Sentences with phrase «nature of painting from»

This month they are presenting their sixteenth show with British artist Anish Kapoor, which will include new large - scale silicone «paintings» and work on paper:» The show explores the affective nature of painting from the multiple perspectives of Kapoor's varied working practice.

The show explores the affective nature of painting from the multiple perspectives of Kapoor's varied working practice.

Not exact matches

The Washington Post reported that dozens of witnesses painted «a detailed portrait of Malvo's conversion from slight, obedient student to angry sniper,» as well as to his «subservient, eager - to - please nature.»

We talk to Justine Nettleton from Art You Wear — a fine artist who creates jewellery inspired by the marks and colours of her paintings and shapes in nature.

Go apple picking Jump in a pile of leaves Make some autumn art Collect colourful fall leaves Collect seeds from plants in the garden Plant bulbs for next spring Make a bird feeder Make leaf prints Make pumpkin playdough Create an Autumn poem Go looking for spider webs Make a nature table with your Autumn finds Bake an apple pie Carve your own pumpkin Make Autumn sun catchers Go on a bat watch at dusk Make toffee apples Set up a scavenger hunt Collect sycamore seeds Grab an umbrella and go singing in the rain Throw a Halloween party Make an autumn wreath for your door Make a bug hotel Listen to the sound of leaves crunching under your feet Collect conkers Collect pinecones Collect twigs Make hot chocolate Draw or paint some autumn still life Attend harvest festival Make apple crisps / chips Remember what you're thankful for Take pictures of all the different colours you can find in a woodland Make leaf rubbings Go stargazing Have an autumn picnic Look for a full moon Go trick or treating Try apple bobbing Make apple sauce Fly a kite Make a windsock Dry orange slices Roast pumpkin seeds Make Halloween biscuits Make a rain catcher Build an indoor fort Collect acorns Donate old woollens and coats to a charity Help clear leaves from the lawn

We have been painted a lie, and sadly we repaint it for ourselves as a culture dominantly divorced from the intimate, harmonious nature of becoming a mother.

In keeping with the tale's mystery and tragedy, Spirin's paintings take their inspiration from Japanese art, placing the human drama against a background of nature that is changeable, mysterious, and hauntingly beautiful.

Taking clear design cues from the Samsung Galaxy S3 smartphone, think of the Note 2 as a kind of super-sized version of the flagship handset, swapping straight lines for sleeker curves and a white paint job «inspired by «nature», so the marketing blurb tells us.

The terrifying otherworldly nature of the paintings start normally enough, we've all felt that strange unnerving realization that a painting is watching you from its position on the wall.

Of his work Erikson says: «My paintings are abstractions in the sense that at some point in the painting process I'm abstracting from nature, whether consciously at the beginning or through some experience or memory I bring into the studio during the evolution of the paintinOf his work Erikson says: «My paintings are abstractions in the sense that at some point in the painting process I'm abstracting from nature, whether consciously at the beginning or through some experience or memory I bring into the studio during the evolution of the paintinof the painting.

In addition the surprise and continuity of color systems in nature teach you how to move from color to color - how to organize tones and the key of a painting.

Bonnard's habit of drawing all the time, together with his practice of painting from memory rekindled by drawings made on the spot, allowed him to paint subjects of a more transitory nature than had anyone else.

The most authentic statement of Manet's sense of his situation as a man and as an artist may well be his two versions, painted in 1881, of The Escape of Rochefort, in my opinion unconscious or disguised self - images, where the equivocal radical leader, hardly an outright hero by any standards, is represented in complete isolation from nature and his fellow men: he is, in fact, not even recognizably present in one of the paintings of his escape from New Caledonia.

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

This labor - intensive technique results in ethereal paintings that give expression to aspects of nature hidden from or invisible to the unaided eye.

Using the visual language of mythological depictions of wrestling, mined from art historical sources and his own memory, these paintings propose new through lines in Dunham's practice that are both formal and autobiographical in nature.

