Sentences with phrase «nature of art in»

The competition selection as always was difficult, but especially so for the nature of art in our world today encompasses a wide variety of methods, materials and conceptualizations of what art is.

The competition selection was especially difficult for there were so many outstanding submissions and the nature of art in our world today encompasses a wide variety of methods, materials and conceptualizations of what art is in today's world.

Two of the main aspects of art are invisible; the basic nature of art in invisible» (D. Judd, «Some Aspects of Color in General and Red and Black in Particular,» in N. Serota (ed.)

Not exact matches

But every one of us can try to find opportunities to wonder at the majesty of nature or art in our everyday lives, expanding our horizons and helping us see past our petty individual challenges and constraints.

Her rainbow paintings are a sort of «art therapy,» and the relaxed nature of them has allowed her to be less of a perfectionist in her other work.

Jen serves on the digital advisory board for The Nature Conservancy and for the Master of Arts in Media Entrepreneurship at American University.

I guess that's one of the things about the beauty and subjective nature of any kind of «art» - It will speak to some and not to others, with varying responses and reactions in between.

Yet he himself explicitly is committed to the concept of a whole or unity as an assembly of parts which, either in fine art or in nature, may be disjoined and reunited by logic alone (MT 85).

For a long time he will look to the marvels of art to provide him with that exaltation which will give him access to the sphere — his own sphere — of the extra — personal and the suprasensible; and in the unknown Word of nature he will strive to hear the heartbeats of that higher reality which calls him by name.

The definition of art as the effort to exalt some beauty in nature, but not to enslave man to mere imitation, is Camus» aesthetic equivalent to the notion of a dynamic value in nature.

In his notebook, toward the end of 1946, Camus writes: «If everything can be reduced to man and to history, I wonder where is the place: of nature — of love — of music — of art» (N 148).

Hand in hand with this Western victory over its Eastern Christian roots went a new discovery of nature, not the nature that has been present in modern art, but rather a nature charged with Christ's presence.

(CCC: 2500) People have always been drawn to Christian faith by the sacred beauty that the Church offers us in the revelation of God in Jesus, scripture, liturgy, sacraments, lives of the saints, sacred art, miracles of conversion and healing, and in her own very nature.

In both science and art man seeks beauty and truth so that «the finite consciousness of mankind is appropriating as its own the infinite fecundity of nature.

The eros of our human nature can be expressed as equally in kissing as it can in great art.

Any specification of the responsibilities that accompany our basic rights, any articulation of the content of the «laws of nature,» any acknowledgement that the Church might be necessary for the state to judge and fulfill its obligations to the «power in heaven,» or any specification of the meaning of «nature and nature's God» — though article 1, sec. 8 of the Constitution may provide a clue when it empowers Congress «to promote the Progress of Science and the useful Arts.»

I believe that you can be «spiritual» when things move you emotionally, like music, art and, in Einstein's case, the majesty of nature.

In one sense the discovery of human individuality was necessary for the development of human rights, the economic individualism orientated to profit and free market produced the modern economy; the separation of human being from nature coupled with the autonomy of the world of science helped the development of technology; and the autonomy of different areas of life like the arts and the government, each to follow purposes and laws inherent in it, did make for unfettered creativity in the various fieldIn one sense the discovery of human individuality was necessary for the development of human rights, the economic individualism orientated to profit and free market produced the modern economy; the separation of human being from nature coupled with the autonomy of the world of science helped the development of technology; and the autonomy of different areas of life like the arts and the government, each to follow purposes and laws inherent in it, did make for unfettered creativity in the various fieldin it, did make for unfettered creativity in the various fieldin the various fields.

Subject - object, or I - It, knowledge is ultimately nothing other than the socially objectivized and elaborated product of the real meeting which takes place between man and his Thou in the realms of nature, social relations, and art.

I would point out, however, that billions of other human beings, in every time and place, have had similar experiences â $ «but they had them while thinking about Krishna, or Allah, or the Buddha, while making art or music, or while contemplating the sheer beauty of nature.

