Sentences with phrase «nature of image»

This contrasts with the generally high resolution nature of the image, and is a shame considering that the other properties of the image are generally great.

First, as he emphasized in his opening sentence, transitioning to a more sustainable economy requires humankind to rethink its relationship with nature: «We are now in the middle of a long process of transition in the nature of the image which man has of himself and his environment.»

Through photography and installation Pryde explores the very nature of image making and display.

Since 2000 Sturtevant has embraced film and video, advertising and internet - based images, producing work that reflects the fragmented and pervasive nature of our image - saturated culture.

It is centered on three of Rosenquist's monumental room environments: Horse Blinders (1968), which has undergone detailed conservation by Museum Ludwig between 2015 and 2017; Horizon Home Sweet Home (1970), which demonstrates the illusive nature of the image and of vision with the performance of dry - ice fog within the vibrantly colored and mirrored panels of the room; and the monumental three - painting - suite, The Swimmer in the Econo - mist (1997 - 98) that extends more than twenty - seven meters and is on loan from the Guggenheim Museum, New York.

«It is called Rauchbilden, or, «Smoke pictures,» and addresses the dubious nature of image - making at the present moment.

According to the press materials, Halley used the explosion motif in the 1990s, but this was the first time I had seen it, and the undulating, non-geometric nature of the image signaled that Halley was engaging with new ideas.

The Tate says Pryde «explores the very nature of image making and display» and her work places «as much importance on the staging of the work as the images themselves».

As the viewer shifts from one side to the other, the composite nature of the image is revealed, and with this, ideas about how the maps we consult on our screens are manipulated and always changing.

In considering topics of political immediacy — wrongful conviction, heredity, state secrecy, and the porosity of international borders, to name just a few — she addresses the rhetorical nature of the image within her chosen topic, producing works that are as much about the radical potential of images as they are about their limits.

As the crew encounters numerous obstacles preventing them from obtaining the panorama shots, Hugonnier's voice details each directorial decision, which further emphasizes the subjective nature of image production.

The nature of the image is inconclusive, even evasive, since the mark of Mr. Kirkeby's brush can suggest crinkly bark, or a rippling river, or ruts in a dirt road.

After forming and then promptly disbanding the satirical art movement Capitalist Realism, founded with fellow German artists Sigmar Polke and Konrad Leug, Richter would go on to explore the nature of image making, testing the limits of what might be called a photo, and what might be considered a painting.

Stan Douglas «DCTs and Scenes from the Blackout» David Zwirner (525 West 19th Street) CLOSES: April 7 In two contrasting series, DCT (2016 — ongoing) and Blackout (2017), on view through Saturday, the photographer and filmmaker continues his investigations into the nature of image making and its relationship to reality.

She explored the nature of the image and its varying layers, the perception of the represented and the dynamics between work, space and audience.

In either case, whether tearing - down or building - up, these photographers focused on the artificial nature of image - making itself.

By excising the photograph from the context of a magazine spread and dissecting the original scene, Stenram draws attention to the voyeuristic nature of the image.

French explained: «As the nature of the image becomes apparent, what is viewed changes and evolves.

As today's instruments of meaningful articulation and expression are undergoing an equally dramatic reassessment, The Idiosyncratic Pencil will explore the early 21st Century artist's response to the rapidly evolving nature of image making in this breakneck, feverish, media - saturated, and over-stimulated epoch.

Using my personal archive as source material, the work questions the nature of image production, circulation, and distribution.

Driven by an interest and insight into «the way that the world is constituted», as well as what he describes as «the pure joy of seeing», Gursky makes photographs that are not just depictions of places or situations, but reflections on the nature of image - making and the limits of human perception.

But given that e-ink screens don't need saving, and the static nature of the image, which wouldn't save anything, we're sticking to «idle screen».

It is connected with God's whole use of law, of guilt, and of grace, but Brunner's interpretation does not arrive at the determinative nature of the image of God in man.

