Anger is
a natural human emotion, and everyone feels it at some point in their lives.
Some would say that it's the hormones, others would say it is just
natural human emotion, but whatever the reason, those tears of joy are also tears of love and they show just how much your child means to you.
But guilt is
a natural human emotion, something that comes out of normal social interaction.
Not exact matches
A
natural human reaction to
emotions is to either suppress them or act them out.
It's
natural for
humans to act on
emotion, without thinking.
But religious love is only man's
natural emotion of love directed to a religious object; religious fear is only the ordinary fear of commerce, so to speak, the common quaking of the
human breast, in so far as the notion of divine retribution may arouse it; religious awe is the same organic thrill which we feel in a forest at twilight, or in a mountain gorge; only this time it comes over us at the thought of our supernatural relations; and similarly of all the various sentiments which may be called into play in the lives of religious persons.
Didn't he need to learn and experience what it means to be
human, to be subject to
emotions, desires and temptations, to learn how to control the
natural responses to those, to grow into an adult, before he could teach us?
«Our discovery confirms a very old
natural history for the mechanisms underlying this self - preservation
emotion, at least to the last common ancestor of flies and
humans,» says Claridge - Chang, noting that this ancestral species swam in the oceans around 700 million years ago.
Attributing
human emotions to dog behavior is a
natural assumption to make, but dogs are not people and their...
«The exhibition will be a journey; a walk through microcosms of the world today based on the stratum of history,
human knowledge,
emotions, desires and beliefs, as well as the mysteries of
natural phenomena and the whole of the universe.»
They make site - specific contemporary folklores that express universal
emotions and
human struggles by combining picturesque landscapes,
natural phenomenon, and personified animals.
Their deliberately scarred surfaces deliver an unvarnished sense of immediacy, of time marked rather than spent, and most effectively capture the idea of unmediated grief — what it looks like, what it feels like and most especially how it changes everything — suggesting that in such times we are all romantics, experiencing, as these artists did,
human emotion in the
natural world.
Bergamini's research explores the meaning of colors in an open dialogue with
human emotions and
natural shapes, while her experimental approach manifests through different mediums: from painting and paper - cuts assemblages to video and sculptural installations.
That same
emotion, however, felt by a countless number of her wild peers amidst the destructive forces of
human activity, is in response to something that isn't
natural at all.
This
natural human experience causes intense
emotions to well up from deep within the body.