In that great hymn, «Come, O thou Traveler unknown» [which Wystan Auden and T. S. Eliot both considered one of the finest religious lyrics in the English tongue), the basic gospel proclamation is given: «Pure universal Love thou art: to me, to all, thy mercies move: thy nature and thy Name is Love.&raquIn that great hymn, «Come, O thou Traveler unknown» [which Wystan Auden and T. S. Eliot both considered one of the finest religious lyrics in the English tongue), the basic gospel proclamation is given: «Pure universal Love thou art: to me, to all, thy mercies move: thy nature and thy Name is Love.&raquin the English tongue), the basic gospel proclamation is given: «Pure universal Love thou art: to me, to all, thy mercies move: thy nature and thy Name is Love.»

I now propose to show more concretely just how liberal studies entail the practice of freedom, by examining briefly the nature of the knowing process in some of the main disciplines in the liberal arts and sciences.

The natural person can recognize the glory of nature in spite of natural disasters, pests and disease; the splendor of the cultivated arts, especially music, in spite of art's occasional pomp and pretense; and the radiance of virtuous persons in spite of the flaws we can find in the best of them.

Flat, blank facades on buildings conceived as commodities — or just oddities — rather than works of civic art; flat modernist pictorial abstractions; the flattening of cultural history into pseudo-history packaged as what Henry dismissed as «applied sociology» — all spoke to him of something far more ominous, the abasement of man and the crude negation of his proper relationship to nature as embodied in the great tradition.

In an age of transforming power in nature and history, art is both transformative (like the mechanistic) and bonding (like the organicisticIn an age of transforming power in nature and history, art is both transformative (like the mechanistic) and bonding (like the organicisticin nature and history, art is both transformative (like the mechanistic) and bonding (like the organicistic).

By the nineteenth century, however, patronized religious painting had become essentially trivialized, as John W. Dixon, Jr., indicates in his book, Nature and Grace in Art (University of North Carolina Press, 1964).

Reflection upon the nature of religious experience and the art of music reveals the possibility that music is, in fact, the complete mode of bearing the structure of worship.

Nature is a «work of art» in which «rightness» is defined by the comprehension of particular details that constitute it as a work of art.

His books include The Healer's Art, The Place of the Humanites in Medicine, Changing Values in Medicine, and, most recently, The Nature of Suffering.

Or again, «Religion is the art and theory of the internal life of man, so far as it depends on himself and on what is permanent in the nature of things.»

With Leibniz I suspect that the main advantages of the doctrine are philosophical, in enabling us to arrive at a view of life and nature in which the results of science are given their significance along with the values with which art, ethics, and religion are concerned.

While both of these factors — an inherited distrust of physical form, and a current focus on monetary economies — clearly shape our feelings and actions in relation to art, the equivocal nature of the Protestant relationship to the arts becomes ever clearer if we look at what lies behind the question of iconoclasm.

Factual statements about nature reduce art to mere illustration and assimilate it to conceptual habits of thinking — precisely what Dillenberger rightly criticizes in American Protestantism.

Eminent artists, theologians, and philosophers will be exploring the nature of art and its role in society.

Growing up in the Midwestern United States, I spent my childhood exploring creeks, plaines and fields, and have loved animals, nature and art all of my life.

Of course, I might be holding back out of fear of being invited by Christine O'Donnell to a satanic witchy picnic on a blood - stained altar (said bloodstain most likely caused by a diabetic performing some dark and devilish ceremonial pricking of their finger to check their glucose levels, which obviously is demonic in nature and proof of why the healthcare reform act should be done away with so they can let such practitioners of such technological dark arts die due to lack of insuliOf course, I might be holding back out of fear of being invited by Christine O'Donnell to a satanic witchy picnic on a blood - stained altar (said bloodstain most likely caused by a diabetic performing some dark and devilish ceremonial pricking of their finger to check their glucose levels, which obviously is demonic in nature and proof of why the healthcare reform act should be done away with so they can let such practitioners of such technological dark arts die due to lack of insuliof fear of being invited by Christine O'Donnell to a satanic witchy picnic on a blood - stained altar (said bloodstain most likely caused by a diabetic performing some dark and devilish ceremonial pricking of their finger to check their glucose levels, which obviously is demonic in nature and proof of why the healthcare reform act should be done away with so they can let such practitioners of such technological dark arts die due to lack of insuliof being invited by Christine O'Donnell to a satanic witchy picnic on a blood - stained altar (said bloodstain most likely caused by a diabetic performing some dark and devilish ceremonial pricking of their finger to check their glucose levels, which obviously is demonic in nature and proof of why the healthcare reform act should be done away with so they can let such practitioners of such technological dark arts die due to lack of insuliof their finger to check their glucose levels, which obviously is demonic in nature and proof of why the healthcare reform act should be done away with so they can let such practitioners of such technological dark arts die due to lack of insuliof why the healthcare reform act should be done away with so they can let such practitioners of such technological dark arts die due to lack of insuliof such technological dark arts die due to lack of insuliof insulin)