Miller, along with many others who are convinced of the shroud's authenticity («shroudies» as they are sometimes known), believe that the clarity and three - dimensional nature of the image show that it was caused by a strong burst of radiation from the body lying beneath the cloth.

Yet the nature of the image on the shroud seems to defy such explanations.

In spite of the morbid nature of the images themselves, it's not the morbidity that is compelling.

With the slickness of advertising, Abeles's dense, colorful photographs explore the nature of images in a digital era — no picture remains truly stable, thanks to Photoshop.

The through line in his practice seems to have been a fascination with the act of replication and the material nature of images.

In the process, I have considered the nature of these images and others in the collection, how they relate to Still's body of work as a whole and to the man himself.

While various commentaries can be drawn from these surprising visual analogies - for example on consumption, desire, and representations of the human body - the real intrigue of the work lies in its exploration of the surreal and seductive nature of images.

Since the early 1960s he has explored a number of related themes and ideas, producing paintings and photographs that question the nature of the images that can be produced by both mediums.

The exhibition was conceived to allow visitors to reflect upon the material and political nature of images in the digital age and a globalised world, a concept largely influenced by the extremely different biographies and artistic experiences to move into the pavilion.

Hamilton explores the nature of images through surreal juxtapositions and appropriations of mass media tropes, often relating to cinema and art history.

Koons highlights the hyperreal, exaggerated nature of images pulled from coupons and magazines in precise areas of color.

Francis Bacon (1909 — 1991) and Andy Warhol (1928 — 1987) were two great artists of the 20th century with very different approaches to creativity, to the processes of working, to the nature of images and to the notion of art in general.

The increasingly personal nature of the images not only engages the desires, fantasies, and emotions of the audience but also humanizes the inanimate subject and gives her an agency that is far from intrinsic.

His installations, sculptures, paintings, photographs and films address ever - changing notions of reality and the temporal nature of images.

Driven by an exploration into the nature of images, the making of art and the role of the artist, Paolini asserts that «to be authentic, a work of art must forget about its author.»

In one respect, Warhol's statement underlines the staged nature of the images; in another, it proclaims the artist's supposedly straightforward intention in creating them.

Here, that «something» seems bound to the underlying nature of the imaged identity and, more specifically, to a sense — subtly yet cogently expressed in these portraits — that this identity is inherently fragile, premised on a needy vulnerability.

Not all artists gathered under the elusive label «Picture Generation» were part of this show, but they all shared a practice of appropriating the consumer and media images that surrounded them to reveal the constructed nature of these images.

«Light Painting» is the artist's first solo exhibition in China and it solicits the audience to contemplate the hybrid role of the artist as creator, consumer and animator in today's image - based economy — as well as the networked and mediated nature of images within contemporary art's ecosystem.

You use ALT tags to describe your images so at least Blackberry users will know the nature of the images they are not seeing.

For people with low bandwidth connections, who may opt not to load graphics - this way such site visitors can understand the nature of the images on your web page

[22] Because the defendants are not seeking production of the videos and photographs themselves (sensibly, in my view because I would not have ordered their production), secondary documents which refer to the nature of the images and the dates on which they were made are a reasonable substitute for those original documents.

Not exact matches

Dieter's images of automobile graveyards, places where abandoned cars slowly decay, show both the staying power of these classic cruisers and the strength of the nature around it, engulfing the machines and returning them back to the earth.

In this video, he touches on a number of lessons business owners can learn by simply paying attention to Whole Foods» Pinterest page — everything from the types of images you pin to the very nature of posts you share.

In a comment on his own post, MacMillan said he had since been in contact with a couple of Facebook staffers about the incident, and both said they could find no record of the image or post having been taken down, and in fact couldn't find any evidence that anything of that nature had ever been uploaded.

Another Super Bowl first - timer, Fiji Water makes its debut at the big game this year with an ad pitching the water as «Nature's Gift» while showing images of the Fiji islands juxtaposed with urban cityscapes.

«This study showed us that looking at an image of nature for less than a minute was all it took to help people perform better on our task,» explained lead researcher Kate Lee.