Sentences with phrase «nature of human identity»

His work questions how the nature of human identity is established in relation to objects and space.

A little knowledge of philosophy is also of help, particularly as Descartes» theories are presented as throwing doubt on the nature of human identity.

Not exact matches

When the catena of kaleidoscopic identities is open - ended, the meaningfulness of universal human nature and thus of everything predicated on that — including universal human rights — becomes vanishingly small.

But one of them is not that the surrounding culture gets to decide the nature of human personhood and identity, nor the bounds of acceptable sexual expression.

The emphasis has characteristically been on «a theology of the infinite» — an inquiry into the identity and existence of divine beings, divine activity in history and nature, the purpose and destiny of human life as these are revealed by a being called «God» to others called «persons.»

When talking about the identity of Jesus as God (before sin and the Cross) it is important to have a much bigger emphasis on the fact of the true human nature of Christ.

If it is true, as Holloway argues, that the very foundations of matter and the identity of human nature are aligned upon the coming of the Word made flesh, then a society which is uncertain about the existence of God and whether Man has any meaning or purpose must be subject to crisis, alienation and chaos even more inevitably than CiV is able to show.

According to Bercier, «the highest act of man is not his exercise of reason in discerning the forms of nature» but rather his «responsibility for his own being and identity as it is authoritatively addressed to him by the Logos»; in other words, man's special dispensation of reason is for the sake of directing human nature towards «its most perfect end in man's own right self - governance» versus a liberation from the yoke of that nature.

In particular, I shall provide an illustration that is especially relevant to the problems of identity through time and the nature of the human mind.

Lilla appears to understand the unpredictable nature of free human action when he reminds us that «the first identity movement in American politics was the Ku Klux Klan.»

One question looks to the nature: Peter is a human being; the other to the personal identity: Peter is one of the Twelve, a fisherman and a friend of Jesus.

The new structure will deal with what is most fundamental in our human identity: male and female equality, their social roles, the nature of their differences and relationship.

The identity of human nature and of every human being flows from the human nature of Christ, for we were «chosen in Christ before the foundation of the world» (Ephesians) and He is «the first - born of creation» (Colossians).

It seems to suggest that the identity of the transcendent Divine Person, which is trulyone with His human nature, is determined by the prior created order in its prior fallenness.

We need a vision whereby the very identity of Christ, in his human and divine natures, as the physical and spiritual centre and fulfilment of creation, is the basis of his active redemption of us since sin.

This means that all phenomena are identical in their constituent self - identity; all are in a state of constant transformation; and there are no absolute differences between human nature and the natural order, body and mind, male and female, enlightenment and ignorance.

As the human nature of Christ is the perfect image, in the Son of Man, of our own identity and holiness, our wholeness in body and soul through God, so in the order of the spiritual soul, the Divine Being itself, as pure and perfect spirit, is the mirror image of our spiritual perfection, now and unto the beatific vision.

He is not making Jesus's human nature constitutive of the Son's essential identity, which he always insists is independent of election.

Sherry not only reveals the names and identities of Greene's youthful tormentors, but argues that the suffering he experienced at their hands — and that in part led him to attempt suicide — yielded artistic material throughout his career, and perhaps most richly so in The Power and the Glory: «Into the lieutenant, the priest and the Judas went some of the insight into human nature gained from his experience with Carter and Wheeler, which had involved him in persecution, self - doubt, feelings of cowardice and the fear of betraying.»

They believe that not only is human difference a healthy fact of life, but that individuals should understand the past and present dynamics of ethnic identity, relationships and groups, not only because it will make them more sure of themselves, but also because it will strengthen the democratic nature of tire total society.

It should not be thought that «Christian identity» is just another way of naming a postulated essence of «faith» or «religiousness as such» or «reason» or «human nature.»

With this understanding of our human nature, as emotional, amoral and egoistic, we must weigh alternative policies and approaches to social organization, especially given the emotional and deeply visceral nature of identity issues.

The journey is fraught with nail - biting interactions, playing with concepts of identity, individuality, existence, mutations, the nature of cell division and duplication (and duality), and what it means to be human.

Furthermore, the film examines the nature of identity and the false nature of the mask of respectability that degrades true human emotion.Kazan has stated that the parents (Mrs. Loomis played by Audrey Christie and Ace Stamper played by Pat Hingle) represent the ones who «murder a rare and fine thing, namely romantic love» (1).

Meanwhile, Jonze and Kaufman (Human Nature) merrily flash backwards and to flesh out the story of Orlean (Meryl Streep, A.I., Music of the Heart) and John Laroche (Chris Cooper, The Bourne Identity, The Patriot).

lesson an identity and specific nature of human beings essence of human cards sort activity taken from resource posted on TES earlier this year

The conference was opened by His Highness Sheikh Dr. Sultan bin Mohammad Al Qasimi, Member of the Supreme Council and Ruler of Sharjah, where Mr. AlQasimi delivered with a powerful opening address, stressing that there had been many conferences as matter to human nature and human values adopted by all peoples of the world, regardless their identities and civilizations.

The new company is Putri Naga Komodo or Dragon Princess, who in local legend was said to have given birth to twins - a human boy and a dragon, symbolising the essential identity of humans and nature.

The narrative structure of these writings provide the framework to explore issues like personal history, identity, gender politics, human nature, and many other topics.»

By creating works that explore the connections between animal behaviorisms and human nature, she seeks to unveil inner truths of personal identity.

We have mounted important exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions such as Made in U.S.A.: An Americanization in Modern Art, the «50s & «60s; State of Mind: New California Art Circa 1970; In a Different Light: Visual Culture, Sexual Identity, Queer Practice; Human / Nature: Artists Respond to a Changing Planet; and Masterworks of Chinese Painting: In Pursuit of Mists and Clouds.

His figurative works explore the representation of the human body as a site where identity is transformed, theatrically expressed and concealed, in a fusion of organic and inorganic, skin and plastic, feminine and masculine, representation and nature.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

These works explore the nature of representation and the ways images of film, television and advertising influence common human perception of identity and the world.

Zawelela ngale could be understood as the need to acknowledge changes and shifts in identities and the multifaceted nature of humans.

Amy Pleasant's exhibition «re / form,» at Whitespace Gallery through February 15, presents a lineage of human history and responses to issues of identity, from ancient to modern times, caused by weighing one's role in society against one's place in nature.

Humans, by nature, are faced with questions of self, and many of us spend our lives constructing our identities, changing them as we grow, as we experience life.

We will contemplate the world in which conflicting concepts and phenomena are intricately intertwined and constantly in flux, the nature of identity and diversity, and how the courage, imagination and creativity of human beings can be used to derive a new vision and ground design for the future when our future remains uncertain.

Her photography reveals the complexities of human nature and relationships, challenging ideas of gender, beauty and identity.

There's body - centered, identity - searching work by Hannah Wilke, Carlee Fernandez and Ana Mendieta all in a row; a nostalgic assemblage by Betye Saar right across from an equally history - heavy sculpture by Saar's daughter, Alison; pithy, politically charged text pieces by Mel Bochner, Glenn Ligon and John Baldessari hang together in the same room as Bruce Nauman's neon pinwheel of weighty adjectives, also called Human Nature and the loosely the inspiration for this show.

Openly addressing the all - too - human questions of sexual development, sexual desire, and the nature of the adolescent's developing sexual identity are critical.