Sentences with phrase «natural object in space»

From the sudden and jagged pattern apparent in the image, the LROC team determined that the camera must have been hit by a tiny meteoroid, a small natural object in space.

Not exact matches

In a few thousand years of recorded history, we went from dwelling in caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERIn a few thousand years of recorded history, we went from dwelling in caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERin caves and mud huts and tee - pees, not understanding the natural world around us, or the broader universe, to being able to travel through space, using reason to ferret out the hidden secrets of how the world works, from physics to chemistry to biology, we worked out the tools and rules underpinning it all, mathematics, and now we can see objects that are almost impossibly small, the very tiniest building blocks of matter, (or at least we can examine them, even if you can't «see» them because you're using something other than your eyes and photons to view them) to the very farthest objects, the planets circling other, distant stars, that are in their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERin their own way, too small to see from here, like the atoms and parts of atoms themselves, detected indirectly, but indisputably THERE.

Instead of the contents of consciousness being treated as the subjective counterparts of objects in external space, Whitehead treats them as the residue resulting from natural transmutation processes that occur within that space.

As you decorate your space with furniture, invest in objects made from natural materials like wood, clay, or marble.

This harmony is achieved through an awareness of energy flow, the balance of the natural elements of wood, fire, earth, water and metal, the correct placement of objects in an interior space and the balance of yin and yang (masculine and feminine, light and dark).

In a modest sized rectangular white walled exhibition space, objects of daily use, artifacts ancient and new, paintings and pots, quilts, and kimonos were arrayed on two tiers, hung from the ceiling, against works hung on wall that were subtly dematerialized by natural light coming from unseen skylights along the edges of the dropped ceiling.

In the newly opened galleries of the Royal Academy of Arts, Tacita Dean will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioIn the newly opened galleries of the Royal Academy of Arts, Tacita Dean will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioin its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioin chalk on slate created especially for these spaces will draw you into Dean's vision.

The green woven mats on the floor and on the wall of Hamilton's display — «alternative plinths» in her words — force you to think about the space, but they also nod to the unique way that Ede's collection combines natural objects and works of art.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performeIn Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performein London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

This work is not abstracted from reality in the way that some abstract painters start with particular objects or landscapes; rather, Egan refuses to begin with a plan, relying instead on, in his words, «an unconscious recognition of my surroundings, digesting and transferring this complexity into a cascade of recognizable but irrational space» in a process that begins with marks as a record of «natural movements.»

Surveying their emerging inter-relation, this ongoing dialogue between a chosen locus and found objects demonstrates Overton's explicit need to explore the characteristics of natural law, concurrently involving the human presence in constant conversation with space and objects.

His singular sculptures are outlandish objects, appearing to have landed in the space fully - formed; either through industrial processes, as a result of natural forces, or by a combination of the two — only revealing their true complexity through closer inspection of hand - finished details, rivets and joins.

Through the placement of objects - natural and artificial - with images she makes a space for new linkages, connections and rhythms in the visual repetitions that develop between and amongst them - presenting as a phenomenological and subjective lexicon.

More recently, Gisela Colon, who has been recognized in ArtForum as a next generation light and space artist, has created «irregularly shaped wall mounted acrylic orbs... scarab - like objects achieve their iridescence via the play of natural light, yet the sculptures appear to change color as one moves around them, as if lit by multihued bulbs.»

In the newly opened Gabrielle Jungels - Winkler Galleries at the Royal Academy of Arts, Tacita Dean will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaceIn the newly opened Gabrielle Jungels - Winkler Galleries at the Royal Academy of Arts, Tacita Dean will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spacein its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spacein chalk on slate created especially for these spaces.

If these models or objects were to hide in a natural landscape, they might be difficult to discern but when displayed in the gallery space, with its white walls and smooth cement floor, they're highlighted and foregrounded.

His practice is similar in intent to that of many of the Land art and Light artists coming out of the 1960s and 1970s (Nancy Holt, Robert Irwin, Long, Robert Smithson, James Turrell), who took public space and appropriated it, transforming the environment into something novel and often sculptural This engagement with natural conditions and phenomena necessitated the dematerialisation of the art object and the extension of the «gallery» site for art.

Reminiscent of objects used to study outer space, such as radio satellite dishes, the installation draws on Cameron - Weir's interest in reinterpreting the Globe of Death in dialogue with natural forms, and celestial or otherworldly concepts.

In the newly opened Gabrielle Jungels - Winkler Galleries, the internationally renowned visual artist and Royal Academician Tacita Dean will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioIn the newly opened Gabrielle Jungels - Winkler Galleries, the internationally renowned visual artist and Royal Academician Tacita Dean will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioin its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioin chalk on slate created especially for these spaces will draw you into Dean's vision.

Wackers recontextualizes everyday objects from the contemporary world in an ambiguous way, suggesting instability and uncertainty, while the presence of the natural world in sprawling foliage offers access to spaces of calm through a clearing in the dark woods, according to a gallery press release.

In the Royal Academy's newly opened Gabrielle Jungels - Winkler Galleries, the internationally renowned visual artist and Royal Academician will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioIn the Royal Academy's newly opened Gabrielle Jungels - Winkler Galleries, the internationally renowned visual artist and Royal Academician will explore «landscape» in its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioin its broadest sense: intimate collections of natural found objects, a mountainous blackboard drawing and a series of cloudscapes in chalk on slate created especially for these spaces will draw you into Dean's visioin chalk on slate created especially for these spaces will draw you into Dean's vision.

Selected Group Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville, KY

I have a natural flair for designing cozy spaces with vintage style on a budget, and I love junkin» for unique objects to use in my cottage - style decor and garden.