While her earlier work looked at art museums as places for worship or contemplation — in the vein of cathedrals or pilgrimage
sites — and artworks as objects of faith, her recent works, such as Deposit III (2015), give more importance to painting as an actual object in its own right: «It allowed me to
leave bi-dimensionality, unhang [painting] from the wall and
naturally add other supports of images (video, mirrors, printed matter, found paintings) and link them to a same genealogy.»
As the U.K. and other developed countries have rushed to build more wind turbines, they have
naturally started with the windiest places,
leaving poorer
sites for later.