1998 Joan Mitchell: From Nature to Abstraction, Nave Museum, Victoria, Texas (September 11 — November 29) Joan Mitchell: Paintings, 1950 — 1955 from the Estate of Joan Mitchell, Robert Miller Gallery, New York (May 22 — JunFrom Nature to Abstraction, Nave Museum, Victoria, Texas (September 11 — November 29) Joan Mitchell: Paintings, 1950 — 1955 from the Estate of Joan Mitchell, Robert Miller Gallery, New York (May 22 — Junfrom the Estate of Joan Mitchell, Robert Miller Gallery, New York (May 22 — June 5)

Le Grice abstracts from nature and architecture «the patterns which form part of our everyday world» making paintings in acrylic or mixed media, that are quite modest in size.

Despite working mainly from life for many years and running this site about perceptual painting, I am not a purist with strict rules about only painting in front of nature.

1986 Ringing in the Changes, Fabian Carlsson Gallery, London (November 5, 1986 — January 10, 1987) The 1950s: American Artists in Paris, Part III, Denise Cadé Gallery, New York (November 4 — December 15) Couleurs de l'Ombre: Peintures Modernes de Grands Formats, Chapelle de la Sorbonne, Paris (September 24 — October 26) Un Musée éphémère: Collections privées françaises, 1945 - 1985, Fondation Maeght, Saint - Paul - de-Vence, France (July 5 — October 5) Paintings, Sculpture, Collages, and Drawings, Janie C. Lee Gallery, Houston (March) An American Renaissance: Painting and Sculpture since 1940, Museum of Art, Fort Lauderdale (January 12 — March 30) Drawings, Xavier Fourcade Gallery, New York (January 8 — February 8) The Inspiration Comes From Nature, Part 1, Jack Tilton Gallery, New York (January 7 — February 1)

On view are eight new paintings that pluck influence from fetish culture, exhibitionism, curiosities of nature, and her ever - growing register of imagery pulled from popular culture.

However, the popular nature of plein air movement seems a double - edged sword; more people now care about landscape painting but on the other hand the work often suffers from being geared toward mass consumption.

Tiffany Bell and Frances Morris — the loving curators who put the London survey of her work together — include 1954's Untitled, with its Adolph Gottlieb — like shapes and a few other paintings of its kind, the better to show what it looked like as Martin moved away from the body and into drawing something more ineffable — nature, or more specifically, the cosmos at the heart of the natural world.

Smaller, juicier paintings such as «Goldenrods» and «Field of Wildflowers» see Katz using motifs from nature to experiment with the «all - over» approach to composition, whereby no one part of the composition is allowed to prevail over the others.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Her paintings from that period of late 60's and early 70's are mainly studies of transparent objects and represent the beginnings of her exploration of nature and essence of light that will occupy her attention throughout her career [2].

The paintings depict the wilderness and fantasies about great adventures with references to memories from the artist's early life in Kiruna, films he has seen, places he has visited or the smallness of humanity in the face of nature.

-- into their checklists, including Reality Check: Representational Paintings from the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's critefrom the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's criteFrom the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's criteria.

David Richard Gallery will present an exhibition of abstract paintings from the 1970s by Leon Berkowitz (1911 - 1987) that features subtle and misty transitions of color evocative of the gradual shifts in the forces of nature and the inspiration for the series.

Starting with depictions of your favorite / least favorite locations, from strip malls to nature preserves and everywhere in between, participants will manipulate photos, paint, and drawing media to create a panorama strip.

When he was a young man in West Berlin, having crossed over from the East, Georg Baselitz initially painted stunning monumental patchwork portraits of life among the rubble and then, in the «70s, became an international sensation by painting expressionistic figures upside - down, an aesthetic gambit that to many suggested the topsy - turvy nature of life in postwar Germany.

According to Sara Reisman ``... Wojciech Gilewicz» practices is about expanding the scope of painting specifically and art art generally into the realm of daily life, usually public and sometimes private... Gilewicz... questions the very nature of art, dismantling it from the rarified, official spaces of culture to a much wider field that leads to the discovery that life itself as art.»

Profoundly influenced by Chinese painting traditions and techniques — especially the marks of the eighth - and ninth - century Yi - pin «ink - splashing» (or «flung ink») painters — mentorships from John Cage and Agnes Martin, and the harmony between man and nature espoused by Taoist philosophy, Steir considers elemental forces active participants in her work, intentionally removing herself from the action and allowing gravity, time, and the environment to determine the work's result.