Human art has to do with networks of meaning which form themselves in response to nature and the problems of human life.

13 For example, Whitehead says: «Art has a curative function in human experience when it reveals as in a flash intimate, absolute Truth regarding the Nature of Things.

The Yale philosopher Nicholas Wolterstorff provides a critical history of the nature and purpose of art in modernity and suggestions for a theory of art today that could admit both its fallenness and its potency to engender some kind of salvation, and a piece by Daniel Taylor describes the abandoned Irish monastery of Skellig Michael that might make some readers want to plan a pilgrimage to this holy and - to?

Meaning in the arts — aesthetic awareness — is mediated through the nature and elements of the medium without ever being directly present itself.

On 13 June Luther unexpectedly and without informing any of his friends in advance... married Bora... You might be amazed that at this unfortunate time... he turns to self - indulgence and diminishes his reputation, just when Germany has special need of his judgement and authority... The man is certainly pliable; and the nuns have used their arts... society with the nuns has softened or even titillated this honourable, high - spirited man... the rumour that he had previously dishonoured her is clearly a lie... Now that the deed is done, we must not take it too hard, or reproach him; for I think, indeed, that he was compelled by nature to marry.

An earlier version of this paper was presented at the conference on Nature, Human Nature, and the Arts, Vancouver, BC., in January, 1980.

But in its living tradition that art — moving for instance from Rembrandt through Daumier and Van Gogh to Rouault — brings unitive and fresh perception, contemporaneousness of understanding and inventive technique to the ever - new discovery and revelation of man's and nature's faces and forms.

In reality the enlightened man stripped of his nature lives on in the atomised community that produces the anarchic teenagers taking over our town centres each Saturday night and the busy abortuaries of our state of the art hospitalIn reality the enlightened man stripped of his nature lives on in the atomised community that produces the anarchic teenagers taking over our town centres each Saturday night and the busy abortuaries of our state of the art hospitalin the atomised community that produces the anarchic teenagers taking over our town centres each Saturday night and the busy abortuaries of our state of the art hospitals.

Both are men of large vision - the Tatra Mountains and the Bavarian alps somehow lifting their eyes to the heights, and both lovers of learning, of language, of God's glory in nature and his gifts to men in music and the arts.

I believe a reading of Adventures of Ideas and the other works would justify saying there can be «no living [art, morality, religion and science] unless there is a widespread instinctive conviction in the existence of an Order of Things, and, in particular, of an Order of Nature» (SMW 5).

In the opinion of the Times» photography editor, the curator of a university museum «came closest to the truth when she told the prosecutor..., «It's the tension between the physical beauty of the photograph and the brutal nature of what's going on in it that gives it the particular quality that this work of art haIn the opinion of the Times» photography editor, the curator of a university museum «came closest to the truth when she told the prosecutor..., «It's the tension between the physical beauty of the photograph and the brutal nature of what's going on in it that gives it the particular quality that this work of art hain it that gives it the particular quality that this work of art has.

It offers the opportunity to reflect on the nature of fandom and who we are as people who watch and care about that ancient art of putting spheres in peach baskets.

Kath's love of folk art shines through in her simple motifs that draw their inspiration from nature, and she is a master of scraffito — a decorative technique where patterns are scratched through the slip to reveal the clay underneath.

We talk to Justine Nettleton from Art You Wear — a fine artist who creates jewellery inspired by the marks and colours of her paintings and shapes in nature.