Sentences with phrase «nature of his painting technique»

Not exact matches

This labor - intensive technique results in ethereal paintings that give expression to aspects of nature hidden from or invisible to the unaided eye.

Profoundly influenced by Chinese painting traditions and techniques — especially the marks of the eighth - and ninth - century Yi - pin «ink - splashing» (or «flung ink») painters — mentorships from John Cage and Agnes Martin, and the harmony between man and nature espoused by Taoist philosophy, Steir considers elemental forces active participants in her work, intentionally removing herself from the action and allowing gravity, time, and the environment to determine the work's result.

This exhibition comprises a selection of large paintings by Helen Frankenthaler, focusing on nature as a longstanding inspiration and including the full range of styles and techniques that she explored over five decades of work.

The profound nature of the subject matter, paired with the masterly technique on display in the works, may overwhelm, disturb, or thrill the viewer — reactions that affirm the enduring ability of painting to communicate nascent and often unnamable ideas, emotions, and sensations.

The fascinating world of watercolor landscape paintings offers images which, not only celebrate Nature, its lavish landscapes, beaches, and wildlife but are images which give praise to one of the oldest techniques in art history.

While influences of Jackson Pollock are clearly present within this technique of applying paint directly onto a horizontal canvas spread across the studio floor, Louis's work resists the rather active and gestural nature of Pollock's compositions and instead embodies a distinctly meditative quality.

Many of the works on display here were created in the full flower of Impressionism, when artists like Pierre Auguste Renoir and Childe Hassam devised a free, open painting technique and brilliant rainbow palette to capture the fleeting effects of nature's color and light.

Profoundly influenced by Chinese painting traditions and techniques — especially the marks of the eighth - and ninth - century Yi - pin «ink - splashing» painters — mentorships from John Cage and Agnes Martin, and the harmony between man and nature espoused by Taoist philosophy, Steir considers elemental forces active participants in her work, intentionally removing herself from the action and allowing gravity, time, and the environment to determine the work's result.

She shares an interesting perspective on the physically demanding nature of spray painting in relation to traditional oil painting, as well as other differences and advantages the technique offers including speed and a uniform surface.

The paintings in this exhibition showcase den Breejen's characteristic text - based painting technique, applied to the representation of a deeply nuanced personal vision of nature, sensory experience, and their myriad intersections.

Through intensive research drawn from the artist's extensive library of rare books Taaffe takes an accumulative approach to his works, often combining nature - printing techniques, collage, and painting.

``... technique is all they share; the statements both artists make about the nature of paint differ.

Papier — mâché boulders (from 2006) that use trompe l'oeil techniques in oil paint to mimic heavy sculptural stone; a series of natural stones painted to look like M&M candies (from 2012); and the deceptive Birdshit Paintings (from 2006) underscore the nature of Colen's experiments in aesthetics and representation.

The internet explorer (and archiver) continues his examination of the shifting nature of self in the context of modern technology and virtual living, using video works, installations, sculptures, prints, and traditional painting techniques to probe the subjectivity of memory and the collapse between the virtual and «the real».

Coviello fuses traditional methods of drawing, painting, and printmaking with photographic and digital imaging techniques to get at an «elusive» real and a «concrete» imagined nature.

Her works begin with realistically rendered landscapes of nature, executed in classical painting techniques reminiscent of the mid-19th century American landscape painters, which she then circumscribes with an uncomfortably enforced abstract geometry.

In the process of its creation there are two project axes between painting and sculpture; where the constant search for new techniques, materials and resources reinforces his discourse and his deep love of nature.

Searching for a visual language to capture the immediacy of everyday life and the quotidian nature of his subject matter, Andrews developed his «rough collage» technique, combining scraps of paper and cloth with oil paint on canvas.

In this vein, Steir is also profoundly influenced by Chinese painting traditions and techniques, especially the inky marks of the 8th and 9th century Yi - pin «ink - splashing» painters, and Taoist philosophy's aspiration for harmonious, unfettered connections between man, nature and the cosmos.

The capsule collection features bedding designs Nature Study, Bloomsbury, Charleston, Water Garden and Futurist, all of which have a traditional heirloom feel thanks to the hand painting and stitching techniques used to create the treasured designs.