Sentences with phrase «natural beauty of the film»

Based on the novelby Thomas Cobb and directed and scripted by Scott Cooper, a newcomer with aneye for the natural beauty of the film's Southwest setting, Crazy Heart is the story of a rollingstone on a lost highway, a talented singer - songwriter paying the price forliving out the lyrics of his own songs.

Based on the novel by Thomas Cobb and directed and scripted by Scott Cooper, a newcomer with an eye for the natural beauty of the film's Southwest setting, Crazy Heart is the story of a rolling stone on a lost highway, a talented singer - songwriter paying the price for living out the lyrics of his own songs.

Not exact matches

Shot on beautiful 35 mm stock, Lincoln is a film filled with natural beauty as seen through the keen eyes of Spielberg and Kamínski.

Part Deer Hunter, part Winter's Bone, Scott Cooper's new film casts a haunted image of ugliness scarring natural beauty, whether it's the steel town petering out and leaving a rusted carcass in a Pennsylvania valley, or the human nastiness up in the hills on the Jersey border.

Shot in one such actual town in West Virginia, the film presents numerous striking images of natural beauty (Rachel Morrison is the cinematographer), which don't rouse the movie from its narrative torpor.

Cinematographer Masanobu Takayanagi captures the contrasts as the film shifts between the languishing town and the natural beauty of rural Pennsylvania and New Jersey.

The Tree of Life is his latest effort, a film dominated by images of breathtaking natural beauty on a scale ranging from the intimate to the unfathomably vast.

The film also looks gorgeous thanks to the exquisite work of cinematographer Masanobu Takayanagi, who in keeping with the overall tone, eschews obvious grandiose scenes to simply showcase the natural beauty along the way.

Herzog has made the savage beauty of nature one of his themes throughout most of his fiction films, so perhaps it's only natural that he has moved onto explicitly non-fiction explorations of some of nature's most remote locales.

Not only does that reading explain the fervent use of voice - over, never more present here, recounting and musing on each experience with that hushed, inimitable whisper, but it also explains the unique aesthetic of Malick's films: his desire to capture fragmented but ideal forms of corporeal, natural and architectural beauty, rendered so by Emmanuel Lubezki's superlative cinematography and some elliptical, compelling editing.

But Danny Boyle's film still captures Utah's Canyonlands National Park in all its rugged glory, and gives viewers a sense of the natural beauty that characterizes our 45th state.

Rather like an extremely damped - down There Will Be Blood, Reichardt's film — based on historical events — depicts one group's journey through the Oregon Trail in 1845 as a trek through a hauntingly empty and alien landscape, with cinematographer Christopher Blauvelt exquisitely taking in the natural beauties of the settings while framing the increasingly desperate wanderers in wide shots to emphasize, in part, their ultimate smallness within the wild west.

Set in Argentina, director Efron lovingly films the backdrop, squeezing every bit of natural beauty from the landscape.

Baker's Project, about lives on the edge of disaster and despair, nevertheless pulses with life and natural beauty, adding up to the most devastating and euphoric film experience of 2017.

That vast setting ensured a film full of colorful, varied natural beauty along with some ecological basis and tie - in potential.

The film is directed with a keen eye for natural beauty, and the Vienna countryside is captured elegantly without seeming superfluous, inducting cultural setting into the film without turning the romantic nature of the setting into a cliché.

From the visually abstract meditations on mortality in Decasia (2002) to the haunting exploration of a historic natural disaster in The Great Flood (2012), his found - footage films are anchored by an abiding fascination with the ephemerality of physical media and the beauty of its disintegration.

«The Great Beauty» The natural ending points of scenes and beats come and pass in Sorrentino's decadent and unruly look at Rome's fading high - rollers, but amazingly I rarely felt the urge to argue against the film's intoxicating atmosphere.

The film introduced many of the elements that would earn Malick his passionate following: the enigmatic approach to narrative and character, the unusual use of voice - over, the juxtaposition of human violence with natural beauty, the poetic investigation of American dreams and nightmares.

The film was shot in Oregon, where Friedkin and company really take advantage of that state's natural beauty, resulting in some breathtaking photography.

Also worth a visit for the natural beauty of the area (there is a ruin there but not spectacular) is atop the Kulen mountains, where the river bottom is carved with lingas and a lovely picnic area is found beside a waterfall (part of Tomb Raider was filmed there).

A selection of new films featuring the 56 - room boutique property are now available on YouTube and showcase the hotel's five - star product and the breathtaking beauty of its natural surroundings in Khao Lak.

Jordan's natural beauty is all around, best displayed in dramatic Wadi Rum, used for the filming of «Lawrence of Arabia».

In photographs, sculptures, installations, and films, Goldsworthy documents his explorations of the effects of time, the relationship between humans and their natural surroundings, and the beauty in loss and regeneration.

The 43 - minutes - long film depicts the sublime natural beauty of oceans, while emphasising their role in shaping human history.

The film's elliptical narrative weaves together cinematic, literary, philosophical and artistic traditions, where spaces of human ruin and natural beauty abound.