Variations: Conversations in and Around Abstract Painting, Los Angeles County Museum of Art, Los Angeles, California Painter's Painters: Gifts from Alex Katz, High Museum of Art, Atlanta Georgia Nature Study: A Group Exhibition, Crown Point Press, San Francisco, California Summer Choices: A Group Show, Crown Point Press, San Francisco California Joyride, Marlborough Broome St, New York, New York Capture the Rapture, CB1 Gallery, Los Angeles, California Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver, Canada The good, the bad and the ugly, Gesso Artspace, Vienna Austria Another Cats Show, 356 S. Mission Rd, Los Angeles, California Cornucopia, Parkett Exhibition Space, Zurich, Switzerland The Machine Project Field Guide to the Gamble House, Gamble House, Pasadena, California Wake Up Early, Fear Death, curated by Philipp Kaiser.

With specimens from Hantaï's painterly «Mariale» series (1960 - 62) to the almost Matisse - like «Meuns» (1967 - 8) and the frenetic «Études» (1968 - 1971), where the negative space forms take on a wing - like nature, the Mnuchin Gallery succinctly paints a portrait of Hantaï's dramatic evolution in a short span of time.

Flight from Nature proposes that a great deal of painting and sculpture today is concerned with the imitation of life.

The performative nature of the paintings and the artist's self - awareness on camera recalls Hans Namuth's infamous photographs of Jackson Pollock's dramatic painting process — images that have defined our understanding of his active bodily presence.18 However, in Saint Phalle's hands, there is an explicit refusal of the terms of abstraction that Pollock and others of his generation perfected — i.e., the expression of exquisite anguish that could be exorcized by subjective brushwork from the singular, heroic male artist.

Welsh graduated from Pratt with a BFA in Photography, which underscores the varied and intersecting nature of her painting practice, as well as her conceptual and technical interests.

With more than 30 major paintings, the exhibition follows Aho on his artistic journey from dramatic images of the New England landscape to energetic, freely brushed abstract compositions inspired by his responses to nature.

«Exquisite Nature: 20 Masterpieces of Chinese Painting from the 14th - 18th Centuries.»

The retrospective of paintings by Cornelia Foss, presented in Guild Hall's Woodhouse Gallery, includes works that emphasize the artist's relationship to the ecology of the East End and also incorporates ruminations on nature from New York's Central Park (in addition to a series of portraits of family and friends).

Fantastic and exotic representational subjects sourced from objects found in nature such as dried plant detritus, (leaves, pods, twigs, etc...) are ruminated over, then transformed into bronzes and paintings in this most recent solo exhibit of Kat's work.

There are echoes of de Kooning's light - filled landscape - inspired paintings of the 1960s and»70s, though Wool's engrained chromophobia (over several decades of painting he has hardly ever strayed from a palette of black and white) keeps nature at bay.

While Thomsen's leanings toward nature in her paintings are profoundly felt, they are less Eastern than coming from the logic of Western abstraction, in essence, an update of Der Blaue Reiter.

Although Don Nice is best known for his depictions of contemporary American culture such as candies, soda bottles and branded sneakers, the early watercolor and oil paintings in this exhibition stem from the artist's upbringing on an open range and his love of nature.

Julia Whitney Barnes Julia Whitney Barnes, a New York based artist known for her vivid, luminous paintings which cull naturalistic imagery from an abstracted ground as well as her nature infused ceramic works, presents a series of painted porcelain vignettes.

The nature of the exhibition is such that sculptures, paintings and installations transition from prop to image to art object, staging an enquiry into whether these fictional depictions in mass media ultimately have greater influence in defining a collective understanding of art than art itself does.

Yanyan Huang's elegant, calligraphic paintings draw from the raw beauty nature and they sit alongside the vibrant, urban colors with dynamic gestural movements of Emily Joelle Lambert.

Egan Frantz's show, «The Oat Paintings,» provides a possible opening into a discussion of the nature of political art: how we distinguish it from among...

Allegories of Nature: Organic Abstractions 1945 - 1949 includes a selection of paintings and large - scale watercolors from Stamos's formative years.