and the Kunstmuseum Basel.

Recent solo exhibitions include the Los Angeles Filmforum at the Museum of Contemporary Art, Los Angeles (2014); Magasin Centre National d'Art Contemporain de Grenoble, France (2014); Tate Modern, London (2013); Kunsthalle Bern, Switzerland (2013); Centre Pompidou, Paris (2013); and The Walker Art Center, Minneapolis (2005).

Parker's first solo museum exhibition in the United States, it won critical accolades and popular attention in Boston and reached still wider audiences on a national tour.

Her works have been exhibited widely in solo shows, for example at: Tate Modern, London (2002); The Museum of Modern Art, New York (2006); Moderna Museet, Stockholm (2012); Jeu de Paume, Paris (2008); Neu National Gallery, Berlin (2000).

Noguchi has been the subject of numerous solo exhibitions since the 1920s at institutions including the Arts Club of Chicago (1929, 1955); San Francisco Museum of Modern Art (1942); Museum of Modern Art, Kamakura (1952); Whitney Museum of American Art, New York (1968, 1994, 2004); National Portrait Gallery, Smithsonian Institution, Washington (1989); National Museum of Modern Art, Tokyo (1992); Museum of Modern Art (1993); Museo Rufino Tamayo, Mexico City (1999); The Nelson - Atkins Museum of Art, Kansas City, MO (1999); Arthur M. Sackler Gallery, Smithsonian Institution, Washington (2003); and Philadelphia Museum of Art, (2009 — 13).

Selected solo exhibitions include: The High Museum, Atlanta; Guggenheim, Bilbao (2015 — 6); Tate St Ives; Turner Contemporary, Margate (both 2012); The National Portrait Gallery, London (2010); Irish Museum of Modern Art, Dublin (2007); Albertina, Vienna (2010); Saatchi Gallery, London (1998); P.S. 1 / Institute for Contemporary Art, New York (1997 - 8); Instituto Valenciano de Arte Moderno, Valencia (1996); Staatliche Kunsthalle, Baden - Baden (1995); Brooklyn Musuem (1988); Vancouver Art Museum (1977).

He has been the subject of numerous solo exhibitions, and his works are held in the collections of museums worldwide, including the Essl Museum - Kunst der Gegenwart, Klosterneuburg, Austria; Solomon R. Guggenheim Museum, New York; National Gallery of Australia, Canberra; and Shanghai Art Museum, China.

His work has been shown extensively in group and solo shows, including exhibitions at the Snug Harbor Cultural Center in Staten Island, The National Arts Club in New York, the Joslyn Museum in Omaha, Nebraska, and Thomas Segal Gallery in Boston.

Solo exhibitions include Kunsthalle Helsinki, Finland (2015); Museum of Contemporary Art Krakow (MoCAK), Poland (2014); National Portrait Gallery, London, UK (2011); IVAM, Valencia, Spain (2010); MAK, Vienna, Austria (2008); CAC Malaga, Spain (2006); Neues Museum, Nuremberg, Germany (2003); Ikon Gallery, Birmingham, UK (2001); Kunstverein Hannover, Germany (1994) and Institute of Contemporary Arts, London, UK (1985).

This week, highlights include the long - awaited opening of the Smithsonian National Museum of African American History and Culture; the announcement of the MacArthur Foundation's 2016 fellows, including Kellie Jones and Joyce J. Scott; a new report from the National Endowment for the Arts; and solo exhibitions featuring Julie Mehretu and Willie Cole.

Geng's solo exhibitions include Mount Sumeru, Klein Sun Gallery, New York, NY (2017); Poetics of the Body — The Sculpture & Video Art of Geng Xue, Fengmian Art Space, Yuexiu District, Guangzhou, China (2016); Borrowing an Easterly Wind, Klein Sun Gallery, New York, NY (2015); Mr Sea, ZERO Art Center, Beijing, China (2014); and The Other Side, National Museum of Wales, Cardiff, UK (2009).

His works have been exhibited around the world, in prestigious institutions and galleries, with solo exhibitions such as William Klein + Daido Moriyama, Tate Modern (London, 2012); On the Road, The National Museum of Art, Osaka (2011); Daido Retrospective 1965 - 2005 / Daido Hawaii, at the Tokyo Metropolitan Museum of Photography (2008), Centro Andaluz de Arte Contemporaneo, Sevilla (2007), Foam (Amsterdam, 2006), Fondation Cartier pour l'art contemporain (Paris, 2003), Fotomuseum Winterthur (Winterthur, 2000), San Francisco MOMA (1999, saw ell as the Metropolitan Museum, New York).

Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, and the Solomon Guggenheim Museum in New York.

Recent solo exhibitions include the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); State Hermitage Museum, St. Petersburg (2011); Kunsthaus Bregenz, Austria (2010); the major touring exhibition Between You and Me (Kunsthal Rotterdam, Musée d'Art Moderne De Saint - Etienne and Artium, Vitoria, Spain, 2008 — 2009); MARCO, Monterrey, Mexico (2008); the Hayward Gallery, London (2007); MADRE, Naples (2006); the Calouste Gulbenkian Foundation, Lisbon (2004); the Baltic Centre for Contemporary Art, Gateshead (2003) and the National History Museum, Beijing (2003).

Recent solo exhibitions have been held at Long Museum, Shanghai (2017); Hall Art Foundation, Schloss Derneburg Museum (2017); The National Portrait Gallery, London (2016) and Forte di Belvedere, Florence (2015).

He subsequently had major retrospectives at the China National Museum of Fine Arts, Beijing, and the new Shanghai Museum, as well as a solo exhibition at the Musée Granet in Aix - en - Provence, France.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Images from David Adika's solo show at the Latvian National Museum of Art, Riga by the Public Broadcasting of Latvia

Solo exhibition: Branching: The Art of Michael Mazur, Mead Art Museum, Amherst College, Massachusetts (travels to DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, 1998); group exhibition: Singular Impressions: The Monotype in America, National Museum of American Art, Smithsonian Institution, Washington, D.C.

Numerous large - scale solo exhibitions of Paolozzi's work have been presented by museums and galleries around the world including Cass Sculpture Foundation and Pallant House Gallery, National Galleries of Scotland, Yorkshire Sculpture Park, National Portrait Gallery, London, Royal Academy of Art, London, Tate Gallery, London and Pace Gallery.

2002 poT, II Liverpool Biennal of Contemporary Art, Liverpool, UK Rotativa - Fase 2, Galeria Fortes Vilaça, São Paulo, Brazil Haunted by Detail, De Appel Foundation, Amsterdam, Netherlands Vivências, The New Art Gallery of Walsall, Walsall, UK Extreme Protection, Nit Niu 2002, Cala Sant Vicenç de Pollença, Mallorca, Spain Eye of the Beholder, Dundee Contemporary Arts, Dundee 2000 Friends and Neighbours, Limerick City Gallery of Art, Limerick, Ireland Space Experiences: Homage to the Space, National Museum of Art, Osaka, Japan The Quiet in the Land 2: Projeto Axi, Museu de Arte Moderna da Bahia, Salvador, Brazil No es Solo lo que Ves: Pervirtiendo el Minimalismo, Queen Sofia National Art Museum, Madrid, Spain Brasil +500, Mostra do Redescobrimento, São Paulo, Brazil Bienal de Gravura, Porto Alegre, Brazil Marcas do corpo, dobras da alma Bienal de Gravura, Porto Alegre, Brazil

Solo exhibitions (selection): Kubus, Wien (with Richard Hoeck, 2013); Museum Ludwig, Cologne (2011); Kunsthalle Zurich (2009); Cabinet des Estampes at Museum of Modern and Contemporary Art, Geneva (2004); The Morris and Helen Belkin Gallery, University of British Columbia, Vancouver (with Mike Kelley, 2000); Le Magasin, Centre National d'Art Contemporain de Grenoble; Kunstverein Hamburg (1999).

Solo Exhibitions (selected) 2015 Stephen Friedman Gallery, London, England Jiro Takamatsu: Trajectory of Work, National Museum of Art, Osaka, Japan

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

His recent solo exhibitions and projects include Home within Home within Home within Home within Home, National Museum of Modern and Contemporary Art, Seoul, Korea (2013); Do Ho Suh: Perfect Home, 21st Century Museum of Contemporary Art, Kanazawa, Japan (2012 - 2013); In Between, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2012); Fallen Star, Stuart Collection, University of San Diego, California (2012); Home within Home, Leeum, Samsung Museum of Art, Seoul, Korea (2012); and Wielandstr.18, 12159, DAAD Galerie, Germany (2011).

He has had major solo shows at international institutions including Tate Modern, London; the Los Angeles County Museum of Art; the National Museum of Art, Osaka; the San Francisco Museum of Modern Art; the Fotomuseum Winterthur, Switzerland; the Tokyo Metropolitan Museum of Photography; and most recently at the Fondation Cartier pour l'Art Contemporain, Paris, in 2016.

Major solo museum exhibitions include: National Museum of Contemporary and Modern Art, Korea (2012); The Samsung Museum of Modern Art, Rodin Gallery, Seoul, Korea (2000); and Neuberger Museum of Art, SUNY, Purchase, NY (museum exhibitions include: National Museum of Contemporary and Modern Art, Korea (2012); The Samsung Museum of Modern Art, Rodin Gallery, Seoul, Korea (2000); and Neuberger Museum of Art, SUNY, Purchase, NY (Museum of Contemporary and Modern Art, Korea (2012); The Samsung Museum of Modern Art, Rodin Gallery, Seoul, Korea (2000); and Neuberger Museum of Art, SUNY, Purchase, NY (Museum of Modern Art, Rodin Gallery, Seoul, Korea (2000); and Neuberger Museum of Art, SUNY, Purchase, NY (Museum of Art, SUNY, Purchase, NY (1993).

Other recent solo exhibitions include «Jiro Takamatsu» at Stephen Friedman Gallery, London, England (2015); «Jiro Takamatsu: Mysteries», National Museum of Modern Art, Tokyo, Japan (2014); «Jiro Takamatsu», Stephen Friedman Gallery, London, England (2013); «Jiro Takamatsu Words and Things, Refinement and Tautology», NADiff Gallery, Tokyo, Japan (2011); «Point Line, Form of Absence», Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2009); «Photograph of Photograph», Yumiko Chiba Associates / Viewing Room Ginza, Tokyo, Japan (2008); «Universe of His Thoughts, Fuchu Art Museum, Tokyo, Japan (2004); «1970s Three - dimensional Works and Others», Chiba City Museum of Art, Japan (2000).

Riley has had solo exhibitions at institutions worldwide including the National Gallery in London, Walker Art Gallery in Liverpool, Musée d'Art Moderne de la Ville de Paris, Sydney's Museum of Contemporary Art, the Art Institute of Chicago, Museum Haus Esters and Kaiser Wilhelm Museum in Krefeld, Germany, and Dia Center for the Arts in New York.

Recent solo exhibitions include; «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, USA (2014); «Yinka Shonibare MBE», Royal Museums Greenwich, London (2013 - 2014); «FABRIC - ATION» Yorkshire Sculpture Park, Wakefield, UK (2013); «Yinka Shonibare, MBE,» Museum of Contemporary Art, Sydney (2008); touring to Brooklyn Museum, New York, and National Museum of African Art Smithsonian Institution, Washington D.C, USA (2009).

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Stephenson has had solo exhibitions at the National Gallery of Victoria, the Cleveland Museum of Art, and the Tasmanian Museum and Art Gallery.

Solo exhibitions include Centre Pompidou, Paris (1994), Museum of Contemporary Art, Chicago, The New Museum of Contemporary Art, New York (1997), MoMA, Oxford, the Scottish National Gallery of Modern Art, Edinburgh (1998), Tate Britain, London (2000) Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004), Museum of Contemporary Art, Sydney (2005) and Palazzo Querini Stampalia in the context of the Venice Biennale (2009).

Major solo exhibitions of his work have been held at national and international institutional venues including The New Art Gallery Walsall (2017), the Whitworth Gallery, University of Manchester (2016 - 2017 and 2012); Sadler's Wells, London (2011); Gothenburg Konsthall, Sweden (2011); Museum of Contemporary Canadian Art, Toronto (2010); Kunsthaus Murz, Murzzuschlag, Austria (2010) and K20, Düsseldorf (2008).

First solo exhibition: Barone Gallery, New York (prints, drawings, and sculpture [fig. 68]-RRB-; group exhibitions: 18th National Print Exhibition, Library of Congress, Washington, D.C.; 12th National Print Exhibition, Brooklyn Museum, New York.

Solo exhibitions of Laing's work have been held at numerous museums including the Museum of Contemporary Art Australia; Kunsthallen Brandts Klædefabrik, Denmark; Domus Artium 2002, Spain; Frist Center for the Visual Arts, Tennessee; and National Museum of Art Osaka, Japan.